Constantine Giannaris

Contemporary Athens: A gang of teenage thieves and romantic anarchists test the limits of their youthful rebellion and play out their own tragic spring awakening against the backdrop of a dying city.

Contemporary Athens: A gang of teenage thieves and romantic anarchists test the limits of their youthful rebellion and play out their own tragic spring awakening against the backdrop of a dying city.

Alex a captain with sad past saves thirty teens Afghan refugees. With tension constantly increasing, Alex tries to tackle the company's and crew pressures.

Alex a captain with sad past saves thirty teens Afghan refugees. With tension constantly increasing, Alex tries to tackle the company's and crew pressures.

A contemporary married couple and their eight-year-old son are exposed to our observation. The husband, around 35, works as a tax specialist for an import-export firm. His 30-year-old wife looks after their child and their home. The man's impending promotion at work triggers their dreams of social advancement and financial improvement. As their plain everyday life unfolds the characters are denuded to reveal their different needs and desires which render their functioning and communication increasingly hard. The man's inability to meet the escalating demands of his social circle and those of his wife brings tension into their relationship and leads to the culmination of the drama. The unexpected as well as extreme solution given by the heroine leads both the hero and the viewer to redefine reality on the basis of how things look and how they really are.

Um ônibus de passageiros que faz rotineiramente o trajeto entre Atenas e Thessalonica é seqüestrado por um homem que faz sete passageiros como reféns. Em sua mão esquerda, carrega uma granada de mão com a qual ameaça explodir o veículo caso suas exigências não sejam atendidas. Ele é um imigrante albanês de 25 anos chamado Elion Seni e exige um resgate de € 1 milhão e a volta segura para sua terra natal. Durante as 20 horas seguintes, o que segue é uma perseguição selvagem, envolvendo carros de polícia, equipes de TV, parentes desesperados e muitos curiosos. Um grande comboio de futuro incerto, mas direção definida: a fronteira com a Albânia.

Um ônibus de passageiros que faz rotineiramente o trajeto entre Atenas e Thessalonica é seqüestrado por um homem que faz sete passageiros como reféns. Em sua mão esquerda, carrega uma granada de mão com a qual ameaça explodir o veículo caso suas exigências não sejam atendidas. Ele é um imigrante albanês de 25 anos chamado Elion Seni e exige um resgate de € 1 milhão e a volta segura para sua terra natal. Durante as 20 horas seguintes, o que segue é uma perseguição selvagem, envolvendo carros de polícia, equipes de TV, parentes desesperados e muitos curiosos. Um grande comboio de futuro incerto, mas direção definida: a fronteira com a Albânia.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Middle August in Athens. Three families, living in a three storey building, leave for their summer vacations. Everyone is wishing for a miracle to happen this summer. In the meantime, a drifter breaks into their apartments and rummages their personal belongings, thus unfolding hidden secrets.

Middle August in Athens. Three families, living in a three storey building, leave for their summer vacations. Everyone is wishing for a miracle to happen this summer. In the meantime, a drifter breaks into their apartments and rummages their personal belongings, thus unfolding hidden secrets.

Minority-group Greeks from an outer suburb of Athens struggle with their life on society's fringe and exploitation of one another.

Minority-group Greeks from an outer suburb of Athens struggle with their life on society's fringe and exploitation of one another.

A bereaved woman adopts multiple disguises to track down the last three people to see her boyfriend before he died.

A bereaved woman adopts multiple disguises to track down the last three people to see her boyfriend before he died.

Three short films from Greece's greatest filmaker with Introduction to each by the filmaker: Caught Looking, Noth of Votrex, A place in the Sun.

Ilias, a young man of Athens, meets Panagiotis, a new-comer from Albania and falls in love with him. He pays dearly for the relationship.

A bisexual junkie poet (Stavros Zalmas) driving coast-to-coast first picks up a hunky hitchhiking sailor (Howard Napper) and then an androgynous waitress (Valda Drabla) as companions. They form an uneasy erotic triangle that will finally implode in a fateful desert episode. Greek director Constantine Giannaris' moody short black-and-white feature, set to British trumpeter John Eacott’s old-school jazz combo score, is very much in the mode of the New Queer Cinema movement of its era. It unfolds almost entirely without dialogue (although with the voice of Kevin Graal as an all-seeing narrator) as the photogenic protagonists’ classic convertible travels west across a timeless America of diners, pool halls and prairie landscapes.

Caught Looking sees a lonely gay man attempt to explore his sexual fantasies with the help of an interactive computer game, guiding his virtual reality persona through a series of potential encounters (naval rough trade, a moustachioed 'clone', a 50s muscle man) while offering wry commentary on the shifting landscape of queer cruising. But is it love he’s really looking for?

Collection of music videos by Jimmy Somerville, both as solo artist as well as with the bands Bronski Beat and The Communards.

A brief look at the life of the Greek poet Constantine Cavafy.

A brief look at the life of the Greek poet Constantine Cavafy.

A brief look at the life of the Greek poet Constantine Cavafy.

Young men find themselves scattered and defencelessly exposed to a merciless sun. Their gaze moves off searchingly into the distance. Deserted places appear to offer vague promises of refuge. On a prison wall, an explosive image of desire emerges, full of hope for freedom.

Young men find themselves scattered and defencelessly exposed to a merciless sun. Their gaze moves off searchingly into the distance. Deserted places appear to offer vague promises of refuge. On a prison wall, an explosive image of desire emerges, full of hope for freedom.

Gay and lesbian teenagers interview straight people on the streets of London about their views on homosexuality.