National Theatre Live: Vanya (2024)
Жанр : драма
Время выполнения : 1Ч 57М
Директор : Sam Yates
Краткое содержание
Andrew Scott brings multiple characters to life in Chekhov's Uncle Vanya, filmed live in West End, London. Hopes, dreams, and regrets are thrust into sharp focus in this one-man adaptation which explores the complexities of human emotions
live-action adaptation
Eliza Doolittle is a young flower seller with an unmistakable Cockney accent which keeps her in the lower rungs of Edwardian society. When Professor Henry Higgins tries to teach her how to speak like a proper lady, an unlikely friendship begins to flourish.
Wild and newly single, Julie throws a late night party. In the kitchen, Jean and Kristina clean up as the celebration heaves above them. Crossing the threshold, Julie initiates a power game with Jean – which rapidly descends into a savage fight for survival.
Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.
It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.
После инцидента в школе, Тревор попадает в щекотливое положение и изо всех сил пытается разобраться в себе и понять, как вписаться в этот сложный мир. Экранизированная версия бродвейской постановки мюзикла «Тревор: Мюзикл».
Passion is a musical with music and lyrics by Stephen Sondheim and a book by James Lapine. The story was adapted from Ettore Scola's film Passione d'Amore. Central themes include love, sex, obsession, illness, passion, beauty, power and manipulation. Set in 19th century Italy, the plot concerns a young soldier and the changes in him brought about by the obsessive love of Fosca, his Colonel's homely, ailing cousin.
Set in Richmond, Virginia in October 1864, tells the story of a Union spy working to seize control of the telegraph office.
Красивый и талантливый, но абсолютно нищий поэт Люсьен Шардон пытается прославиться и разбогатеть в Париже. Во французской столице он переживает взлёты и падения, а цепь его деяний вводит в чудовищные долги его друга и зятя Давида Сешара. Люсьен подходит к черте отчаяния, в последний момент понимая, что он натворил.
National Theatre Live will broadcast Manchester International Festival’s electrifying production of Macbeth, with Kenneth Branagh (My Week With Marilyn, Hamlet) in his first Shakespeare performance in over a decade as Macbeth, and Alex Kingston (Doctor Who, ER) as Lady Macbeth. Directed by Olivier and Tony Award-winner Rob Ashford (Anna Christie at the Donmar Warehouse, Thoroughly Modern Millie on Broadway) and BAFTA Award-winner Kenneth Branagh, this unique production of Shakespeare’s tragic tale of ambition and treachery unfolds within the walls of an intimate deconsecrated Manchester church.
A high school student who comes across a supernatural notebook, realizing it holds within it a great power; if the owner inscribes someone’s name into it while picturing their face, he or she will die.
Written by Colm Toibin, Pale Sister is a powerful retelling of the classic tale of Antigone. Lisa Dwan stars in a tour-de-force performance directed by Sir Trevor Nunn.
A filmed stage performance of the 1993 London revival. Sam Mendes (American Beauty, Road to Perdition, Skyfall) directed this new production for the Donmar Warehouse in London's West End. It starred Jane Horrocks as Sally, Adam Godley as Cliff, Alan Cumming as the Emcee and Sara Kestelman as Fräulein Schneider. Cumming received an Olivier Award nomination for his performance and Kestelman won the Olivier for Best Supporting Performance in a Musical. Mendes's conception was very different from either the original production or the conventional first revival. The most significant change was the character of the Emcee. The role, as played by Joel Grey in both prior incarnations, was an asexual, edgy character dressed in a tuxedo with rouged cheeks. Alan Cumming's portrayal was highly sexualized, as he wore suspenders (i.e. braces) around his crotch and red paint on his nipples.
Сирано лишился легендарного носа, а заодно и всех прочих действующих лиц шляп, плащей, кружев и устаревшего пафоса. Что же осталось? Остроумие, мастерская игра словами, бесконечная неуверенность в себе главного героя и, конечно, вдребезги разбитое романтичное сердце бесстрашного храбреца де Бержерака, а вместе с ним — и сердца зрителей.
Marquise de Merteuil, former lover of Vicomte de Valmont, incites him to corrupt the innocent Cécile de Volanges before her wedding night, but Valmont has targeted the peerlessly virtuous and beautiful Madame de Tourvel.
Reason and judgement prove no match for the tsunami of mutual passion engulfing Mark Antony, one of the three joint rulers of the Roman republic, and Cleopatra, the seductive queen of Egypt. Surrendering everything to their desires, they open the floodgates to a civil conflict that will shake the very foundations of their world.
When the King of France (Peter Hutt) demands that John (Tom McCamus) relinquish his crown in favor of his nephew, the young Prince Arthur, war is the inevitable result. Excommunication, attempted atrocity, rebellion and assassination all contribute to a political turmoil and personal grief for a mother who has lost her son.
From her beginnings as a destitute orphan, Jane Eyre’s spirited heroine faces life’s obstacles head-on, surviving poverty, injustice and the discovery of bitter betrayal before taking the ultimate decision to follow her heart.
На протяжении 60 лет королева Елизавета II проводила в Букингемском дворце серию аудиенций для каждого из девяти премьер-министров Великобритании. Существует негласное правило для обеих сторон о неразглашении подробностей бесед этих встреч. «Аудиенция» нарушает это правило и представляет ряд предполагаемых диалогов между королевой и премьер-министрами, от Черчилля до Кэмерона. Первую аудиенцию королева провела, будучи совсем молодой. Эти частные встречи очерчивают вторую Елизаветинскую Эпоху. Политические деятели приходят и уходят, а королева остается – в ожидании следующего премьер-министра.