Waage Sandø

In the late 19th century, a young Danish priest travels to a remote part of Iceland to build a church and photograph its people. But the deeper he goes into the unforgiving landscape, the more he strays from his purpose, the mission and morality.

When Prussia and Austria declare war on Denmark, two brothers are called to serve in the bloodiest battle in Denmark's history.

A snapshot of the state of the Danish nation: in one of the stories, a woman enters a pole-sitting contest in a desperate bid to reinvent herself. Another is about Erik, whose wife has been lobbying a Better Homes and Gardens type magazine to do a spread on their perfect home. When the editors finally relent, she makes Erik sip his red wine in the laundry room lest he stain their cream-colored couches. Svend, the last remaining Marxist in Copenhagen, is the impassioned organizer of a political mass meeting where no one shows up. Finally, Jens, a pizza and porno connoisseur, connives his way to some booty by convincing Gry the model that he lives with his mentally challenged brother. Over the course of a week, their paths cross and nothing, and nobody, is ever quite the same again.

In his new film, an intriguing and delicately crafted drama, Malmros portrays the poignant story of a man, who grew up in very modest circumstances in the early years of the 20th century, but whose diligence, intelligence and willingness to endure hardship helped him to become a leading brain surgeon. A success story on the face of it, but a story about a man - who is none other than the director's father - a man of powerful emotions. The film explores the nature and origin of the guilt that repeatedly deprived him of happiness.

A woman helps a prisoner free at Rome's airport and then falls in love with him.

Four high school friends meet up in an abandoned house to play 'Backstabbed', a game of murder with headphones and plastic weapons. Meanwhile, a serial killer is leaving a trail of blood on his way to the house, and soon the game of murder becomes much more than make-believe.

PUK SCHARBAU plays Lise Nørgaard in the epic film adaptation of her fascinating life story. In a chronicle of both love and war, masterfully directed by Peter Schroeder, we follow the woman who would later give us 'Matador', from her early childhood to her controversial career as a journalist with a Denmark of yesterday, and a Europe in flames as convincing backdrop.

Set in 1962 during the Berlin crisis, the contented lifestyle of Carmen and her kid brother, whom she's nicknamed Babyface, comes to an abrupt end when their parents acrimoniously separate.

Torben's father and farmer Jacob make a trade. Jacob gets a gearbox and Torben's father gets peace: Torben must be at farmer Jacob on the farm the rest of his summer holidays. It was Jacob never have done ...! Absolutely terrific Danish family comedy in the best action-style. Wild bass played by Robert Hansen, known from Anja and Viktor films and family Gregersen. Moreover contributes among other Preben Kristensen, Viggo Summer and Dick Kaysø and many more ...

A pair of octogenarians meet, fall in love, and have a passionate love affair, much to the horror of their disapproving children.

Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.

Family drama set in the Danish countryside in the turn of the century. A wealthy landowner is an evil and corrupt womaniser with several illegitimate offspring in addition to his beautiful family. Nobody stands up to him except his feisty 17-year-old daughter.

At their 25th high-school anniversary some bourgeois citizens remember their time in school as a happy one. In reality it was quite the contrary. The school was a madhouse in which the teachers, especially Blomme, tormented the students. As a result one of them became a murderer.

A young woman who falls in love with her teacher is hit by heartache and challenges she is not prepared for and struggles to escape her dark frame of mind.

In 1943, where everything was prohibited, and the Nazi grip on the Danish population tightened, more and more growing resistance to the occupation quite naturally in the Danish population. In Aarhus break 2 young men, Holger Mikkelsen (Ole Lemmeke) and Leo (Per Morberg) into a company who sympathize with the Germans, and burn repairer. It had been a close thing, but when, however, to reach safety before occupying forces emerge.

14 year old Sven is a technical genius, who has rebuilt an old caravan into a radio communication center. Via radio he is in contact with his father, who works at a big ship at the other side of the globe. One day the radio communication is suddenly interrupted by something which sounds like a Latin mass. In school Sven attends a lesson about radio-astronomy. The teacher explains that astronomers can receive radio waves that are thousand years old. Sven understands that the Latin mass he heard was transmitted to him from another age. He gets curious and starts making experiments by connecting his radio kit to bigger aerials. When he sits in the caravan together with his friends Bo and Petra, they not only hear the Latin mass on his radio, but the whole caravan is turned into a time-machine that brings them to the Middle Ages. They get in trouble with some warriors, who capture Petra, while Sven and Bo escape with the help of their time-machine...

Maria grows up in a seedy 1960s working class neighborhood, the daughter of an ambitious emigrant father and soon caught up in her own dangerously one track-minded pursuit of a violinist's career. A rich gallery of highly original characters contribute, for better and for worse, to Maria's coming of age. Based on Kirsten Thorup's critically acclaimed 1982 novel, filmed by Morten Arnfred.