Lita Stantic

In his previous films, Hacerme feriante (2010) and Embodied Letters (2015), Julián D’Angiolillo managed to go deep inside two universes that, even though they take place in front of everyone, remained invisible and inscrutable, as though they were subterranean—that of La Salada fair and of the authors of political graffiti in walls. For Ongoing Cave, his third work, the director goes back underground, this time in a literal manner, in order to reveal the mysteries of speleology, the science that studies caves and caverns. Italy, Slovenia, Cuba; antiwar bunkers; an exploring, revolutionary ballerina; an electronic party in which the stalactites and stalagmites dance under the flashlights. Everything is part of the ecosystem of tunnels and people that D’Angiolillo connects on screen, through images in which what lies still comes to life.

Félix Monti is synonymous with cinematography in Argentina. From his early steps in the legendary San Miguel studios to his recent work in large-scale Argentine film productions, Chango has never stopped working. Directors Alejandra Martín and Paola Rizzi, also colleagues of his, chose not to shoot a motionless documentary and filled it with vitality –the same vitality the experienced cinematographer moves around with in every shoot or stage he sets foot in.

There was a time in Argentina, not so long ago, when the army wasn't only one, official, but many and made up by civilians. In those times of courageous youths determined to fight to the death for that cause upheld around Peronism as wll as some left-wing postulates, revolutionary Cubas was a beacon of hope in the world scheme -a Montonero nation. "A House in Cuba" seeks to recover the curious adventure of a couple of Montonero parents and their small children, who were lovingly sent into exile in order for their parents to take up arms.

Analía’s mother sends her to Buenos Aires to deliver some handicrafts. She is expected to return home quickly to the country town where she is to take on her family’s hairdressing salon. But by chance an address mix-up leads her to a Muslim community where she finds herself taking part in a ritual completely unknown to her. Enthralled by the new world she has entered, Analía decides on the spur of the moment to take on another identity.

Directed by Argentinean Lucrecia Martel, MUTA, meaning both “mute” and “transformation”, is a beautiful and cryptic portrayal of an all female world of symbolism, hidden meaning and intrigue.

O documentário desenha o retrato de alguns de músicos excepcionais de tango, incluindo criadores de repertório clássicos e fundadores de uma variedade de estilos e escolas, bem como os membros das bandas e orquestras que alcançaram a fama nos anos 1940 e 1950, na era dourada do tango. Vários protagonistas se tornaram grandes nomes no exterior, enquanto outros restringiram sua atuação ao interior da Argentina. O músico e compositor argentino Gustavo Santaollala (vencedor de dois Oscars por suas músicas para os filmes O Segredo de Brokeback Mountain e Babel) atua como guia, para apresentar as grandes estrelas do famoso ritmo - Leopoldo Federico, Lágrima Ríos e seu violonista Aníbal Arias, além do dueto Libertella e José Luis Stazo.

Making of documentary

Amalia is an adolescent girl who is caught in the throes of her emerging sexuality and her deeply held passion for her Catholic faith. These two drives mingle when the visiting Dr. Jano takes advantage of a crowd to get inappropriately close to the girl. Repulsed by him but inspired by an inner burning, Amalia decides it is her God-given mission to save the doctor from his behavior, and she begins to stalk Dr. Jano, becoming a most unusual voyeur.

A cidade de La Cienaga é conhecida pelas terras que se alagam com as chuvas fortes. Para lá, vão duas famílias. Em meio a um verão infernal, elas entram em conflito e a tensão entre elas aumenta.

The portrait of a man and his attempts to make things up with life after losing his job.

A woman would rather forget her husband's forced disappearance at the hands of the government.

A woman would rather forget her husband's forced disappearance at the hands of the government.

This award-winning film by André Melançon -- set on a ranch on the pampas of Argentina -- tells the story of three children spending a summer with their grandfather. The youngest, Felipe, makes friends with a puppy; his older brother, Daniel, breaks and train his first horse; their 13-year-old sister, Laura, struggles with the transition between childhood and growing up. The kids find it difficult to adapt to their proud and stubborn grandfather, and he learns that he has to change his ways and try to understand them as they all experience the joys and sorrows of growing up and growing old. ~ Alice Duncan, Rovi

A viceroy and an archbishop take their posts in Mexico. A local nun, Sor Juana Inés de la Cruz (1651-1695), intrigues them. The viceroy and his wife find her brilliant and fascinating. The prelate finds her a symbol of European laxity. He engineers the election of a new abbess, severe and ascetic. The virreina visits Sor Juana often and inspires her to write passionate poetry that the archbishop finds scandalous. The viceroy protects her. After he is replaced and returns to Spain with his wife, Sor Juana faces envy and retribution. A bishop betrays her, her confessor humbles her. Plague, a tribunal, and her confession as "the worst of all" end the great poet's life.

A history of Argentine football, from its origins in the nineteenth century to the victory of the Argentine national team in the 1986 World Cup. The film uses valuable archival footage.

A young British woman is hired as a governess by a wealthy Argentine family. Through her position, she slowly sees how the upper class of society is slowly crumbling, and how a fascist movement is preparing to install itself in power.

In Buenos Aires of the 1840s, a young Jesuit and a wealthy socialite fall in love and begin a torrid affair. They escape from the city, and, in disguise, set up house in a village, assuming they are safe and beyond the cares of anyone. However, both the church and Camila's family are enraged, vowing to hunt down the lovers for a capital crime. Based on a true story.

It is the story of Eleanor, a good housewife who lives with her husband, Fernando, and their two children. Deeply loves her husband and does not question the reciprocity of love and fidelity. One day, circumstantially, discovers her husband is cheating. Leonor emotionally feels betrayed and realizes that his world, based on a lie, has collapsed like a house of cards. With more fear than conviction, leaving the house, leaving little signs with instructions for their march and trust their children to the care of her husband.

A plague ravages Buenos Aires. Those affected by it are executed on the spot; those who are healthy should report to the authorities. Escaping both from the authorities and from the disease, seven survivors head south.

A young man enters an institute for the mentally ill and falls in love with a patient from whom he will distance himself after her rehabilitation.

Buenos Aires, 1932. After a series of warning attacks from an enemy, a mafia boss decides to fake his own death and then strike back. Things don't go according to his plan.

Story of a ordinary human being who, by chance, take possession of the money that was stolen from a bank, thinking that will solve all his problems.

A photographer shoots a documentary film in a small town in Argentina (Uribelarrea) about the filming that a foreign producer is doing on the spot.

The life of an advertising model, since she is discovered by a producer, until she decides to move away from the advertising environment.