Benjamín Cann

Nascimento : 1953-08-09,

Filmes

Crónica de un desayuno
Editor
A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.
Crónica de un desayuno
Director
A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.
The First Night
Writer
In the middle of a city facing a new century, a group of friends between the ages of 15 and 18 live out the adventures, deceptions and anxiety of "The First Night."
De muerte natural
Screenplay
Four women get mad at a bakery while they recall their lives at their neighborhood.
De muerte natural
Director
Four women get mad at a bakery while they recall their lives at their neighborhood.
Las asesinas del panadero
Director
Mexican feature film
Red Menace
Screenplay
A female doctor uses the body of a young playboy to insert him the brain of his teacher, an eminent physician who she loves, in order to perpetuate his life. But something goes wrong and this broken Jesus with superhuman strength escapes and hides to avoid showing his deformity. Disguised with a wrestler's mask and cape, circumstances lead him to undertake a heroic journey.
Red Menace
Director
A female doctor uses the body of a young playboy to insert him the brain of his teacher, an eminent physician who she loves, in order to perpetuate his life. But something goes wrong and this broken Jesus with superhuman strength escapes and hides to avoid showing his deformity. Disguised with a wrestler's mask and cape, circumstances lead him to undertake a heroic journey.
I Don't Know For Sure, But I Suppose
Screenplay
Dalia and Daniel are a couple running away from the noise, the pollution and the social prejudice, so they take shelter at an isolated farmhouse, which used to belong to Daniel's father. There they are, in full intimacy with each other, only with nature and their own memories. However, the monotony and the loneliness gradually deteriorates their relationship.
I Don't Know For Sure, But I Suppose
Director
Dalia and Daniel are a couple running away from the noise, the pollution and the social prejudice, so they take shelter at an isolated farmhouse, which used to belong to Daniel's father. There they are, in full intimacy with each other, only with nature and their own memories. However, the monotony and the loneliness gradually deteriorates their relationship.