Kevin Rafferty

Nascimento : , New York, USA

História

From Wikipedia, the free encyclopedia. Kevin Rafferty is an American documentary film cinematographer, director, and producer, best known for his 1982 documentary The Atomic Cafe. Description above from the Wikipedia article Kevin Rafferty, licensed under CC-BY-SA, full list of contributors on Wikipedia​

Filmes

Harvard Beats Yale 29-29
Director
Filmmaker Kevin Rafferty takes viewers to 1968 to witness a legendary college football game and meet the people involved, interweaving actual gridiron footage with the players' own reflections. The names may be familiar (Tommy Lee Jones and friends of Al Gore and George W. Bush are among the interviewees), but their views on the game's place in the turbulent history of the 1960s college scene add an unexpected dimension.
O Espanta Tubarões
CGI Supervisor
Oscar (Will Smith) é um pequeno peixe que tem sonhos grandes, que se torna um herói involuntário após pregar uma grande mentira. Após ser perseguido pelo filho do tubarão-chefe, Oscar presencia sua morte. Querendo bancar o herói, ele assume a autoria do assassinato e, com isso, se torna uma grande celebridade no mundo aquático. Porém a situação se complica quando ele é designado para repetir a façanha, eliminando outros tubarões.
The Last Cigarette
Director
In 1994, the Health and Environment Subcommittee of the US Congress, chaired by Henry Waxman (D-California), held a hearing on tobacco products and health. Excerpts from the hearing, where the CEOs of the four US tobacco companies testified, are interspersed with clips from movies, educational films, TV commercials, and other promotional materials. Among the topics addressed in the hearing: are cigarettes the single most dangerous consumer product, how many people die annually in the US from smoking, is nicotine addictive, should smoking be banned in public places, do tobacco ads target children? This historic hearing is referenced in the 1999 film, "The Insider."
Feed
Director
This is a documentary about the 1992 New Hampshire primaries. It includes much footage of candidates as they meet people, and just before they go "on-air".
Blood in the Face
Interviewer
An expose of the beliefs, history, and personalities of American White Supremacist groups, including neo-Nazis, fascists, the Ku Klux Klan, and the Aryan Nation. Footage includes interviews, as well as the supremacist's own promotional material. Subject discussed include the loss of America to the "colored" races, the imminent racial bloodbath, interracial breeding, prejudice, the Holocaust, Jesus, Christianity, Jews, the Bible, and illegal immigrants who enter the country with nuclear bombs strapped to their backs.
Blood in the Face
Producer
An expose of the beliefs, history, and personalities of American White Supremacist groups, including neo-Nazis, fascists, the Ku Klux Klan, and the Aryan Nation. Footage includes interviews, as well as the supremacist's own promotional material. Subject discussed include the loss of America to the "colored" races, the imminent racial bloodbath, interracial breeding, prejudice, the Holocaust, Jesus, Christianity, Jews, the Bible, and illegal immigrants who enter the country with nuclear bombs strapped to their backs.
Blood in the Face
Editor
An expose of the beliefs, history, and personalities of American White Supremacist groups, including neo-Nazis, fascists, the Ku Klux Klan, and the Aryan Nation. Footage includes interviews, as well as the supremacist's own promotional material. Subject discussed include the loss of America to the "colored" races, the imminent racial bloodbath, interracial breeding, prejudice, the Holocaust, Jesus, Christianity, Jews, the Bible, and illegal immigrants who enter the country with nuclear bombs strapped to their backs.
Blood in the Face
Director of Photography
An expose of the beliefs, history, and personalities of American White Supremacist groups, including neo-Nazis, fascists, the Ku Klux Klan, and the Aryan Nation. Footage includes interviews, as well as the supremacist's own promotional material. Subject discussed include the loss of America to the "colored" races, the imminent racial bloodbath, interracial breeding, prejudice, the Holocaust, Jesus, Christianity, Jews, the Bible, and illegal immigrants who enter the country with nuclear bombs strapped to their backs.
Blood in the Face
Director
An expose of the beliefs, history, and personalities of American White Supremacist groups, including neo-Nazis, fascists, the Ku Klux Klan, and the Aryan Nation. Footage includes interviews, as well as the supremacist's own promotional material. Subject discussed include the loss of America to the "colored" races, the imminent racial bloodbath, interracial breeding, prejudice, the Holocaust, Jesus, Christianity, Jews, the Bible, and illegal immigrants who enter the country with nuclear bombs strapped to their backs.
Roger e Eu
Cinematography
Quando o cineasta realizador de documentários Michael Moore fez seu primeiro trabalho importante, Roger and Me, literalmente niguém acredita nele, e não era para menos: o que se propunha era pedir explicacões a Roger Smith, presidente da General Motors, pelo fechamento de onze fábricas na cidade de Flint (cidade natal de Moore, no estado de Michigan) que deixou 30.000 pessoas sem trabalho. O mais flagrante era que as fábricas automomobilisticas deixavam um superávit milionário. Durante dois anos Moore tentou sem êxito entrevistar Roger Smith mas entretanto fez o retrato de um cidade que um dia foi modelo de bem-estar e entrou na miséria por uma decisão da mesma companhia que a levantou.
The Atomic Cafe
Producer
A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.
The Atomic Cafe
Editor
A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.
The Atomic Cafe
Director
A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.