Sylvia Davis

Filmes

Memórias
Hostility Victim
Sandy Bates (Allen), um lendário cineasta famoso por suas comédias, está cansado de ser engraçado. Em um fim de semana, à beira de um ataque de nervos, Bates comparece a uma retrospectiva de seus filmes, onde acaba tendo que se confrontar com o significado de seu trabalho, com as lembranças de seu grande amor, Dorrie (Charlotte Rampling), e com os méritos de um relacionamento sério com sua nova namorada, Isobel (Marie-Christine Barrault). Atormentado por alucinações, por estranhas visitas e pelos executivos impiedosos dos estúdios tentando reeditar seu novo filme, Bates luta para encontrar um motivo para continuar vivendo.
Deixem-nos Viver
Marjorie Guthrie
After getting kicked out of college, Arlo decides to visit his friend Alice for Thanksgiving dinner. After dinner is over, Arlo volunteers to take the trash to the dump, but finds it closed for the holiday, so he just dumps the trash in the bottom of a ravine. This act of littering gets him arrested, and sends him on a bizarre journey that ends with him in front of the draft board.
The Dybbuk
Frade
The Dybbuk is a made for TV film adaptation of a classic Jewish folktale. The story is about a young Jewish man, Sender (Theodore Bikel) who loves a young Jewish woman, Leah (Carol Lawrence) but her father arranges her marriage with another man. The grief of this causes Sender to die, but his spirit passes into the body of his beloved on her wedding day. Rabbi Azrael (Ludwig Donath), who serves as our narrator through the beginning of the film, is charged with the task of exercising Sender’s Dybbuk (sometimes defined as a malicious spirit or demon who possesses the living) from Leah’s body.