Annemarie Lawless

Spanning the course of a year, WET HOUSE offers an unflinching look at life on the fringe for multiple residents in America's largest harm-reduction facility for chronic alcoholics. Inherently controversial, "wet houses" provide residents monthly stipends and the ability to drink on-premises, while aiming to save taxpayer dollars by keeping alcoholics out of detox, shelters, emergency rooms, and jails. By observing humanity in the midst of harrowing reality, the film makes the case for a highly accommodating care model for a disease with complex, individual manifestations.

Spanning the course of a year, WET HOUSE offers an unflinching look at life on the fringe for multiple residents in America's largest harm-reduction facility for chronic alcoholics. Inherently controversial, "wet houses" provide residents monthly stipends and the ability to drink on-premises, while aiming to save taxpayer dollars by keeping alcoholics out of detox, shelters, emergency rooms, and jails. By observing humanity in the midst of harrowing reality, the film makes the case for a highly accommodating care model for a disease with complex, individual manifestations.

1950s America. Since his mother‘s confinement to an institution, Andy has lived in the shadow of his stoic father. A family acquaintance, Dr. Wallace Fiennes, employs the introverted young man as a photographer to document an asylum tour advocating for his increasingly controversial lobotomy procedure.

Jack (Owen Campbell) é um estudante do ensino médio que vive com sua mãe solteira Karen em uma cidade suburbana dos Estados Unidos, nos anos 90. Ele não tem amigos e não se encaixa em nenhum grupo, até que o novo namorado de sua mãe, muda-se para sua casa e traz junto seu filho Mark (Charlie Heaton, o Jonathan da série "Stranger Things"). Jack e Mark conectam-se rapidamente e formam uma forte amizade, junto com Sarah (Amandla Stenberg), que conhecem após um encontro casual. Os três adolescentes tornam-se a salvação um para o outro até que mudanças acontecem e segredos vem à tona, os forçando a olhar para si mesmos e ver até onde estão dispostos a viver a vida que escolheram.

Lloyd Daniels was one of the most gifted basketball players ever to emerge from New York City. He was born in Brooklyn in 1967 and grew up in the poorest neighborhoods of Brooklyn and Queens. His mother died when he was three, and his father deserted the family, leaving Lloyd an orphan to be raised by his two grandmothers. Virtually unsupervised, Lloyd learned early-on how to hustle to survive. Hustling came easy for him because he was a charming and likable kid. He still hustles to this day.

A 19-year-old girl prepares to become a suicide bomber in Times Square. She speaks with a nondescript American accent, and it’s impossible to pinpoint her ethnicity. We never learn why she made her decision—she has made it already.

Um adolescente conhecido como Zero Cool é uma lenda entre os hackers, pois com apenas 11 anos ele inutilizou 1507 computadores em Wall Street, provocando um caos total no mundo das finanças. Por conta deste ato ele ficou proibido de mexer em um computador até chegar aos 18 anos, mas quando pode retorna aos computadores utilizando agora o codinome Crash Override. Até que se depara com um gigantesco plano que, além de tornar o autor muito rico, pode incriminá-lo. Assim, com a ajuda de seus companheiros, ele tenta salvar sua pele.

Executivo de empresa de armas de guerra morre sob circunstâncias suspeitas. Uma mulher assume a direção e defende o afastamento de estranho inventor, que a submete, em represália, a vingança tecnológica envolvendo violência, sexo e sua maior criação: a Máquina da Morte.