Mimmo Cattarinich

Nascimento : 1937-06-28,

Morte : 2017-08-27

Filmes

Pasolini and the Secret Humiliation of Chaucer
Interviewee
Documentary about the making of Pier Paolo Pasolini's The Canterbury Tales (1972), and particularly focusing on the many edits and cut scenes that were made before the film's release.
My Voyage to Italy
Still Photographer
World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.
A Voz da Lua
Still Photographer
O lunático Salvini observa o mundo de maneira diferente, procurando sempre achar o seu lado poético, como se a Lua o guiasse
Little Lips
Director
Um escritor retorna a casa após a Primeira Guerra Mundial. Ele desenvolveu um péssimo caso de transtorno de estresse pós-traumático. Pensa em suicidar-se, mas torna-se interessado na sobrinha de 12 anos de idade do gerente do lugar onde ele está a recuperar. Não parece importar-se que estê a passar tanto tempo com ela. Torna-se profundamente apaixonado por ela, mas não pode consumar fisicamente qualquer tipo de relacionamento com ela. Ela ilumina o seu dia, mas a sua sexualidade está apenas a começar a brotar. Quando ela começa a preferir um rapaz mais perto da sua idade do que o escritor, a finalidade da trama está definida.
The Inheritance
Still Photographer
Rome, 1880. Gregorio Ferramonti (Anthony Quinn) has decided to close his bakery, the family business. Then he tells his sons Pippo (Gigi Proietti), Mario (Fabio Testi) and Teta that they will have to fend for themselves. But Irene (Dominique Sanda), the wife of Pippo, a beautiful, calculating and ambitious young woman, wants to take over the inheritance. Acting on intelligence, weighing every step and its consequences, she manages to convince the brothers that they must prevent at all costs that his father falls in love again to avoid the risk of losing their inheritance.
Emanuelle's Silver Tongue
Still Photographer
This movie is an Emmanuelle film in name only. Carmen Villani does get naked often, and there is this guy who looks like he was in the :Monkeys: The film begins with Billy ( Roberto Cenci ) who rushes to the airport of Tunis , for the arrival of her friend Andrea ( Carmen Villani ), returning from Paris with her ​​husband. But Billy's happiness is shattered when she learns quickly that it should host to his house, at the request of Andrea, Bobby ( Gianfranco D'Angelo ), in love with Andrea, and Dr. Censi ( Nadia Cassini ), a friend of Bobby, who tries in vain to cure him of his uncontrollable desire of women, but to no avail, even allowing himself to him, after having hypnotized. After realizing that Bobby was not the right man for her, Andrea finally falls in love Billy.
The Murri Affair
Still Photographer
Based on a true incident, this tells the story of a troubled young man who kills his sister's reactionary, violent and abusive husband and is eventually arrested for the murder. However, the dead husband happened to be a member of the Italian nobility, and the trial starts to turn into more of a prosecution of the defendant's socialist politics and the activities of his father, a well known liberal social reformer, than the actual crime itself.
Amore libero - Free Love
Still Photographer
Young engineer Francesco Ferraro (Enzo Bottesini) is sent to Smeraldo Island in the Seychelles to oversee the tests necessary to dig a silver mine. But Francesco must also find out what happened to his predecessor, vanished without trace. The island seems to be an Eden on Earth, and the native girls freely explore the joys of sex, but there is something in the dark working against Francesco, and a mysterious accident disables his delicate equipment.
Os Contos de Canterbury
Still Photographer
Segunda parte da Trilogia da Vida do aclamado diretor italiano Pier Paolo Pasolini, o longa é baseado nas obscenas histórias de Geoffrey Chaucer do século XIV. Mergulhando com prazer em alguns dos mais perversos e lascivos contos, Pasolini celebra de forma ardente quase toda forma imaginável de ato sexual com um humor rico, rude e visual mágico. Para completar, Pasolini faz uma representação de inferno que teria deixado Hieronymos Bosch orgulhoso.