Cinematography
An Honest and hilarious look at the music industry through the eyes of an all girl rock band.
Director of Photography
Boys On Film showcases short works from around the world that challenge genre, initiate discussion and explore issues of sexuality in beautiful ways. Volume 11: We Are Animals contains eight complete films: Dominic Haxton's "We Are Animals" starring Daniel Landroche, Clint Napier, and Drew Droege; "Burger" from director Magnus Mork; Shaz Bennett's "Alaska Is A Drag" starring Martin L. Washington Jr., Spencer Broschard, and Barret Lewis; Carlos Augusto de Oliveira's "Three Summers" starring Morten Kirkskov and Simon Munk; Nicholas Verso's "The Last Time I Saw Richard" starring Toby Wallace, Cody Fern, and Brian Lipson; Eldar Rapaport's "Little Man" starring Daniel Boys, Darren Evans, and Jamie Thompson; Rodrigo Barriuso's "For Dorian" starring Ron Lea and Dylan Harman; and Bryan Horch's "Spooners" starring Walter Replogle and Ben Lerman.
Digital Compositor
After convincing his husband to retire their old lumpy futon, Nelson is forced to come out in a spectacular way while shopping for a new bed at Drowzy's Mattress World.
Creative Producer
After convincing his husband to retire their old lumpy futon, Nelson is forced to come out in a spectacular way while shopping for a new bed at Drowzy's Mattress World.
Director of Photography
After convincing his husband to retire their old lumpy futon, Nelson is forced to come out in a spectacular way while shopping for a new bed at Drowzy's Mattress World.
Editorial Production Assistant
Mardi Gras, drag balls and politics – where else could these elements come together but in New Orleans? Interweaving archival footage and contemporary interviews, The Sons of Tennessee Williams charts the evolution of the gay Mardi Gras krewe scene over the decades, illuminating the ways in which its emergence was a seminal factor in the cause of gay liberation in the South.
Director of Photography
Mardi Gras, drag balls and politics – where else could these elements come together but in New Orleans? Interweaving archival footage and contemporary interviews, The Sons of Tennessee Williams charts the evolution of the gay Mardi Gras krewe scene over the decades, illuminating the ways in which its emergence was a seminal factor in the cause of gay liberation in the South.
