Fabiana Perzabal

Three friends have a special mission: find some keys lost in a pile of dead leaves. It may seem a simple task, but it will turn into an odyssey when it confronts them to their fear to grow up. This afternoon, as trivial as it may sound, could change the course of their lives.

Diego returns to Mexico after teaching architecture in Madrid and runs into his old love Carmen. He plans a dinner for two to celebrate the end of the year. Carmen assumes that Diego will propose marriage to her that night but the unexpected arrival of Valentina (his Spanish girlfriend) and the revelation of Carmen’s secret past change the fate of the characters

Ramiro is a theater actor who lives estranged from his father and half brother. One morning, he runs into a suicide, who says he is an evil omen. Despite Ramiro´s efforts, the young man dies before his eyes, which leads him to believe that he has caught his bad luck. From then on, his life turns upside down, at the same time as he gets together with his family to fulfill his father´s last wish: to find the love of his life and say goodbye to her.

In a world devoured by an invisible force known as disenchantment, the stories of three characters intertwine: Diego, who tries to make a movie about the dreams of Ximena, an adolescent experiencing her sexual awakening, who is secretly in love with him and who, in order to help him in his bizarre project, leads him to Ainda, a conceptual artist with bat wings, with whom the naïve filmmaker falls madly in love. Ainda is attracted by the purity of the young people and seduces them both, which leads to a magical moment in the lives of all three. But soon the young people discover that their beloved harpy’s heart belongs to a being from beyond the grave. Then the idyllic relationship of the three characters begins to crumble and they do everything in their power to prevent it, as the dark force of disenchantment closes over the city.

The Faces of the Moon is the story of five women from five different countries (Argentina, Uruguay, Mexico, USA and Spain), invited to Mexico City to be the jury of the Third Annual Latin American Women's Film Festival. In six vertiginous days these women share their past experiences, their ghosts and, their expectations. The group views and critiques the festival's film entries, and, in the process, the women reveal their personal, political and national histories.

Alberto resorts to disturbing and extravagant practices to break through the shell of his loneliness and fulfill his desires.

Julia and Moises fell in love and got married when they were young, idealistic, and passionate; now in their 30s, their marriage has cooled and their lives have sunken into the mediocrity they had sought to avoid. This realization inspires a quest to regain the lost dreams of their youth, which is complicated when a handsome student begins to pursue Julia. She begins an affair with the fiery young activist that may just put the excitement back into her marriage. This is a funny and insightful exploration of the intricacies of relationships, love, and idealism, and Jesus Ochoa as Moises turns in a stellar performance.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.