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Ninja

Ninja

Nascimento : 1974-09-26, Johannesburg, South Africa

História

Watkin Tudor Jones (born 26 September 1974), currently known by his stage name Ninja, is a South African rapper, record producer, performance artist and satirist. Previously, he has recorded under a guise of different names, Max Normal and MC Totally Rad being some of the most prominent. Watkin Tudor Jones was a part of South African hip-hop scene for many years, fronting such acts as The Original Evergreens, MaxNormal.TV and The Constructus Corporation. He is known for adopting different stage personas. He currently fronts the group Die Antwoord under the name Ninja. Jones has released several albums under different guises (including the Sibot-produced The Fantastic Kill and Markus Wormstorm-produced promo-only EP "Emmanuel Rothchild - My Favourite Songs" and "Markus Wormstorm Is Not Gay"), and expanded into graphic art, stuffed animal making, and other aspects of his creativity. He has a child with Yolandi Visser, who is also a frequent collaborator. Although he now lives in Cape Town, Jones comes from Johannesburg where he attended Parktown Boys' High School, graduating in 1993.

Perfil

Ninja

Filmes

Die Antwoord at Lollapalooza 2016

Die Antwoord at Lollapalooza 2016

It took more than 19 hours for Die Antwoord, South Africa’s bonkers electro-rap collective, to travel from their homeland to Lollapalooza, but not even jetlag was going to stop emcees Ninja and Yo-Landi Vi$$er from fighting crime — or doling out alternate South African history lessons.

Ninja

Em um futuro próximo, a África do Sul decidiu substituir os seus policiais humanos por robôs dotados de inteligência artificial. O criador , o cientista Deon, sonha em embutir emoções nos robôs. Um dia, ele rouba um modelo defeituoso e faz experiências nele, até conseguir criar Chappie, um robô capaz de pensar e aprender por conta própria. Mas Chappie é roubado por ladrões que precisam da ajuda para um assalto a banco. Quando Vincent, um engenheiro rival de Deon, decide sabotar as experiências do colega de trabalho, a segurança do país e o futuro de Chappie correm riscos.

AKA: The Lives of Waddy Tudor Jones

AKA: The Lives of Waddy Tudor Jones

Himself

Originally published as two parts, this documentary from Jimbo Stephens explores the projects of South African rapper and visual artist Watkin Tudor Jones Jr.

Umshini Wam (Bring Me My Machine Gun)

Umshini Wam (Bring Me My Machine Gun)

Ninja

Big dreams, big blunts, big rims, and big guns. It's time to get gangsta gangsta. Ninja and Yo Landi are wheelchair-bound lovers and real gangstas. They live in the outskirts of civilization, they shoot guns for fun, smoke massive joints, and sleep in the woods. They don't have any bling to show for their gangsta cred, but the world deserves to know who they are. They're tramps, and their wheels are starting to fall off. Ninja become despondent over their vagabond existence, but Yo Landi won't let him give up. What ensues is straight up gangsta mayhem, the realist of the real, true gangsta shit.

Himself

Back in June, we invited South African rave-rap crew Die Antwoord to play their first show in New York City. They are one of our favorite bands and their performance that day was one of the most hectic, intense and amazing shows we had seen in a long time. While we were hanging out with them here, Ninja and Yo-Landi kept talking about a little monster called Tokoloshe, the most feared of all African demons. Ninja told us about how when he was growing up, his nanny would use a stack of bricks to raise her bed up, just to keep the Tokoloshe away at night. It turns out this is a fairly common practice among women in South Africa since this hairy, pot-bellied dwarf, unlike your typical Western boogiemonsters, is believed to have a penis the size of a horse’s and a penchant for sneaking into people’s bedrooms and raping them.

Waddy

A warmhearted slice-of-life story showing viewers how important family reunions are, psychologically and emotionally. But also a satire of white privileged church going South African society and their normalization.