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Sweep The Streets

Жанр : мультфильм, документальный

Время выполнения : 10М

Директор : Albert Gregorio

Краткое содержание

An avant-garde collection of vignettes of street sweepers across Liberty City throughout a day cycle. An ode to workers across the nation and the countless sweat drops across their foreheads.

Актеры

Экипажи

Albert Gregorio
Albert Gregorio
Director
Albert Gregorio
Albert Gregorio
Editor

Подобные

Histoire(s) du Cinéma 1a: All the (Hi)stories
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Puparia
Что-то вот-вот кардинально изменится. Мы можем только быть свидетелями этого.
Histoire(s) du Cinéma 2a: Only Cinema
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Histoire(s) du Cinéma 2b: Deadly Beauty
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Histoire(s) du Cinéma 1b: A Single (Hi)story
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Nothing Happens
On the cold outskirts of town, something is about to happen. In our own way we are all waiting for something to happen.
Waiting
Motion. Struggle. Pain. A dive into memory, into a conscious land. But at some point in time, the mist will fade away. Will it be the beginning?
The death of the minotavr
The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.
Once More Unto the Breach
July, 1941. After the beginning of the German invasion, an Italian soldier, a veteran of the colonial wars, is sent to the Soviet front. As he remembers the fairy tales his Russian mother used to tell him, the train he is travelling in crosses Europe on its way to the vast Ukrainian plains, where the enemy and a cruel winter await him… (Based on the experiences of several Italian soldiers.)
But I Made Cake
A surrealist horror short film that follows Sabrina, a young woman who idealizes love and obsesses over relationships in an attempt to cope with her self-hatred. After pouring her heart and soul into yet another failed romantic relationship, she is left to reclaim the parts of herself that she lost along the way.
MENTIS EXCESSUS
Piece of Paradise
Alex returns to a lifeless home that she ran away from at a young age. Once home, she begins filming a video about her past life but begins to question why she is putting her misery on display instead of doing what makes her happy.
LITTLE POTATO, GET YOURSELF AWAY
The work and the landscape surrounding the cultivation of potatoes, in a film revealed with artisanal production chemicals, parallel to agricultural work.
Moments choisis des Histoire(s) du cinéma
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art. (Abridged version of the original collection of eight short films).
Moth Night
Lira is an actress in the face of a world that is coming to an end. While artists are consumed, the moth flies through the night.
Nourishment of the oblivion
Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.
La terrible bestia sangrienta
A gorilla escapes from a Mexican zoo and goes on a bloody rampage through a small town.
Sincerely Sha3shabona,
Feeling not real? Let me go insane. An homage to the director's mind. A take on body dysmorphia and the bloody tale of self love.
Harbinger
A Los Angeles detective discovers the unbelievable while searching for a missing child and in the aftermath his life begins to unravel.
Paesaggio con figure
A man leaves suddenly. Two men chase him. A woman in black and white. The landscape – the one outside and the one inside of the characters – takes over. Landscape of images and words.