Harold Manning

Michèle é a executiva-chefe de uma empresa de videogames, a qual administra do mesmo jeito que administra sua vida amorosa e sentimental: com mão de ferro, organizando tudo de maneira precisa e ordenada. Sua rotina é quebrada quando ela é atacada por um desconhecido, dentro de sua própria casa. No entanto, ela decide não deixar que isso a abale. O problema é que o agressor misterioso ainda não desistiu dela.

Marido de Elise (Sarah Polley) e pai de três filhos, Nemo Nobody (Jared Leto) leva uma vida comum ao lado de sua família. Ele acorda no ano de 2092 e agora, com 118 anos, é o último mortal em um planeta de seres humanos imortais. As suas preocupações, contudo, envolvem outras questões, como o que aconteceu durante a passagem de tempo e se viveu sua vida como gostaria.

William’s great surprise, his cousin Clovis, whom he did not see again since around thirty years, arrives from New York to visit him. Reunion between both men creates one thousand memories: always so collusive, they become fast inseparable, living again, the space of moment, their young years… Only Elizabeth, wife of William, who has just lost her father, does not share their cheerfulness.

William’s great surprise, his cousin Clovis, whom he did not see again since around thirty years, arrives from New York to visit him. Reunion between both men creates one thousand memories: always so collusive, they become fast inseparable, living again, the space of moment, their young years… Only Elizabeth, wife of William, who has just lost her father, does not share their cheerfulness.

Jean-Pierre is a hit man in Paris. He wants to stop; an incentive is reconnecting to Michelle, a childhood friend. He's ready to commit himself to her, but she has her own secrets: she sells bomb components to thugs. He hears rumors of a missing briefcase, which he finds in Michelle's flat. He asks no questions, and soon both of them are in trouble with Jean-Pierre's ex-employer and with her bomb buyers. Two other characters complicate the maneuvering: Jean-Pierre's best friend, who's always losing money on the ponies, and the ex-employer's new contract killer, a seemingly fragile woman. Is there any way that Jean-Pierre can protect Michelle and escape with his life? Written by

In 3 movies,1 was "3days of the Condor" pollack had a character say "What is it with you people,you think not being caught in a lie is the same as telling the truth" the other 2 movies? And characters?

In 3 movies,1 was "3days of the Condor" pollack had a character say "What is it with you people,you think not being caught in a lie is the same as telling the truth" the other 2 movies? And characters?

A fairy tale-like love story between young circus artist Lola and the bear Misha, who one day transforms into a human being.

Three war stories, far from the Front. The first two take place during the Great War, one in the summer of 1916, when allegiance still reigns, the other in the winter of 1916, when a convalescent soldier and his young cousin go for a walk in the woods. The third story, set in the present day, accompanies two young French soldiers, marked by the violence of the fighting in a distant and blurred war that no one seems to care about, during a July Fourth ball.

Uma equipe de cinema chega a uma pequena cidade no norte do Irã, devastada por um tremor de terra, para realizar um filme. Hossein (Hossein Rezai) é contratado para ser o protagonista. Por acaso, a atriz que contracena com ele é Tahere (Tahere Ladanian), uma jovem por quem ele está apaixonado, mas que a família tinha recusado para o casamento. Enquanto ele diz todas as suas falas, Tahere permanece calada. O diretor descobre o amor platônico que Hossein sente por Tahere. Após algumas pressões, Tahereh aceita atuar normalmente e começa a cumprir seu trabalho. Mas não é fácil, ao menos para Farhad - na história que está sendo filmada, eles são recém-casados. Nos intervalos entre os takes, ele tenta de todas as maneiras obter uma resposta de sua amada. Entretanto, ela não parece muito interessada em responder.

More young cinephiles in part two of Skorecki's three part film.

French-made documentary, "Métro Lumière", which actually does help provide some of the context for Hsiao-hsien's approach to the film. It includes excerpts from Ozu's films, in particular, "Equinox Flower", to show the parallels with this film, the obvious basis for some of the scenes and situation set-ups.