Jonás Trueba

Jonás Trueba

Nascimento : 1981-11-30, Madrid, Madrid, Spain

História

He has written and directed the films All Songs Speak About Me (2010), for which he was nominated for the Goya for Best New Director, The Illusions (2013), which received awards and recognition from critics and audiences after his tour of international festivals, The romantic exiles (2015), Special Jury Prize at Malaga Festival among other awards and festivals, La reconquista (2016), which participated in the Official Section of the San Sebastian Festival, as well as in international festival numbers, and for which he received the RNE 2016 Critical Eye Award. At the end of that year, Who Prevents It begins, a project of cinematographic approach to different young adolescents that is shown in different pieces, such as a film in progress. His most recent film is The Virgin of August (2019), Fipresci Prize for International Critics and Special Jury Mention at the Karlovy Vary International Festival 2019.

Perfil

Jonás Trueba

Filmes

You Have to Come and See It
Producer
Two couples in their thirties, heated discussions on the essentials of life unfolding between Madrid and the neighbouring countryside.
You Have to Come and See It
Writer
Two couples in their thirties, heated discussions on the essentials of life unfolding between Madrid and the neighbouring countryside.
You Have to Come and See It
Director
Two couples in their thirties, heated discussions on the essentials of life unfolding between Madrid and the neighbouring countryside.
Who’s Stopping Us
Director of Photography
Quién lo impide is a call to change our perception of adolescents and youths; our idea of those born in the early 21st century who have recently reached adulthood; those who now seem guilty of everything as they themselves see their hopes dashed. Somewhere between documentary, fiction and pure testimonial record, the young adolescents show themselves the way they really are, the way we rarely see them, or the way they let us see them: taking advantage of the film camera to show off the best of themselves and renew our trust in the future; from fragility and emotion, with humour, intelligence, beliefs and ideas. Because the young people who speak to us about love, friendship, politics or education refer not only to their own situation, but to the things that always matter to us, at any age. Quién lo impide is a film about ourselves: about what we were, what we are and what we will continue to be.
Who’s Stopping Us
Writer
Quién lo impide is a call to change our perception of adolescents and youths; our idea of those born in the early 21st century who have recently reached adulthood; those who now seem guilty of everything as they themselves see their hopes dashed. Somewhere between documentary, fiction and pure testimonial record, the young adolescents show themselves the way they really are, the way we rarely see them, or the way they let us see them: taking advantage of the film camera to show off the best of themselves and renew our trust in the future; from fragility and emotion, with humour, intelligence, beliefs and ideas. Because the young people who speak to us about love, friendship, politics or education refer not only to their own situation, but to the things that always matter to us, at any age. Quién lo impide is a film about ourselves: about what we were, what we are and what we will continue to be.
Who’s Stopping Us
Director
Quién lo impide is a call to change our perception of adolescents and youths; our idea of those born in the early 21st century who have recently reached adulthood; those who now seem guilty of everything as they themselves see their hopes dashed. Somewhere between documentary, fiction and pure testimonial record, the young adolescents show themselves the way they really are, the way we rarely see them, or the way they let us see them: taking advantage of the film camera to show off the best of themselves and renew our trust in the future; from fragility and emotion, with humour, intelligence, beliefs and ideas. Because the young people who speak to us about love, friendship, politics or education refer not only to their own situation, but to the things that always matter to us, at any age. Quién lo impide is a film about ourselves: about what we were, what we are and what we will continue to be.
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The August Virgin
Screenplay
Young Eva makes her decision to stay in Madrid for the month of August an act of faith. She needs to feel things differently and think of summer as a time of opportunity. On days of festivities and verbenas, while events and encounters take place, Eva will discover that she still has time, that an opportunity can still be given.
The August Virgin
Director
Young Eva makes her decision to stay in Madrid for the month of August an act of faith. She needs to feel things differently and think of summer as a time of opportunity. On days of festivities and verbenas, while events and encounters take place, Eva will discover that she still has time, that an opportunity can still be given.
Tú también lo has vivido
Director
Si vamos 28, volvemos 28
Director
Principiantes
Director
Sólo somos
Director
La receta
Director
The Reconquest
Writer
Manuela and Olmo meet in a future as they had promised fifteen years earlier as teenagers, when they lived their first love. Based on this romantic situation, La Reconquista is in fact a film on a quest for time; or about the awareness of time: of time lost and time recovered; about what we remember about ourselves and what we don't remember; about the words, gestures and feelings to which we remain faithful, because they define and compel us today, yesterday and tomorrow.
The Reconquest
Director
Manuela and Olmo meet in a future as they had promised fifteen years earlier as teenagers, when they lived their first love. Based on this romantic situation, La Reconquista is in fact a film on a quest for time; or about the awareness of time: of time lost and time recovered; about what we remember about ourselves and what we don't remember; about the words, gestures and feelings to which we remain faithful, because they define and compel us today, yesterday and tomorrow.
The Romantic Exiles
Writer
Vito, Luis and Francesco are three Spanish friends around thirty who travel by van to Paris for no apparent reason, just looking for a reunion with their respective ancient, idyllic and yet ephemeral love affairs, perhaps with the only mission of surprising themselves and continue to still feel alive.
The Romantic Exiles
Director
Vito, Luis and Francesco are three Spanish friends around thirty who travel by van to Paris for no apparent reason, just looking for a reunion with their respective ancient, idyllic and yet ephemeral love affairs, perhaps with the only mission of surprising themselves and continue to still feel alive.
The Wishful Thinkers
Director
What some filmmakers do when they are not making movies: they waste time; they eat and get drunk; they take a walk after watching a movie; they fall in love; they are alone or with friends, building future memories for a future movie.
Every Song Is About Me
Screenplay
Film that revolves around the theme of love, but this time under the premise of a boy who tries to forget a girl, a story far more difficult to bear, especially when the girl you just separated from comes back again in each of the memories of your past and you feel that "all the love songs talk about me"
Every Song Is About Me
Director
Film that revolves around the theme of love, but this time under the premise of a boy who tries to forget a girl, a story far more difficult to bear, especially when the girl you just separated from comes back again in each of the memories of your past and you feel that "all the love songs talk about me"
Vete de mí
Writer
No Pain, No Gain
Writer
David is a teenager who feels he doesn't belong to a life where his family, friends and the girl he loves seem not to understand him.
The Good Life
Chico colegio
Tristan is about to turn fifteen. He enjoys the good life his parents have built for him. And yet, it won't be long before his environment of protection, affection and comfort crumbles. From then on, he will learn the taste of loneliness, sadness and that survival is often more important than life.