János Gyuriska

Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.

O filme acompanha três gerações de homens de uma mesma família húngara. Três seres aparte, cada um deles com uma estranha relação com o seu próprio corpo. Vendel Morosgoványi é um militar de baixa patente que exterioriza as suas necessidades sexuais da melhor (e mais original) forma que pode, vivendo numa ansiedade obsessiva na quinta do seu superior. O seu filho, Kálmán Balatony pôs a render a sua compulsão por comida em concursos internacionais. Do seu casamento com Gizi Aczél (Adél Stanczel), também ela uma campeã de comida, nasce Lajos, um magrelo taxidermista, condenado a cuidar do seu pai imóvel e dos seus três enormes gatos.

Magyar vándor is a 2004 Hungarian action comedy film directed by Gábor Herendi and starring Károly Gesztesi, János Gyuriska and Gyula Bodrogi

A satirical tale of the adaptation, casting and rehearsal of a theatrical version of Winnie-the-Pooh.

zilvi deals in drugs and cannot decide between Tamas who offers her love in this world and the priest who offers her the chance of ethereal harmony.

Waiters’ competition at Heroes’ Square in the late thirties. Dressed as waiters, Kapa and Pepe awake in the bronze chariot of the millennial sculpture group. They drive along the Danube promenade, and on the concrete reinforcement of the demolished Budapest rondella hotel they get involved in a showdown of political background. In the burnt-down Sports Hall the waiters train for a last supper, Pepe and Kapa run around the big laid table with trays in their hands. While doing so, Pepe keeps crying out: "I am the best one, I am the most beautiful one, I am the king, I am the god..." Sitting in a boat on the Danube, a ship goes past them, and the Niagara falls, majestic and breathtaking, resound in their ears. On each passing away something new will come to life – as rapped by Sub Bass Monster.

Kapa, Pepe and Mesi would like to buy a scrapyard of trains, to start a nostalgia train and earn a lot of money. The capital to start with they want to get from grandpa, who has come home from America with a suitcase full of money. Everybody wants Mesi to approach the old man, because she is the only one he would speak to. But Mesi is more concerned with the idea that she wants a child, by now from anyone, while Pepe is jealous. Kapa’s alleged son emerges, with the mafia behind him: they, too, are eager to get grandpa’s money. After threats and blackmailing, poisoned apples are sent, with only one side of them poisonous. Those dead, by the way, are resurrected by the sound of a song. At last, nobody manages to get the money, but it wouldn’t make sense anyway: it’s all fake. The Statue of Liberty, however, turns out to be blind.

An adaptation of the classic, "The Prince and the Pauper" is the retelling of Edward Tudor and young Thomas Canty, two amazing look-alikes caught up in imperial intrigue and scandal. In fleeing from his violent father, Tom stumbles into the palace courtyard, and is seen by young Prince Edward, who takes him in. Each desiring to see what the other's life is like, the boys impulsively switch identities... little knowing what disaster lies ahead at this fault of thought. And soon Thomas becomes a pawn in the hands of Edward's malicious and greedy uncle, who would have the kingdom for himself.

Mary, Mother of Jesus is a 1999 made-for-television Biblical film that retells the story of Jesus through the eyes of Mary, his mother.

A love story between a young, policeman and a Chinese immigrant girl, who speak no common language.