Damn You! the Mosquitoes (2000)
Жанр : комедия
Время выполнения : 1Ч 21М
Директор : Miklós Jancsó
Краткое содержание
Kapa, Pepe and Mesi would like to buy a scrapyard of trains, to start a nostalgia train and earn a lot of money. The capital to start with they want to get from grandpa, who has come home from America with a suitcase full of money. Everybody wants Mesi to approach the old man, because she is the only one he would speak to. But Mesi is more concerned with the idea that she wants a child, by now from anyone, while Pepe is jealous. Kapa’s alleged son emerges, with the mafia behind him: they, too, are eager to get grandpa’s money. After threats and blackmailing, poisoned apples are sent, with only one side of them poisonous. Those dead, by the way, are resurrected by the sound of a song. At last, nobody manages to get the money, but it wouldn’t make sense anyway: it’s all fake. The Statue of Liberty, however, turns out to be blind.
Waiters’ competition at Heroes’ Square in the late thirties. Dressed as waiters, Kapa and Pepe awake in the bronze chariot of the millennial sculpture group. They drive along the Danube promenade, and on the concrete reinforcement of the demolished Budapest rondella hotel they get involved in a showdown of political background. In the burnt-down Sports Hall the waiters train for a last supper, Pepe and Kapa run around the big laid table with trays in their hands. While doing so, Pepe keeps crying out: "I am the best one, I am the most beautiful one, I am the king, I am the god..." Sitting in a boat on the Danube, a ship goes past them, and the Niagara falls, majestic and breathtaking, resound in their ears. On each passing away something new will come to life – as rapped by Sub Bass Monster.
In the Kerepesi Street cemetery, three grave diggers contemplate the fate of the world, then they step out of this role and in a sequence of episodes they play the typical figures of contemporary Hungarian reality, the fat cat, the swashbuckler, the victim, underworld chieftains, and present little absurd dramas of love, marriage, friendship, public order and legal safety. The author and the film director walk among them all the time, contemplating, laughing at their plays. The stories starting from the graveyard and returning there warn of the inevitability of death. The author and the director (Gyula Hernádi and Miklós Jancsó) wisely make friends with death.
By the notes of Fiáth Pompeiusz, the one-time friend of Kapa and Pepe, Professor Szirtes has solved the secret of the time machine, and he realizes the invention relying on "special" H2O. Kapa and Pepe shall return by it into the past in order to set time right, which is out of joint, that is, to correct history, to save King Louis II, and prevent the Mohács Disaster. Pepe yields to the not too tender persuasion to enter upon the great journey through time, dies and revives, and they arrive at the battlefield of Mohács in time. Kapa films the events. The Turks win and cut off the king’s, Pepe’s, head, still the Hungarians dictate the peace treaty. Kapa and Pepe want to return, they fill the time machine up with water from the well, yet it won’t start. Even so Kapa and Pepe hover over Budapest and quarrel.
Produced in 1943 under the guidance of Army Air Force Lieutenant Clark Gable, this film follows a single 8th Air Force B-17 crew from training through a series of missions over Europe.
Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.
A comedy based on NBC's "People Are Funny" radio (and later television) program with Art Linkletter with a fictional story of how the program came to be on a national network from its humble beginning at a Nevada radio station. Jack Haley is a producer with only half-rights to the program while Ozzie Nelson and Helen Walker are the radio writers and supply the romance. Rudy Vallee, always able to burlesque himself intentional and, quite often, unintentional, is the owner of the sought-after sponsoring company. Frances Langford, as herself, sings "I'm in the Mood for Love" while the Vagabonds quartet (billed 12th and last) chimes in on "Angeline" and "The Old Square Dance is Back Again."
Moody, atmospheric ghost story starring Mason as a retired tradesman who purchases an old mansion that has been vacant for 40 years because it is believed to be haunted by the spirit of a young woman who had died there. Unaware of the mansion's reputation, Mason and his wife Mullen move in and hire a young woman, Lockwood, to keep house. Soon after Lockwood's arrival, strange things begin to happen in the household, and it becomes apparent that she is possessed by the spirit of the dead girl, though Mason scoffs at the idea. On death's door and bedridden, Lockwood asks for the same doctor who treated the woman who died 40 years ago. He arrives and treats her. The next morning Lockwood is cured, and it is revealed by the police that the doctor's dead body was found in his carriage hours before the time Mason claims he arrived to see Lockwood. Convinced that not only the ghost of the girl but that of the doctor as well entered his home, Mason finally believes in the supernatural.
At the height of Reign of Terror Maximilien Robespierre orchestrates the trial and execution of several of his fellow leading French revolutionaries including Georges Danton.
Лос-Анджелес, конец XX века, страна неограниченных возможностей для всех… Ленни и Элоиза любили друг друга и боролись за свою любовь. Элоиза работала секретаршей у богатой актрисы, а вот Ленни был типичным неудачником, причем с амбициями. Он не мог удержаться ни на одной работе, поэтому жил за счёт Элоизы. Но он пытался исправить положение — и попал в полицию за участие в незаконных съёмках порнофильма. Все сбережения ушли на уплату залога. Из квартиры их выгнали. И тогда Ленни и Элоиза пошли на грабёж.
A filmmaker returns to Normandy thirty years after a working on a movie based on a local homicide and tries to find the actors who worked on the project.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
Вся семья Дассау из Вены художественно честолюбивая, но безуспешная. Отец, усердный почтовый служащий, пишет «кровавые» детективы, которые не находят издателя. Никто не хочет слушать песни о любви его жены. Их младшая дочь Бригитта — непризнанная художница, а старшая Николь пишет глубоко чувствительные стихи о «листьях, которые шепчут на деревьях». Когда Николь снова получает отказ издательства, она решает поставить «аморальную пьесу», соответствующую духу времени. Под заголовком «Ева — мемуары 17-летней» Николь излагает предположительно автобиографические переживания чувственной девушки, которую обманывает ее супруг. Пьеса на сцене старо-почтенного Венского придворного театра имеет сенсационный успех. Вся Вена гадает, кто же автор… Тем временем, американский кинопродюсер Эрвин Дотт предлагает большую сумму за право экранизации пьесы. Но с одним условием — он желает познакомиться с автором лично…
Барлам изо всех сил пытается найти себя, когда он упаковывает продукты, имеет кровосмесительные отношения со своей сестрой и пытается понять давний развод своих родителей. События выходят из-под контроля, когда он становится одержимым мальчиком, который выглядит как он.
While Douglas Coupland works on a grand art project about Canada, the writer recounts his life and his musings about the various aspects of Canadian identity.
A girl has to decide who to marry: a poor country boy or a rich nightclub owner.
A notable opera singer tries to commit suicide because of a emotional breakdown. While hospitalized in a psychiatric clinic, her daughter cautiously approaches the man she considers to be the blame for the state of her mother in order to gain her revenge.
Два сводных брата, Клаус и Улли, любят одну и ту же девушку. Клаус обладает более выигрышной внешностью, он может спеть модную песенку, сыграть на гитаре и этими кажущимися преимуществами легко добивается успеха у Евы. Клаус отнюдь не серьезно относится к своей подруге, и очень скоро она почувствовала это. Улли - человек спокойный и уравновешенный, он хорошо знает характер своего сводного брата, его легкомыслие и моральную нечистоплотность. Встретившись с Евой, окончательно порвавшей с Клаусом, и узнав о её тяжелом положении, Улли, забыв свою обиду, первым протягивает ей руку помощи.
Из беседы с Евой Улли узнал о намерении Клауса бежать на Запад. Сознавая свою гражданскую ответственность за легкомысленный поступок брата, Улли решает помешать ему. Зная место, где Клаус может перебраться в Западный Берлин, Улли, рискуя жизнью, задерживает его.
I love Vienna is a social comedy that explores the clash of cultures and values.
Based on a story by Vietnam veteran Paul Staples, the film concerns six American Green Berets, held for 17 years in a Vietnamese POW camp. They are finally released in secret, during a delicate trade-talk session between Vietnam and the United States. Captain Tom Watkins, the ex-prisoners' CO, begins to suspect that government-man Adam Roth, who is in charge of the debriefing, may be pursuing a hidden agenda that will result in the early deaths of Watkins and the five men under his command.
A humorous and satirical comedy, which places a man from the year 2222 one day in the (then) present day life in GDR, East Germany under Communist regime. Using a crystal for mind reading he uncovers some improprieties and moral weaknesses in the "Beautiful future" professed by VEB ("Volkseigener Betrieb" – "State Owned Holdings").
