Odiseo Bichir

While taking a road trip in their last attempt to fix their marriage, Carlos and Ofelia encounter a young mirror image of what they used to be.

A tale about the fragile lives of four characters during a month of their lives. One of them, Ana, is waiting for a kidney donor.

In this story, a musical group whose music sets the mood for Events, finds itself at a very crucial moment in its carreer. All of the members face the dilemma of fighting for their dreams or quitting forever.

Santos, a fighter finished pacheco overweight and suffers from his recent divorce with Busty Mendoza, a voluptuous and wild woman fighter. To get out of your depression, Santos begins a campaign to help Sahuayo Zombies (gray and harmless characters with which fully identifies). However, his philanthropic campaign soon becomes a very profitable business that leverages Santos for their benefit. The population becomes a zombie plague and Busty Santos threatens to dispose of them. However, the Peyote Murderer (rivals Santos) who gets rid of the zombies. But the world without zombies turns out to be worse than anyone could have imagined and the only chance to save the nation is that the Saints and the Peyote work together to return to repopulate the world Sahuayo zombies.

Em 1994, o candidato presidencial do México, Colosio, é brutalmente assassinado, ninguém sabe quem está por trás deste evento, onde todos os pontos levam a uma conspiração. Andrés Vázquez, um especialista em inteligência, é contratado para conduzir uma investigação secreta e se vê em perigo enquanto chega mais perto da verdade.

For his 50th birthday Marcos only receives an invitation to the wedding of the only woman he loved; 30 years ago. With the chinese mafia after his restaurant and the shattered dream of becoming a writer, Marcos decides to go to the wedding. Fernando, the irresponsible delivery guy joins Marcos in this cross-country adventure. Will they make it ti the wedding on time?

A married, middle-aged well-known biochemist and university teacher Augusto, leaves his wife, his job and the comfort of his life to go after Marlene, a 14-year-old teenager with extraordinary beauty who burst into his life unexpectedly. One day, Marlene is taken from the custody of Augustus by Genaro, a psychotic sailor, who seduces and finally kidnaps her by taking to the ominous port of Tampico, where Augustus will seek her to try to free her, not without giving her life to pain and atonement, undergoing a deep personal transformation.

Hidalgo, en su celda del Hospital Militar de Chihuahua, recuerda algunos pasajes de su vida, principalmente su estancia como párroco en San Felipe Torres Mochas; donde se relacionó con las clases bajas y nació la idea emancipadora, tradujo y montó al Tartufo de Molière, se enamoró de Josefa Quintana y se alejó por algún tiempo de la vida eclesiástica.

Marcelo and Sofía love each other, but both suspect the other of infidelity. Marcelo, a film director, accidentally discovers condoms in Sofía’s purse. They are really for Marcelo’s younger sister, but he thinks the discovery confirms his suspicions and keeps one as evidence. Sofía discovers the condom in Marcelo’s wallet and takes for granted that he is cheating on her. Pepe, Marcelo’s cousin, pretends to be him to impress a girl, further complicating the mix up.

Adapted by writer/director Fernando Sariñana from the stories by Juan Madrid, Ciudades Oscuras (Dark Cities) tells a story of interwoven lives in the seedy underbelly of Mexico City. The several different story lines concern hooker Lola (Dolores Heredia); her drug addict son Fede (Diego Luna); her friend Zeze (Zaide Silvia Gutierrez); Zeze's daughter Susana (Jimena Ayala); and junkie Vicente (Roberto Sosa). Also on the scene are two corrupt cops (Alejandro Tommasi and Jesus Ochoa) and one good cop (Odiseo Bichir), while Chicken (Hector Suarez) and Casimiro (Alonso Echanove) each tell their separate stories to the same bartender (Demian Bichir). ~ Andrea LeVasseur, Rovi

Many stories of families within an urban complex.

An abused wife (Cecilia Roth) seeks information about her dead mother, a freedom fighter buried in Antigua.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

A tragicomic short film imbued with magical realism that revolves around the theme of death, focusing specifically on the Mexican people's bond with the departed.

Every Friday, the Colonel puts on his only suit and goes to the dock to await a letter announcing the arrival of his pension. But the townsfolk all know that this pension will never come. His wife also knows it, and even he knows it. But he is still waiting, living with the pain of the death of his son.

A Spanish movie directed by Carlos García Agraz.

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

This film is a chronicle of painter Frida Kahlo, and her encounter with the personalities of her time. Despite being confied to a wheelchair as a result of polio, operations and amputations, she faces and traces some of the most colorful and controversial aspects of Mexican history, during the dominant time of Mexican muralism.