The City of the Dead (2011)

The lives of two women intersect.

Following international recognition of Fado, Portugal recently submitted to UNESCO the polyphonic songs of the Alentejo, known as Cante Alentejano, or just Cante, as an Intangible Cultural Heritage of Humanity. This film will be a journey into the hot Alentejo countryside (Southern region of Portugal) discovering Cante music and the life of its performers. Not many people outside Portugal know about these a capella polyphonic choirs, typically formed by 20 to 30 male agricultural workers or miners, that seem to express the deep voice of the Earth.

Produced in 1943 under the guidance of Army Air Force Lieutenant Clark Gable, this film follows a single 8th Air Force B-17 crew from training through a series of missions over Europe.

Iskyss is a strong and poetic love story based on Gunvor Galtung Haavik’s double life through 30 years. During the Cold War, she was employed by the Norwegian Ministry of Foreign Affairs, and assigned to the Norwegian Embassy in Moscow. With the information she had access to in the capacity of her position as interpreter and secretary, she frequently fed the KGB secret information.

A comedy based on NBC's "People Are Funny" radio (and later television) program with Art Linkletter with a fictional story of how the program came to be on a national network from its humble beginning at a Nevada radio station. Jack Haley is a producer with only half-rights to the program while Ozzie Nelson and Helen Walker are the radio writers and supply the romance. Rudy Vallee, always able to burlesque himself intentional and, quite often, unintentional, is the owner of the sought-after sponsoring company. Frances Langford, as herself, sings "I'm in the Mood for Love" while the Vagabonds quartet (billed 12th and last) chimes in on "Angeline" and "The Old Square Dance is Back Again."

The film is set in Lisbon, and tells the story of a day in the life of Rita and Paulo, a Portuguese young couple of the 90's. The fast changing city around them makes them wish to break with all traditions and live the day the get married (only civil marriage) like it is an ordinary day.

A girl has to decide who to marry: a poor country boy or a rich nightclub owner.

Moody, atmospheric ghost story starring Mason as a retired tradesman who purchases an old mansion that has been vacant for 40 years because it is believed to be haunted by the spirit of a young woman who had died there. Unaware of the mansion's reputation, Mason and his wife Mullen move in and hire a young woman, Lockwood, to keep house. Soon after Lockwood's arrival, strange things begin to happen in the household, and it becomes apparent that she is possessed by the spirit of the dead girl, though Mason scoffs at the idea. On death's door and bedridden, Lockwood asks for the same doctor who treated the woman who died 40 years ago. He arrives and treats her. The next morning Lockwood is cured, and it is revealed by the police that the doctor's dead body was found in his carriage hours before the time Mason claims he arrived to see Lockwood. Convinced that not only the ghost of the girl but that of the doctor as well entered his home, Mason finally believes in the supernatural.

A West African pig farmer has a religious vision, wherein he is told that he'll be Magloire the First, a prophet of Christ. He then sets out to rid his local villagers of superstition and instead save them for Jesus.

Лос-Анджелес, конец XX века, страна неограниченных возможностей для всех… Ленни и Элоиза любили друг друга и боролись за свою любовь. Элоиза работала секретаршей у богатой актрисы, а вот Ленни был типичным неудачником, причем с амбициями. Он не мог удержаться ни на одной работе, поэтому жил за счёт Элоизы. Но он пытался исправить положение — и попал в полицию за участие в незаконных съёмках порнофильма. Все сбережения ушли на уплату залога. Из квартиры их выгнали. И тогда Ленни и Элоиза пошли на грабёж.

Worn-down pavements, broken paving stones. Trees that jut out of the concrete, casting shadows on to crumbling façades. The centre of Tbilisi in the summer of 2013. Glimpses of side and main streets, over railings and under balconies, of an architectural cacophony. The voiceover spoken by Natja Brunckhorst reflects on the nature of streets and public spaces.

This film tries to make a silent record of the arrival of an economy of scale, its flows, and its effects upon the transformation of an island’s physical and human landscape.

Вся семья Дассау из Вены художественно честолюбивая, но безуспешная. Отец, усердный почтовый служащий, пишет «кровавые» детективы, которые не находят издателя. Никто не хочет слушать песни о любви его жены. Их младшая дочь Бригитта — непризнанная художница, а старшая Николь пишет глубоко чувствительные стихи о «листьях, которые шепчут на деревьях». Когда Николь снова получает отказ издательства, она решает поставить «аморальную пьесу», соответствующую духу времени. Под заголовком «Ева — мемуары 17-летней» Николь излагает предположительно автобиографические переживания чувственной девушки, которую обманывает ее супруг. Пьеса на сцене старо-почтенного Венского придворного театра имеет сенсационный успех. Вся Вена гадает, кто же автор… Тем временем, американский кинопродюсер Эрвин Дотт предлагает большую сумму за право экранизации пьесы. Но с одним условием — он желает познакомиться с автором лично…

Bafiokadié and his sister Téné leave their village in Africa to find their lost blue bird before the day is over, but they find much more along the way. Loosely based on a stage play by Maurice Maeterlinck.

Through a series of interviews and enactments we learn the story of Nico and Amalio, two children who lost a friend while climbing a mountain. Documentary and fiction seamlessly merge creating a hybrid, poetic film.

"[...] Looking back, I now feel that I understand that the film was my response to the two entities, Man and Nature competing for space in the local vicinity where I lived, ergo layers of images and sounds compete for attention in the film. Where fields used to be, they were being replaced with factories, power stations, and wind farms. My film is an irresolution. Are any of these things beneficial enough to be warranted? Isn't it all a folly? I don't know. It is not a negative film, nor a positive one. Just a comment. A comment that my subconscious commanded me to make; inspired by the locations that I passed... and the locations that have passed. At the end of the film, a human hand reaches out, as if trying to find a resolution, a reason for anything and everything - but everything, even the nature seems so fake now, like trying to feel the flesh of a mere projection..." - Scott Barley

On Christmas Eve, Léa and Juliette, a couple, want to rob a supermarket that Juliette knows is empty of surveillance on this festive evening. But, as much for each of them as for Eric, the vigil who is there after all, nothing will happen as planned. Besides, shortly before leaving him alone, the store manager gave Eric a gun, just in case.

"Retirement. My retirement. After a long stretch of intense work on a project that I wasn't passionate about, I finally had a little time to make something I truly wanted. Solitude. A subtle use of machinima alongside HD video." Scott Barley

While Douglas Coupland works on a grand art project about Canada, the writer recounts his life and his musings about the various aspects of Canadian identity.

I love Vienna is a social comedy that explores the clash of cultures and values.