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In the closing decades of the nineteenth century, during what has become known as the Gilded Age, the population of the United States doubled in the span of a single generation. As national wealth expanded, two classes rose simultaneously, separated by a gulf of experience and circumstance that was unprecedented in American life. These disparities sparked passionate and violent debate over questions still being asked in our own times: How is wealth best distributed, and by what process? Does government exist to protect private property or provide balm to the inevitable casualties of a churning industrial system? The outcome of these disputes was both uncertain and momentous, and marked by a passionate vitriol and level of violence that would shock the conscience of many Americans today.
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BAD BLOOD chronicles how a "miracle" treatment for hemophilia became an agent of death for 10,000 Americans.
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Leonardo is truly a terrible monster-terrible at being a monster that is. No matter how hard he tries, he can't seem to frighten anyone. Determined to succeed, Leonardo sets himself to training and research. Finally, he finds a nervous little boy, and scares the tuna salad out of him! But scaring people isn't quite as satisfying as he thought it would be. Leonardo realizes that he might be a terrible, awful monster-but he could be a really good friend.
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Joseph, the tailor, is very resourceful. When his overcoat becomes old and worn, he makes it into a jacket, then his jacket into a vest. And so on until he has nothing left - then he even makes something out of that!
