Ayako Wakao

Based on the first novel, Spring Snow, of Mishima Yukio's Sea of Fertility tetralogy, it follows the troubled and illicit affair between two youngsters amongst the aristocracy and rich of early twentieth century Japan.

TV movie based on the novel "The Tale of Genji" by Murasaki Shikibu, which tells about the life of Prince Hikaru Genji, who was nicknamed "Shining" by people for his dazzling noble beauty. In 1991, to commemorate the 40th anniversary of TBS' founding, it was released with a total production value of around 1.2 billion yen and aired in two parts.

Two poor, married farmers have recently lost their only child; after a freak visitation, they pry open an alien cocoon to greet their new daughter.

Kenji Mizoguchi: The Life of a Film Director (Aru eiga-kantoku no shogai) is a 1975 Japanese documentary film on the life and works of director Kenji Mizoguchi, directed by Kaneto Shindo (Onibaba). It runs 150 minutes and can be found on the second disc of the Region 1 Criterion Collection release of Ugetsu (1953).

Adaptation of the Shôji Yuki novel.

Torajiro becomes homesick during his travels after watching a television report about his hometown and meeting a young woman that reminds him of his sister Sakura. Meanwhile, a new tenant moves into Toraya restaurant.

With a price on his head, Ichi seeks tranquillity in a favorite village. Since his last visit, it has fallen prey to Boss Masagoro, the son of a merchant rumored to have stolen gold from the shogunate. The boss has hired Yojimbo as his hard-drinking enforcer, but Yojimbo is both a spy for the shogunate, trying to find the gold, and in love with the merchant's unwilling mistress, Umeno. Ichi hires on as the merchant's masseur and buys Umeno's freedom with his employer's own money. This embarrasses Yojimbo who withdraws from a pact with Ichi to stir up trouble between father and son and their gangs. As the two sides fight, Ichi finds the gold and sets up a final set of confrontations.

In a match where professional baseball referee Yuzo Tagami was observing a young referee, Hara, a player who got angry at the indecisive judge, knocked the referee down. Tagami lived with his wife and five children, but when he returned home, Hara, who had been suspended for a month, wanted to receive Tagami's Subaruta training.

BLOOD END is one of the great unknown films from Japan's golden era of the late 1960's. Starring NAKADAI Tatsuya in one of his best roles, this is the story of the Mito Tengu Group who attempted to overthrow the Shogunate at the beginning of the Bakumatsu Period. Their political aspirations led to countless assassinations, as well as senseless killing of innocent people who got in their way. Sentaro (NAKADAI), a farmer who's been severely beaten for his outspoken defiance of the government and the high taxes during a time of famine is befriended by one of the group's leaders, KADA Gentaro (KATO Go) and joins up. This is the masterpiece of director YAMAMOTO Satsuo (who is best known for the first film in the NINJA, BAND OF ASSASSINS series) the erstwhile 'Leftist' director, who used his films to make his political points. Stunning fight choreography, and ultra-violence make this one of the bloodiest films of that era. A powerful film Rare classic!

The entangled relations between the son of a seductive tea-ceremony teacher and the women in his father's life. Based on the novel by Kawabata Yasunari.

A Yasuzō Masumura film about a love affair starring Ayako Wakao. The literal title is The Two Who Got Wet.

On his return from school, young Ichiro finds his father in bed with his adopted sister, Namie. Enraged, he decides to outdo his father in terms of immoral behaviour.

"The Time of Reckoning" transforms a screwball-comedy plot into a sober study of a successful businessman with serious relationship problems involving three women: his wife of ten years who announces she is pregnant by another man; a mistress who wants to have a baby with him; and an ex-lover who claims he fathered her son.

Well before “Shogun” as warring clans were fighting for power throughout Japan, a Portuguese vessel ran aground off Tanegashima. Lord Tokitaka helped Captain Pinto repair his ship. The grateful captain offered the lord a gift--a matchlock musket—the first firearm ever seen in Japan. But like a great stone hurled into placid waters, this simple gift will start a revolution. Tokitaka tasks Kinbei, his greatest swordsmith, to copy this musket and build guns for Japan. While Kinbei struggles to forge Japan’s first musket, a great love blooms between Captain Pinto and Kinbei’s daughter Wakasa. But for Kinbei, to let Wakasa marry Pinto and go to Portugal is unthinkable. And as Kinbei creates Japan’s first matchlock factory, Lord Oda Nobunaga will seize upon firearms as the key to sweep all other clans before him, tearing a blood-soaked path of destruction through Japan.

The disturbing story of a physician who conducted the first operation with general anaesthetic, and the women in his life who are both so determined to win his love that they volunteer as subjects for his experiments

Japanese film directed by Tadashi Imai.

After a random encounter at a bar, two couples collide. Two men, two women, embroiled in a love-and-hate drama that threatens to engulf them. The sexual anxiety between the interwoven couples tautens right up to the nearly unbearable tension of the climax...

Film directed by Kenji Misumi.

In 1939, Sakura Nishi is a young army nurse who is sent to the field hospitals in China during the Sino-Japanese war. She has to assist the surgeon Dr. Okabe with an incredible number of amputations. In the crowded wards, she gives sympathy to some of the soldiers, including sexually servicing one who has lost both arms and has no hope of returning home. She falls in love with Dr. Okabe, and follows him to the front, even though he is impotent from his morphine addiction

Otama, daughter of a poor candy vendor, becomes the mistress of a man whom she believes to be a widower and owner of a prosperous dry goods store. The man is in fact married with children, and is a despised loan shark who takes money from the poor without qualms. Totally enraptured with Otama, this usurer establishes her and her father in separate houses and generously gives them gifts including silk taken as interest from Oshige, a poor cloth dealer who does business with the sewing teacher, Otama's neighbor. Otama's satisfaction with her situation gradually crumbles as she discovers the truth about her benefactor.

Keizo Tsujiguchi believes his wife Natsue was having an extramarital affair when their child was kidnapped and killed. He believes of her extramarital affair she was unable to watch over their child properly and blames her for their daughter's death. To exact revenge on his wife, he then adopts the killer's child without telling the truth to his wife or their newly adopted child.

A father decides to put his delinquent daughter into a temple in Kyoto known for its austere novitiate. Initially resistant to all forms of discipline, she ends up falling in love with the nun who is in charge of her.

Uma mulher sedutora é sequestrada para a prostituição. Depois de fazer uma tatuagem de aranha nas costas dela, ela inicia a sua vingança, deixando vários homens pelo caminho.

A young man is determined to have as many affairs as possible but not to get married. One of his conquests is of a different mind however. For she is pregnant and so he agrees to live with her. But he misses very much the other younger girl whom he saw a lot of, and with the older woman's consent, sees the younger one and on her request, asks her to move in with them. This is the beginning of a very strange triangle which they all live through to a not unhappy ending.

On the eve of the Russo-Japanese war at the beginning of the 20th century, small-town girl Okane has married an old wealthy man to escape a life of poverty. Upon her husband’s sudden death, she withdraws to her small farming village where she stoically submits to public opprobrium and lives the silent sullen life of a pariah. Along comes Seisaku, the local “model youth”, returning from his army duty: while she is the shame of the village, he is the pride of his community. Nevertheless, the disreputable beauty and the honorable patriot begin an unlikely and tumultuous love affair that will eventually render him as marginal as she.

Ayako Wakao won the Blue Ribbon and the Kinema Jumpo for this film.

Adaptation of Seicho Matsumoto's novel of the same name.

The four principals in a love affair collide when jealousy, blackmail and suicide enter the picture.

[Period covered: 1614-1615] 4th film in the shinobi no mono series Tokugawa Ieyasu is now the ruler of all Japan. But one last loose thread must be tied up before his domination is complete -- the destruction of the Toyotomi clan, now beseiged in Osaka castle. Ieyasu's ninja are the only ones who can penetrate the fortress, but unfortunately for Ieyasu, Kirigakure Saizo (Ichikawa) and the other Toyotomi ninja can just as easily get out. As armies of samurai maneuver for battle, the fate of the nation will be decided by a desperate struggle in the dark!

From a novel by Mishima Yukio

The intense selfishness of a man brings him fame and fortune but not happiness.

Namiko gets a crush on Ishizuka, a young CEO of a nightclub, but he was plotting to destroy her husband’s company by greenmail.

A light comedy with Ayako Wakao charming her patients.

[Period covered: 1595-1600] Third film in the famous shinobi no mono series. We last saw ninja Ishikawa Goemon (Raizo Ichikawa), as he was about to be boiled alive. But a good ninja is both hard to find, and even harder to kill. With the help of the enigmatic Hattori Hanzo, Goemon lives to skulk another day, and sets his sights on bringing down the warlord who tried to turn him into soup – Toyotomi Hideyoshi. And as always, in the background, the suble hand of Tokugawa Ieyasu is pulling strings as he plots to rule all of Japan!

Based on a novel by Tsutomu Mizukami, this haunting melodrama focuses on a young bamboo worker who takes his father's prostitute as his wife.

Em uma excursão com seu grupo de teatro kabuku, Yukinojo, ator principal da trupe, acaba cruzando com os três homens que levaram seus pais ao suicídio, 20 anos antes. Yukinojo então trama sua vingança, primeiro seduzindo a filha de um deles e depois os levando à ruína.

A greedy, materialistic family attempts to cover-up the embezzlement committed by the son while keeping their other schemes active. They discover there are other, equally conniving players involved.

In 221 BC, Qin Shihuangdi conquered the rest of China. Qin's great accomplishments and also his serious faults are showed in this film. Qin adopted autocratic dictatorship and led a luxurious life: abolition of feudalism and the centralization of power in the form of a now-hereditary bureaucracy loyal to himself; burning books and burying scholars; the construction of a sumptuous palace for his concubines and also the Great Wall.

Utsugi, a seventy-seven-year-old man of refined tastes who is recovering from a stroke, discovers that, while his body is decaying, his libido still rages on -- unwittingly sparked by the gentle, kindly attentions of his daughter-in-law Satsuko, a chic, flashy dancer with a shady past. Pitiful and ridiculous as he is, Utsugi is without a trace of self-pity, and his diary shines with self-effacing good humor.

Seventeen years after the atomic bomb was dropped on Hiroshima, a newspaper reporter looks for the bomb's effects, but everyone seems to have forgotten. He meets a woman who was there when it happened but when they fall in love she isn't able to move on.

Based on the original novel by Tokuda Shusei, adapted by frequent Masumura scribe (and renowned director in his own right) Kaneto Shindo, this downbeat melodrama features a battle of women for the affections and commitment of the same man, a handsome car salesman. Masuko (Ayako Wakao) is the number one hostess at a cabaret, living with her lover, ... but finds out that he has a wife. When Masuko’s niece arrives the competition further ratchets up. (Also occasionally known in English as “Inflamation”)

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

Heitaro, who had served his firm loyally for 30 years, reaches the retirement age. He has four unmarried daughters and decides to split his retirement allowance he has received from his firm into 500,000 yen for each daughter as a wedding dowry. He considers them all old enough to handle the money, and gives them a free hand to use it as they wish.

Tied to a mountain between her brutalizing spouse and her secret lover, disaster strikes; the authorities accuse her of murder and prompt a confession.

Hikaru Genji, the haunted romantic hero of Lady Murasaki Shikibu’s “Genji Monogatari” (Tale of Genji) comes to life in this new tale of his further romantic adventures. Young Genji, the emperor’s illegitimate son cuts a swath through the women of the imperial court, while still mourning the spirit of his late mother who died while he was still a child. Driven to an obsession with the emperor’s new concubine, Lady Fujitsubo, whose resemblance to his late mother originally caught the eye of the emperor, young Genji embarks upon a reckless affair with her that could cost him his life.

A young girl is rigorously trained in the feminine arts so that she can become a geisha. As she struggles through life, she learns to live not just as a woman but as a complete person.

Shikiko Oba is nimble with her fingers and teaches dressmaking and designing. Among her pupils are Rinko, Katsumi and Tomie. Ginshiro, who is as shrewd as the shrewdest of the older generation of dyed-in-the-wool Osaka businessmen, steps into picture and Shikiko soon feels that he is indispensable to her. But the advent of a man in their midst breaks up the harmony that has existed among the four women, as gradually he forces himself on them with promises of love.

Ayako Wakao portrays a downtown rice ball shop girl whose heart is set on her business. Involved in her life are three young men—stage actor Goro, businessman Kokichi and Sanpei Pachinko.

Fascinated with women from an early age, Yonosuke had his first sexual encounter at the age of seven. From that day on, he recklessly and forwardly pursues women, feeding his fascination and experience. As Yonosuke's salacious behavior brings much cause for shame to the family, his father eventually breaks relations with him. Expelled from the family, 19-year-old Yonosuke embarks on a pilgrimage of lust, traveling far and wide to acquaint himself with women of all walks.

A romantic comedy depicting the variant and whimsical daily lives of the Japanese mademoiselles in the Metropolis of Tokyo. How they react against the bold spirited love makers and begin to take a liking to them is the theme of the picture.

Story of a well-to-do family.

The story of three sportsman brothers living in the Ginza. One day, the three meet a raving beauty on separate occasions and are unaware they have met the same girl.

A musical about the escapades of some tanuki passing themselves off as humans in human society.

A youth drama set in a Japanese university which is home to a group of active, leftist students.

Princess Kiyo accidentally injures a local priest, Anchin, while on a hunt. She apologizes, but feels irritated by Anchin’s indifference to her in spite of her beauty. One night, while Anchin is recuperating in a hot spring, he is approached by Kiyo. She tells him that she is in love with him.

Kikuji is the scion of an Osaka merchant family whose traditional power is matrilineal. Instructed by his overbearing mother and grandmother to give them an heiress for the family business, he stands by helplessly as his wife is thrown out of the house for producing a son. Driven to a life of dissipation - his mistresses also fail to produce daughters - in the end he is just too tired to care.

On his release from prison a young yakuza, along with his brother, decides to turn his back on criminal life instead of taking over the position of his recently deceased father, boss of the Asahina clan. But their exit proves more difficult than planned when their rival clan steps in to exact revenge.

The first story concerns an attractive young woman who works in a Tokyo nightclub. Her plan for a solid financial future has a double whammy. In the second story, a beautiful young woman is employed by an unscrupulous real estate agent to convince male clients to invest in worthless property. The last story is about a widowed geisha who has no real financial worries and who falls in love with a forger.

Once upon a time, Okuro (Ayako Wakao), a young female racoon, lived poorly with her drunken father. One day after they disguised themselves as parasols, they were wrongly brought to the Racoon Palace, where the young racoon princess (also Ayako Wakao) made a mess of her arranged marriage with the beautiful racoon prince (Raizô Ichikawa). Pretty princess ran away. In order not to spoil the promising marriage, people tried to make use of resemblances between Okuro and the princess. Before long, Okuro and the Prince fell in love with each other...

Companhia japonesa de teatro kabuki aporta numa pequena ilha de pescadores. Komajuro (Ganjirô Nakamura), um dos fundadores do grupo, passa a frequentar todos os dias a casa de sua antiga amante, Oyoshi (Haruko Sugimura), dona de um bar e mãe de Kiyoshi (Hiroshi Kawaguchi).

In a rural district of Tokyo, the owner of a farm is abandoned by his two daughters who are attracted to the life of the big city.

Legendary yakuza Shimizu Jirocho and his 28 henchmen travel the unruly path from a 'Fire Festival' in Akiba to a decisive battle by the Fujigawa.

The inventor of a ground-breaking glue, Sanada, becomes rich thanks to his discovery a high executive in his company. Because of this promotion, his world is changing completely : his wife behaves like never before, considering she's now rich and has the right to do whatever she wants, even having an affair. (Also occasionally known in English as “Overflow”)

lchiro, the president of Mihara & Co., is henpecked by his wife Momoko, a clever and beautiful woman, but prattling and intrusive. She makes her younger sister Nashiko marry lchiro's younger brother, Jiro, manager of his company and now plans to marry her youngest sister Kyoko to her husband's youngest brother, Saburo. This means her domination of the Miharas and their business, a fine triple play which would gain her the title of "The Most Valuable Madam." However, in opposition to Momoko, Kyoko boldly declares that she will never marry Saburo. However Saburo is a most attractive young man and attracts Kyoko. Will she or her elder sister be able to win the title of "The Most Valuable Madam"?

Um conto intemporal de honra e vingança, The Loyal 47 Ronin é a história verídica de um grupo de samurais que se tornou ronin (samurai sem mestre), após o seu Senhor ser obrigado a cometer seppuku (suicídio ritual) por agredir um oficial de justiça. Depois de pacientemente esperando e planejando por mais de um ano, eles executam um assalto ousado na propriedade do Senhor Kira, realizando a sua vingança, sabendo que eles iriam ser obrigados a cometer seppuku para reparar seu crime.

A biting portrait of the world of classical Japanese dance: an ambitious young woman (Wakao Ayako) shoves aside her mentor (Kyo Machiko) on her way to the top.

Set in the 1860s, the final years of the Tokugawa Shogunate, The Fireflies focuses on Tose (Awashima Chikage), the mistress of the Teradaya, a small inn in the Kyoto suburb of Fushimi. She does not have an easy life. Her husband, Isuke (Ban Junzaburo), is a wastrel who fancies himself a kabuki singer and who is obsessed with cleanliness. Her mother-in-law, Sada (Miyoshi Eiko) dislikes her because of her humble origins (her family are farmers) and because she fears that she will inherit the inn instead of Sugi, her daughter. Sada's hopes for Sugi, however, are dashed when she runs off with a con artist and leaves her child behind for Tose to take care of. When Sada becomes seriously ill, it is Tose who nurses her. On her deathbed, Sada asks her daughter-in-law's forgiveness. Meanwhile Isuke spends most of his time with a mistress he has taken, forcing Tose to manage the inn by herself

Após se formar no colégio, Yuko Ono está pronta para deixar o interior rumo a Tóquio. Na sua primeira viagem à capital japonesa, ela finalmente conhecerá seus pais, de quem estivera separada desde a infância. Antes da partida, recebe a notícia de que sua avó está à beira da morte e que tem uma revelação a fazer a ela. Yuko fica sabendo que sua verdadeira mãe nunca fora casada com seu pai, e que seu nascimento fora um evento indesejado para a família Ono.

Adaptation of the Yukio Mishima novel.

A girl rebels against her mother, who runs a brothel in Yokohama, and attempts to find freedom on her own.

A story of aristocratic star-crossed love.

During the bloody era of the Tokugawa Shogunate collapse, a man appeared capable of overthrowing a corrupt government and ending the feud between the Choshu and Satsuma clans. This is the story of Tsukigat Khanpayit, the sword maker of the Choshu clan, who, along with Katsuro Kogoro and Sakamoto Ryoma, sought to fulfill the dream of a new peaceful era in Japan. Can he realize his ideals or will he die in the chaos of internecine fights...

A young woman marries someone else, but cannot forget her first lover.

Shimada is a student of U College. When the college's baseball team wins the day, he and his friend Ito drug two girls they met at the game.

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

O cotidiano de um bordel e os dramas particulares de suas profissionais no Japão do pós-guerra, enquanto o país discute a ilegalizaçao da prostituição.

Following the tragic death of his father, a young boy's family trains his horse to compete in the local derby.

A Girl isn't Allowed to Love is a 1955 Japanese film directed by Teinosuke Kinugasa.

A young woman decides to leave school in order to help her sister.

Adaptation of the novel by Masao Kume.

Film directed by Seiji Hisamatsu and starring Wakao Ayako

Film directed by Eichi Koishi and starring Wakao Ayako

In the post-war Gion district of Kyoto, the geisha Miyoharu agrees to apprentice the 16 year-old Eiko, whose mother was a former geisha who had just died. After a year of training they have to find a large sum of money before Eiko can debut. Miyoharu borrows the money from the tea-house owner, Okimi, who in turn obtains the money from the businessman Kusuda. Kusuda fancies Eiko himself and wants to give Miyoharu to Kanzaki in order to close a large business deal. However both geishas have minds of their own and, going against tradition, want to be able to say no to clients.

Film directed by Saeki Kozo with Wakao Ayako.

Film directed by Shima Koji and starring Wakao Ayako

Group of women escape Chinese controlled area for Japanese occupied lands during Pacific War.