Tudor Lucaciu

Filmes

Alice T.
Director of Photography
Alice, a buoyant and impertinent red-hair teenager is far from the charming little girl her mother adopted as she was unable to have a child of her own. Being an endless source of problems and affected by the specter of her mother’s disappointments, Alice acts with her back against the wall, forging lies and blurring lines between the fiction she designs for herself and the reality of her existence. Until her mother discovers she is pregnant.
Visiting Room
Cinematography
The Romanian penitentiary system allows, from 2006, the marriage of people sentenced to serve time in prison. Most of the inmates cultivate the pre-existing relationships with the concubines or partners who live outside the prison walls. Though, there is a special category, of those who find a life partner during their time in prison. VISITING ROOM follows the stories of some prisoners found in different penitentiaries across the country, who have found their life partner during their sentence time. The one is either a person from outside, or as them, a person who is serving time in prison. Our intention was to talk to the people found in the special situation of being deprived of freedom, to whom love becomes a substitute for freedom and represents maybe their only hope for a better future.
Terça, Depois do Natal
Cinematography
Paul e Adriana são casados há dez anos e têm um menina de 8 anos, Mara. Desde há seis meses, Paul tem uma aventura extraconjugal com Raluca, dentista. Paul, que tenta partilhar os poucos dias que precedem Natal entre Raluca, a compra de presentes e as noites em família, decide fazer uma última visita com Mara ao consultório de Raluca. Um imprevisto no emprego do tempo de Adriana faz com que as duas mulheres se encontrem pela primeira vez. Sem dar lugar a confrontação, este encontro põe Paul perante uma escolha difícil.
The Paper Will Be Blue
Cinematography
Out of enthusiasm, a Militia soldier abandons his platoon and decides to fight for the cause of the Revolution. His Lieutenant and the rest of the crew look for him during the confused night of 22-23 December 1989.
O Detonador
Second Unit Cinematographer
O agente disfarçado da C.I.A. Sonni Griffith viaja sozinho para a Polônia para prender um traficante de armas e impedir a venda de uma arma nuclear. Quando o traficante é informado sobre a identidade de Griffith, ele acaba na prisão... mas é rapidamente libertado pela C.I.A. apenas para executar uma nova missão: escoltar uma linda russa de volta aos Estados Unidos. Griffith logo descobre que a obstinada Nadia está sendo perseguida pelo mesmo traficante de armas que ele tentou destruir e que este cruel negociante não vai parar enquanto não conseguir a informação que Nadia detém — a localização dos $ 30 milhões de dólares que ela escondeu e que irão lhe possibilitar a compra de uma bomba nuclear. Quando um vazamento da C.I.A. expõe o paradeiro e a identidade de Griffith e Nadia, eles devem lutar contra os traficantes até a morte para salvarem suas peles e o mundo!
A Rainha da Era do Bronze
Director of Photography
Boudica, a rainha guerreira da Grã-Bretanha, leva sua tribo à rebelião contra o Império Romano e o louco imperador de Roma Nero.
The Rage
Camera Operator
In a city full of "manele", drugs and illegal car races you don't survive unless you know how to pay. Sometimes with other's lives. Young people today are trying to adapt to a world without consciousness, a world of money, unscrupulous businesses. A film-adrenaline with accents of black humor, irony at the society which is run by large rubble and where life is just a currency.