Producer
The thrilling story of an elite group of Cuban spies sent undercover to the US in the 1990s. From their recruitment, training and eventual capture on US soil; this film peers into a secret world of false identities, love affairs and betrayal. Using never seen before footage from the Cuban Film Institute’s archive and first-hand testimony from the people at the heart of this story, Castro’s Spies gives a rare glimpse into the shadowy world of a spy – where the stakes are life and death.
Writer
Kate (Milla Jovovich) está cansada de viver nas ruas perigosas de Hell's Kitchen, assim como da falta de ambição de seu namorado, Big Al (Angus Macfadyen). Ansiosa em enriquecer, ela decide fazer algumas vendas de armas sem que Big Al saiba. Nestas vendas ela é auxiliada por Vic (Sarah Strange), que está maravilhada com Kate. Quando Big Al descobre o que está ocorrendo ele perde os limites, o que faz com que Kate queira se vingar. Para isso ela usa seus atributos femininos para seduzir dissidentes de gangues, policiais e criminosos que possam ajudá-la.
Director
Kate (Milla Jovovich) está cansada de viver nas ruas perigosas de Hell's Kitchen, assim como da falta de ambição de seu namorado, Big Al (Angus Macfadyen). Ansiosa em enriquecer, ela decide fazer algumas vendas de armas sem que Big Al saiba. Nestas vendas ela é auxiliada por Vic (Sarah Strange), que está maravilhada com Kate. Quando Big Al descobre o que está ocorrendo ele perde os limites, o que faz com que Kate queira se vingar. Para isso ela usa seus atributos femininos para seduzir dissidentes de gangues, policiais e criminosos que possam ajudá-la.
Co-Producer
At the beginning of a nightly Alcoholics Anonymous meeting, Jim seems particularly troubled. His sponsor encourages him to talk that night, the first time in seven months, so he does - and leaves the meeting right after. As Jim wanders the night, searching for some solace in his old stomping grounds, bars and parks where he bought drugs, the meeting goes on, and we hear the stories of survivors and addicts - some, like Louis, who claim to have wandered in looking for choir practice, who don't call themselves alcoholic, and others, like Joseph, whose drinking almost caused the death of his child - as they talk about their lives at the meeting
Theatre Play
At the beginning of a nightly Alcoholics Anonymous meeting, Jim seems particularly troubled. His sponsor encourages him to talk that night, the first time in seven months, so he does - and leaves the meeting right after. As Jim wanders the night, searching for some solace in his old stomping grounds, bars and parks where he bought drugs, the meeting goes on, and we hear the stories of survivors and addicts - some, like Louis, who claim to have wandered in looking for choir practice, who don't call themselves alcoholic, and others, like Joseph, whose drinking almost caused the death of his child - as they talk about their lives at the meeting
Screenplay
At the beginning of a nightly Alcoholics Anonymous meeting, Jim seems particularly troubled. His sponsor encourages him to talk that night, the first time in seven months, so he does - and leaves the meeting right after. As Jim wanders the night, searching for some solace in his old stomping grounds, bars and parks where he bought drugs, the meeting goes on, and we hear the stories of survivors and addicts - some, like Louis, who claim to have wandered in looking for choir practice, who don't call themselves alcoholic, and others, like Joseph, whose drinking almost caused the death of his child - as they talk about their lives at the meeting
