Cardiochirurgo al pronto soccorso
Garage owner Angelo and big-time film producer Alberto find themselves occupying neighbouring beds in a Rome hospital after suffering heart attacks. Alberto is a gregarious joker - and chain smoker - who has a strong effect on the impressionable Angelo. However, as one of the men's condition deteriorates, the other becomes more deeply involved in his personal life.
Gemma
Ernesto is doomed to loneliness since the loss of his wife. He is a writer who lives alone without any children, and is an antisocial person. However, he is as satisfied with his life. Although he has not been working for a while, a film director asks him to prepare a scenario on the life of "Teresa of Ávila". Meanwhile, a young peasant girl, Luana starts working with him as a maid. Now the time has come for an affair which he has ignored for some years.
Dr. Ricordi
Reports of a weeping Madonna in Italy reach Las Vegas, where blackjack dealer Maggie has just learnt she has only weeks to live. With a massive leap of faith she convinces herself that seeing the Madonna with her own eyes could lead to her salvation, and travels to Europe to find it. Hitching through Italy, she meets pianist Mike, who is also en route to what he believes could be a life-changing event - a performance at the Barbarina concert in Naples.
Rosanna
A Noite de São Lourenço é a obra-prima dos talentosos Paolo e Vittorio Taviani (Bom Dia, Babiolônia). Esta edição apresenta o filme no formato widescreen, que preserva o aspecto de cinema. Na Itália, a noite de 10 de agosto é conhecida como "a noite de São Lourenço", quando se vê o maior número de estrelas cadentes no céu. Em 1944, esse evento assume uma dimensão trágica no vilarejo de San Miniato, na Toscana, quando os ocupadores nazistas pretendem massacrar a população local. A única esperança de todos é lutar pela liberdade.
Michele criticizes the film industry and its inhabitants, and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled "Freud’s Mother." Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers.
