Kalibre 35 (2000)

Based on a true story of a British television crew that travelled to Colombia to film a fake documentary about drug trafficking. In one scene, shot in the director’s hotel room, an actor played the part of a character whom the filmmakers passed off as Cali Cartel’s Number Three. They claimed they had risked their lives to get the interview. One sequence also shows a man pretending to swallow capsules of heroine and transporting them to London in his stomach. This phoney TV documentary is an international smash hit. When a London daily discovers that the whole thing is a hoax, a team of British journalists are sent out to Colombia to cover the story. Their report unleashes a scandal that shakes the very foundations of television in the UK.

In the depths of the Colombian jungle, the skeleton of an immense abandoned cement bridge is tucked away. It has turned into a delusional tourist attraction.

Belisario's wife is very ill. A healer comes to meet them. He gives Belisario the mission of climbing the Andes to bring back a powerful object buried in the snow and try to save her.

Drivers of urban public transport in Bogotá do not receive a fixed salary¸ only a percentage per passenger picked up. Through the testimony of two champions of this daily war¸ an unpleasant daily life is shown¸ distressing and dangerous¸ both for the users and for the drivers themselves los and from which the only ones who benefit are the great transport entrepreneurs¸ true architects of a bloody war in which the State is hardly an indolent spectator.

The story revolves around Evaristo who¸ accompanied by his drum¸ dreams of becoming a great figure and imposing his music on the whole world. Evaristo composes cumbias and more cumbias on his ranch and then in jail¸ where adverse situations take him. Meanwhile his delusions begin to come true¸ and without knowing it¸ his name and rhythm become famous.

Sumercé follows veteran activist Don Eduardo, rising political leader César Pachón and agricultural educator Rosita as they fight their government’s decision to allow companies to carve up the campesinos birthright in rural Colombia and the country's access to fresh water.

Women workers stand up to the toxic flower industry in Colombia.

After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.

The North of Cauca is the region of Colombia most affected by the internal armed conflict since 1940. There is an orchestra of ancestral music composed of young indigenous people of the Nasa ethnic group who, with their instruments, their voice and their poetry, remember Maryi Vanessa Coicue, Sebastian Ul and Ingrid Guejia, three of the hundreds of indigenous children who have died because of this eternal and useless war between leftist guerrillas, armed groups of the extreme right, drug traffickers and the Colombian State.

This lyrical journey into the Ganges, one of the most revered but also one of the most threatened rivers of the planet, offers an unique perspective to think about the first global environmental crisis provoked by men.

A man goes back in time to stop his girlfriend from ending the relationship before he can propose to her, but each time he returns, she ends up with a different excuse. He now he has to see how to change to be able to marry her.

When an unattractive man gets engaged to a beautiful woman, their families oppose the union and the priest set to perform the ceremony is kidnapped.

Endless cycle of LIMBO

A Matter of Land recounts the first year of application of Colombian's Land Restitution Act from the perspective of a community who decide to engage with the process. The film explores the tensions that arise when such communities come face to face with the complex institutions responsible for enforcing the law. The result of these tensions is a narrative worthy of Kafka, in which a doorway to justice is opened for the sole purpose of demonstrating that no one can pass through it.