Cinematography
After Charlie Shivers' rug is ruined by painters, he hires his friend Tommy Two-Lips to steal him a new one. When Tommy profits off of it, Charlie gets his cousin Louie Lemmons to kill Tommy -- but it ends up making Charlie the main suspect.
Assistant Camera
The careers of D.W. Griffith, Mary Pickford, Douglas Fairbanks, and Charlie Chaplin are chronicled culminating in the formation of United Artists and 1919.
Director of Photography
Six amateur musicians accept an offer to play a 2-week gig in the Catskills. When the bass player suddenly falls ill, they recruit a genuine pro to fill in. As they embark on the opportunity of a lifetime, dreams and reality begin to collide.
Second Unit Cinematographer
No início do século XX, três casais se reúnem em uma casa de campo. Os anfitriões têm problemas de ordem sexual, um outro casal é composto por um professor que vai se casar brevemente com uma mulher muito mais nova e o terceiro casal é um médico, que conheceu uma enfermeira há pouco tempo. Nesta pequena reunião sexo e amor são discutidos e seus sentimentos vem à tona.
Cinematography
Beginning with a history of two thousand years of Jewish life in Morocco, the movie incorporates extensive archival footage, as well as interviews with: artists, scholars, journalists, merchants, workers, and artisans in Morocco, Israel, France, and Canada.
Director of Photography
O ator e dramaturgo Wallace Shawn se senta com seu amigo, o diretor teatral André Gregory, em um restaurante em Nova Iorque. A dupla faz uma confissão alternadamente extravagante e desesperada sobre amor, morte, dinheiro e a superstição que envolve tudo isso.
Director of Photography
Scientists investigating the briny deep are threatened by a giant turtle and the spirit of a young brunette swimmer in the Bermuda Triangle.
Director of Photography
Produced by Larry Keating for AT&T. “THE ARTIST AND THE COMPUTER is an excellent introductory informational film that dispels some of the “mystery” of computer-art technology, as it clarifies the necessary human input of integrity, artistic sensibilities, and aesthetics… Ms. Schwartz’s voice over narration explains what she hoped to accomplish in the excerpts from a number of her films and gives insight into the artist’s problems and decisions… I would recommend THE ARTIST AND THE COMPUTER for all grade levels, in classes on filmmaking, art appreciation, and human values.
Cinematography
In this sex farce, two middle-aged pairs of aspiring swingers rent a summer cottage. There they sit around discussing the pros and cons of having affairs.
Camera Operator
A behind the scenes look at the filming of the movie Shaft (1971). The movie's director, Gordon Parks is seen directing a couple of fight scenes which he wants to get in as few takes as possible due to the set-up time and the danger involved in the stunt work. He is also seen speaking to the composer of the film score, 'Isaac Hayes', about the overlaying of the music over one of those fight scenes, and what he wants musically for another scene involving the lead character, John Shaft, moving through Times Square. The latter would eventually become the movie's iconic theme music. Being a frenetically paced action movie, he also works closely with the film's editor, Hugh A. Robertson.
Cinematography
A short documentary made on location during the filming of John Schlesinger's 1969 film "Midnight Cowboy."
Director
A short documentary made on location during the filming of John Schlesinger's 1969 film "Midnight Cowboy."
Director of Photography
Interview with Jason Holliday aka Aaron Payne. House-boy, would-be cabaret performer, and self-proclaimed hustler giving one man's gin-soaked, pill-popped view of what it was like to be coloured and gay in 1960s Unites States. Preserved by the Academy Film Archive in 2013.
Camera Operator
The story of the railroad man in his role in keeping the trains moving on the rails.
Director
The story of the railroad man in his role in keeping the trains moving on the rails.