Franco Ricci

Em uma viagem de uma semana, um cadete do exército acompanha Fausto, um irritado capitão cego, de Turim até Nápoles. Sem paciência para piedade, o capitão não aceita discordâncias e se comporta mal em público, sabendo apenas dar ordens. Em Nápoles, ele encontra um tenente cego com o qual conversa sobre seguir em frente.

This film was Jeff Cameron's last film. He plays a secondary role, along with a few of Demofilo Fidani's regulars Dino ( Dean Stratford) Strano and Simonetta (Simone Blondel) Vitelli. Fidani set out to make a sequel to "Sedia Elettrica" which was set in the early days of American gangsterism. What Fidani ends up making is rather boring film. A mess, a montage of scenes composed mostly of action sequences that were removed from "Sedia Elettrica" which were fitted in as flash backs with some new scenes to bridge the present with the past. Some of the re-cycled scenes are with Big I Verdi but he's not given any star credit. Jeff Cameron doesn't do much, mostly drives around the back streets of Rome in his beefy Ford Mustang, trying to make it look like New York at dusk. Fidani almost gets away with it too, if it weren't for the painted road lines of the pedestrian crossing. Only in Europe do they have such crossings.

This comical spaghetti western inspired by the success of Lo Chiamavano Trinita and its sequels benefits from expansive cinematography by future cult filmmaker Aristide Massaccesi (a.k.a. Joe D'Amato). Stan Cooper and Gordon Mitchell star as a pair of bumbling conmen who wander through the West looking to make a fast buck. Their plans go awry when they run into a blustering, foul-tempered Mexican general who wants them eliminated.

The soldier Alessio escapes from the horrors of the war. He meets a young woman and hide in her home.

Seven masked bandits, whose chief calls himself "Mormon", kidnap young Susy, cousin of the mayor of Clayton City, Frank Clonny. Frank accepts the $15,000 ransom requested by the bandits and thinks of a plan which will permit him, with the help of Benson, the sheriff, to free his cousin, recover the money and capture the outlaws. The plan, though, is destined to fail, because one of the mayor's men, Donovan, allows the bandits to escape the trap. Benson then decides to call in Sartana, who the Mormon immediately tries to eliminate with the help of four killers: Buffalo, who kills with a bullwhip; Martinez, an expert knife thrower; Sullivan, a giant of incredible strength and Silky, a sly and fast gunslinger.

Following the death of her grandfather, Valentina settles with her husband Pierre, a sculptor, in the old family villa which she partly inherited (half of it belongs to her cousin Marta, who already resides there). Co-habitation proves to be awkward: Valentina is unscrupulous and uninhibited, while Marta is austere and virtuous - at least, on the surface. In fact, when Valentina suddenly dies, the woman initiates a seduction which eventually coaxes Pierre into her arms. The cosy situation soon changes when a police officer turns up to investigate Valentina's death...

Prohibition-era thriller.

Cerasella escapes just before his marriage with Alfredo and meets Bruno, the son of a wealthy industrialist.

Amelia, a beautiful and irrepressible girl known as "La Rossa", returns from Paris to her country, a small seaside town in southern Italy, where her father is the lighthouse keeper. To her father and her fellow villagers, she gives the impression that she is married to a rich gentleman. In reality she is only the friend of Pierre Dupont, an elegant Parisian bandit. Dupont, however, actually gives the girl a certain economic comfort. Later Pierre arrives in the country incognito, being wanted for a large theft of jewels in Paris, and Amelia, her lover and accomplice, helps him to hide.

The plot concerns a songwriter, played by Jacques Sernas who leaves his sweetheart and publisher when he learns that he is going blind.