The Married Problem (2022)

Сюжет «Триплексоголика» – гибрид герметичного детектива и мистического триллера. Инфернальные призраки. Исполнение желаний за определенную – определенную самой ведьмой, разумеется – плату. Загадочный дом с бесконечными переходами, бездонными подвалами и живыми портретами.Сюжет недурен: он внятен, связан, имеет завязку, кульминацию и развязку в подобающей последовательности, и особо ранимые зрители могут даже попробовать прослезиться ближе к финалу. Но, в общем и целом, «Триплексоголик» производит впечатление редкой для аниме разновидности несоответствия содержания и формы: на мой взгляд, имела место «попытка с избыточными средствами». Такой дизайн мог обслуживать куда более величественный замысел…

Экранизация одноимённого романа Джойс Кэрол Оутс. Смело переосмысленная интерпретация жизни голливудской легенды Мэрилин Монро.

На первый взгляд, у Вика и Мелинды есть всё, о чём можно мечтать — очаровательная дочка, роскошный дом и успешные друзья. Но их брак превратился в порочную игру, где она намеренно не скрывает свои измены, а он прощает ей всё. Когда одного из её любовников находят мертвым, супругов все сильнее затягивают глубокие воды подозрений и лжи…

A boy writes a comic book with his best friend, and finds situations depicted in the comic book coming to life. Along with the appearance of a mysterious girl, the boy is forced to face the reality of what he has written, and begins a battle to attempt to rewrite death.

В антиутопичном будущем «усовершенствованных» людей миром правит корпорация «Persona Century», буквально купившая каждый клочок земли на планете. Однако даже в мире, полностью проданном и порабощенном, можно найти место, свободное от любой власти — Кабуки-тё в районе Синдзюку, также известное как «Темная сторона Токио» — единственное свободное место на Земле, находящееся под защитой местной уличной банды «Мессия». Именно там появляется таинственный незнакомец, прозвавший себя Дарксайдом — появляется, чтобы помочь немногочисленным остаткам «не подчиняющихся» избавить мир от жестокой власти «Persona Century».

Like at the New Year’s Eve, showers of colourful light cut through the darkness. While fireworks dissolve into nothing after a thunderous sound, shattered glass leaves material artifact. Sharp pieces then become a reminder of the real track that fireworks leave in the sky.

It is August 12th. After the remote control to his boarding house's only air conditioning unit is inadvertently destroyed by spilled cola, "I" devises a plan to return to yesterday in a time machine to recover the remote before it breaks. However, his prankster friend Ozu cannot resist playing with past events, even if it means bringing the universe to the brink of destruction. Now "I" finds himself racing through time to avoid disaster.

Jakub Strach aka NobodyListen is a successful Czech DJ and music producer. A portrait of his life and work can be seen as a manifesto of the millennial club-going generation. After hundreds of shows and preparations for the upcoming, renowned Addict party, the DJ must deal with the consequences of inflicting a wound scarring his image. Footage from the club backstage mingles with scenes of everyday life in which NobodyListen ponders the dark sides of the club scene, like drugs and misogyny. During the shooting, the Covid pandemic strikes, revealing the insecurities of work in culture.

Teresa and Peter settle down in their new home after the wedding. Things are going well until her childhood furniture arrives, sending Teresa into horrible flashbacks of turmoil from memories of her youth.

A man's life becomes threatened after he goes on a date with a woman who's in love with the Devil.

The primary motif of the documentary is the journey. A metaphorical journey, a spiritual journey, a tangible journey, a forest path, a road, a sidewalk, a drug trip, or a journey abroad. The director pastes together a collage of micro-stories of people and places that comment on the journey. Her documentary oscillates between playful absurdism, existentialism and existential questions, environmentalism, and social commentary. The dynamism and rhythm of the narrative are then determined by the jumps between different forms of video, such as analogue film, digital film, and mobile phone filming.

Erisudar pits predeterminism against free will. The constant battle between these two concepts is a lifelong experience for the conscious mind, which yields no peaceful conclusion.

Following his kidnapping, Kyle must escape the forest before he’s killed by a vicious serial killer in a game of cat and mouse. After receiving a mysterious call about the disappearance of her brother, Anna must track him down before it's too late.

An idiot for some, a genius for others. Zoran is an urban legend of a Serbian block of flats who allegedly travelled the whole world without a single ID on him. After that, he went nuts due to politics, war and MDMA. “I saw it with my own naked eye,” nodded a half-blind old man. Though a clear answer to the question who Zoran really was is not to be expected at the end of this semi-serious manhunt, it is more than sure that even if he did not exist, the locals must have had to think him up.

37-year-old Marta gets married and wants to have a baby. But her toxic relationship with overbearing mother complicates her life in many ways.

In a series of juxtaposed images and sounds, Jaromil Jireš comments on the tragic premature death of thousands as well as their posterity due to the atomic bomb.

On a sunny afternoon an old man speaks to a laundress about his love for Provence, then a black flag is unfurled outside the town monument: news has arrived over the radio that the famous composer Foerster, born in the town, has just died.

In a rare instance of literary adaptation, Chytilová was inspired by Franz Kafka’s writings. Mr. K stashes stolen jewelry away at home and seldom allows his wife to wear it. A nosy neighbour, Mr. B, drops in. A cat observes it all.

A boy who is kicked out of his post-apocalyptic camp is forced to try and find a new home, as well as, civilisation without being caught by the unknown beings that lie ahead.