Julia Migenes

La Voix Humaine is a concerto for soprano and orchestra, centering on the break-up of a relationship by telephone. It represents one side of a conversation between a young woman (sung by American soprano, Julia Migenes) and her lover, who has jilted her. In a 1930s, Parisian apartment, a woman is seen making for the door. As she passes the telephone, it rings. From now on she sings, sitting, standing, on her knees, pacing up and down the room, pulling at the telephone cord, going through every emotion until ultimately, in despair, she takes her own life. Jean Cocteau wrote, it is not just that the telephone is sometimes more dangerous than the revolver but that its tangled cord drains us of our strength, while giving us nothing in return.

Celebrate Christmas with Disney and discover its European influences.

In the 19th century London, a young girl falls for a famous womanizing criminal and they decide to get married. Her family strongly disapproves so her father "the king of thieves" gets the gangster arrested.

In Cold War-era West Berlin, Lola (Julia Migenes-Johnson), an American blues singer with a nightclub band, falls for the piano player, David (Jose Coronado). Their romance is cut short when David must return to his native East, and Lola soon begins an affair with Huessler (Keith Baxter), the bandleader. But any guilt Lola may feel for betraying David is assuaged when Huessler saves her from unexpected misfortune.

A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.

Peter Eötvös's operatic adaptation of Tony Kushner's "Angels in America."