Bianca Oana

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

Gheorghe Blondă is the analog film laboratory technician from the National Film University of Bucharest. Under the pretext of modernizing the university, he is to be replaced and have his life-long career end. With the filming taking place at the same time as the anti-corruption protests in 2017, Romania, the film brings to light the ways in which the university, a public institution, mirrors the autorities that rule the country. Despite the leading board of the university claiming that it's a natural technological transition, Gheorghe's struggle to keep his job becomes a matter of life or death.

Andreea Raducan, a successful 32-year-old woman and one of Romania’s greatest gymnasts, sacrificed her childhood to become an Olympic champion. She finally won the all-round Olympic gold medal in Sydney in 2000, but was stripped of it three days later after testing positive for a doping substance contained in a flu tablet her doctor had administered to her minutes before she entered the competition. Fifteen years later, Andreea is fighting the toughest fight against the people who deceived her, as she tries to recover her medal and, along with it, her dignity.

A father recounts to his daughter the extraordinary journey of four young explorers throughout the world. Fascinated by this story, the little girl will discover that the adventure told to her by her father is at border between reality and fiction.

Após um trágico incêndio em um clube romeno, em 30 de outubro de 2015, as vítimas de queimaduras começam a morrer em hospitais devido a ferimentos que não são fatais. Uma equipe de jornalistas investigativos entra em ação, descobrindo a corrupção em massa do sistema de saúde e das instituições do Estado, abordando questões sobre propaganda e manipulação que até hoje afetam não apenas a Romênia, mas também sociedades em todo o mundo.

In 1991, after more than four decades of oppression and isolation, the totalitarian communist regime in Albania falls, leaving its people exposed to the new world. The refugee crisis spread across Europe in Germany, Italy and Greece. Some succeeded in creating a new life, others not. Shpetim and Fatbardha were together. They decided to walk the distance between Albania and Greece to live their love. 25 years later, their son walks the same distance, this time from Greece to Albania.

In the mountains of Northern Albania, a young man seeks revenge for his father's death. The murderer has disappeared a few months ago and the police is still looking for him. The young man kidnaps the killer's only son and raises him up until he reaches his 16th birthday, when according to the Kanun, the Albanian law of revenge, a child becomes a man and he is allowed to kill or to be killed.

Toto, de nove anos, vive com as irmãs adolescentes Ana e Andreea num apartamento quase inabitável nos arredores de Bucareste. Sua mãe está na prisão há quatro anos por tráfico de drogas, e seus tios usam o apartamento como local de encontro para usar e vender drogas.

After years behind bars, three young men begin to rediscover lives of aggression and excess in their raucous Roma community. Among them is Alex, a captivating figure with a disturbingly blasé attitude toward violence, women, and guilt. In this absorbing documentary, offering a rare peek into contemporary Roma culture, Alex and his fellow ex-cons reconcile the outside world with the gray-shaded areas of morality with which they all struggle.

After years behind bars, three young men begin to rediscover lives of aggression and excess in their raucous Roma community. Among them is Alex, a captivating figure with a disturbingly blasé attitude toward violence, women, and guilt. In this absorbing documentary, offering a rare peek into contemporary Roma culture, Alex and his fellow ex-cons reconcile the outside world with the gray-shaded areas of morality with which they all struggle.

Luca (George Pistereanu), um jovem de 20 anos, seduz garotas e depois as entrega a seus amigos no porto de Constanta, no Mar Negro, para integrar uma rede de prostituição. Até conhecer a bela Veli (Ada Condeescu), uma de suas vítimas potenciais, e se apaixonar. É verão no rio Danúbio, em Harsova. A música alta, os carros, as garota bronzeadas fazem parte da paisagem, e Veli foge de casa para os braços de Luca. O primeiro amor nunca pareceu tão perigoso.

Romania, 1986: Gregor and Vali want to get away. Both need each other, yet there is mutual distrust. One night Gregor finds his doubts confirmed. In the end only hope is left.

Paul (23) and Radu (53) are a couple in crisis. They are visited every day in their home by a small film crew. Together with the filmmaker, they go through a “deconstruction of memory” process, via procedures such as intimate video diaries, exercises inspired from family constellations, re-enactments of key memories and dreams, in an attempt to make sense of their explosive relationship.