Václav Marhoul

A behind-the-scenes look at the 11-year process it took to make The Painted Bird, which has left its mark on European and world festivals. The narratives of director Václav Marhoul and actor Petr Kotlár weave their way through the various periods of the film's creation, offering their subjective views from the beginning to the last flap of a year and a half long shoot.

A behind-the-scenes look at the 11-year process it took to make The Painted Bird, which has left its mark on European and world festivals. The narratives of director Václav Marhoul and actor Petr Kotlár weave their way through the various periods of the film's creation, offering their subjective views from the beginning to the last flap of a year and a half long shoot.

Baseado no livro O Pássaro Pintado, de Jerzy Kosinski, o filme acompanha as desventuras de um menino judeu durante a Segunda Guerra Mundial. Perseguidos, seus pais o deixam com uma mãe adotiva. Mas a mulher morre, e o garoto é obrigado a sobreviver sozinho. Ele anda pelo interior, visitando vilas e fazendas. Pelo caminho, encontra várias pessoas e sofre com a brutalidade de camponeses supersticiosos e testemunha a violência de soldados russos e alemães.

Baseado no livro O Pássaro Pintado, de Jerzy Kosinski, o filme acompanha as desventuras de um menino judeu durante a Segunda Guerra Mundial. Perseguidos, seus pais o deixam com uma mãe adotiva. Mas a mulher morre, e o garoto é obrigado a sobreviver sozinho. Ele anda pelo interior, visitando vilas e fazendas. Pelo caminho, encontra várias pessoas e sofre com a brutalidade de camponeses supersticiosos e testemunha a violência de soldados russos e alemães.

Baseado no livro O Pássaro Pintado, de Jerzy Kosinski, o filme acompanha as desventuras de um menino judeu durante a Segunda Guerra Mundial. Perseguidos, seus pais o deixam com uma mãe adotiva. Mas a mulher morre, e o garoto é obrigado a sobreviver sozinho. Ele anda pelo interior, visitando vilas e fazendas. Pelo caminho, encontra várias pessoas e sofre com a brutalidade de camponeses supersticiosos e testemunha a violência de soldados russos e alemães.

It is the story of Jiri and Jan, two Czech soldiers, battling alongside the allied forces against the Germans, during World War II in Tobruk, Libya. Jiri Pospichal, eighteen years old, signs up as a volunteer in the Czechoslovak army. His naive ideas about heroism are rawly confronted with the hell of the African desert, complicated relationships in his unit and the ubiquitous threat of death.

It is the story of Jiri and Jan, two Czech soldiers, battling alongside the allied forces against the Germans, during World War II in Tobruk, Libya. Jiri Pospichal, eighteen years old, signs up as a volunteer in the Czechoslovak army. His naive ideas about heroism are rawly confronted with the hell of the African desert, complicated relationships in his unit and the ubiquitous threat of death.

It is the story of Jiri and Jan, two Czech soldiers, battling alongside the allied forces against the Germans, during World War II in Tobruk, Libya. Jiri Pospichal, eighteen years old, signs up as a volunteer in the Czechoslovak army. His naive ideas about heroism are rawly confronted with the hell of the African desert, complicated relationships in his unit and the ubiquitous threat of death.

Inspired by the stories of the American writer Raymond Chandler, the classical hero is private detective Phil Marlowe, a romantic cowboy, who takes the law into his own hands in the rough prairie of a large city.

Inspired by the stories of the American writer Raymond Chandler, the classical hero is private detective Phil Marlowe, a romantic cowboy, who takes the law into his own hands in the rough prairie of a large city.

Vladimír Michálek chose an unconventional adaptation of Franz Kafka's novel for his feature debut. Artistically reminiscent of the classic films of Karel Zeman, the director reinterpreted this dark story of a man vainly seeking a place in a rigidly ordered society by changing the desperate conclusion into a happy end. The film provided Czech comedian Jirí Lábus with a new kind of role: that of the despotic uncle of a main hero Karel Rossman (Martin Dejdar).

"A musical film of the totalitarian era" is the the second title of the film. The film is based on a legendary school film of Tomáš Vorel, called INg (1985).The story line stays the same - a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.

A personal look at the influential former politician who rose to fame as a driving force behind anti-communist and anti-homosexual U.S. political sentiment during the Cold War.