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Порги и Бесс (1993)

Жанр : музыка, драма

Время выполнения : 3Ч 4М

Директор : Trevor Nunn

Краткое содержание

Опера Джорджа Гершвина `Порги и Бесс` - первая в истории США национальная опера, принадлежащая к числу десятки лучших музыкальных произведений XX века. Л. Армстронг, Э. Фитцджеральд, Р. Чарльз, К. Лэйн, М. Джексон, М. Дэвис, MJO, О. Питерсон - эти выдающиеся мастера джаза не только без труда вошли в чудесный мелодический мир Гершвина, но и углубили его замечательную музыку, обнажив корни, о существовании которых композитор, возможно, даже не подозревал. Знаменитый Нью-йоркский театр `Метрополитен Опера` еще в начале 30-х сделал Гершвину предложение написать оперу, но Гершвин считал себя недостаточно подготовленным в музыкальном отношении для оперного жанра.

Актеры

Willard White
Willard White
Porgy
Cynthia Haymon
Cynthia Haymon
Bess
Gregg Baker
Gregg Baker
Crown
Cynthia Clarey
Cynthia Clarey
Serena
Marietta Simpson
Marietta Simpson
Maria
Damon Evans
Damon Evans
Sportin' Life
Paula Ingram
Paula Ingram
Clara
Gordon Hawkins
Gordon Hawkins
Jake
Barrington Coleman
Barrington Coleman
Mingo

Экипажи

Trevor Nunn
Trevor Nunn
Director
DuBose Heyward
DuBose Heyward
Writer
Dorothy Heyward
Dorothy Heyward
Writer
George Gershwin
George Gershwin
Music
George Gershwin
George Gershwin
Songs
Ira Gershwin
Ira Gershwin
Lyricist

Подобные

Bangalore Naatkal
Three cousins, Arjun, Divya and Kannan, relocate to Bangalore for various reasons. However, they face many challenges which change their lives forever.
Das Rheingold
From the gorgeous scene deep in the river Rhine that opens the opera, up to the magic Rainbow Bridge that appears at the end, leading to a glistening Valhalla, Otto Schenk’s production captures the scenic world of Wagner’s Ring as brilliantly as James Levine and the Met orchestra capture the musical world. The cast is incomporable: an astounding James Morris as the young god Wotan, the great Christa Ludwig as his wife Fricka, incandescent Siegfried Jerusalem as Loge, the wily god of fire, and Ekkehard Wlaschiha as a complex Alberich.
Апостол Павел: Чудо на пути в Дамаск
Павел изначально не входил в число Двенадцати апостолов, а в юности даже участвовал в преследовании христиан. На пути в Дамаск произошло его чудесное обращение: Павлу явился Христос и призвал его к апостольскому служению. С этого времени Павел, прозванный «апостолом язычников», из яростного гонителя превратился в ревностного поборника христианства. Будучи римским гражданином, и имея особые права, он активно проповедовал Евангелия в Палестине, Греции, Малой Азии, Италии и других уголках античного мира, где основал многочисленные христианские общины.
Il Mefistofele
Arrigo Boito's Il Mefestefele was first performed in 1868 and his most known work. In Ken Russell's modern interpretation presented by the Genoese Opera, it has Faust as an ageing hippy. He smokes marijuana and is tormented by his lost youth. Mephisto makes a bet with God that he can turn anyone to pagan life, even someone as innocent as Faust. From then on it is a battle of good against evil in a flamboyant, surreal display of primary colours, PVC costumes, nurses with swastikas, rocket trips, love and even characters dressed as Donald Duck and Mickey Mouse. Ken Russell said because the devil is always with us is his reason for the contemporary setting.
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The first-ever audio-visual recording of this opera – directed by Christof Loy, conducted by Marc Albrecht and with Sara Jakubiak, Brian Jagde and Josef Wagner in the leading roles
Ariadne auf Naxos
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Le nozze di Figaro
Mozart opera.
Аида
«Аида» (итал. Aida) — опера Джузеппе Верди, либретто Антонио Гисланцони по сценарию О. Ф. Мариетта. Действие происходит в Мемфисе и Фивах во времена владычества фараонов. В опере повествуется о несчастной любви предводителя египетских войск Радамеса и эфиопской рабыни Аиды — дочери эфиопского царя, с войсками которого сражаются египтяне. Опера «Аида» впервые поставлена 24 декабря 1871 (Каир). Одна из последних великих опер Верди, «Аида», была ему заказана, дабы отметить открытие Суэцкого канала. По некоторым данным, когда организаторы празднества обратились к Верди в первый раз, он отказался от заказа. Организаторы предупредили композитора, что обратятся к Шарлю Гуно с тем же предложением. Верди выразил надежду, что Гуно согласится написать оперу. И лишь когда организаторы пригрозили, что заказ получит Рихард Вагнер, Верди согласился ознакомиться с условиями контракта.
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This luminous, visionary opera tells the story of how Mahatma Gandhi developed the philosophy of satyagraha, nonviolent active resistance, as a political revolutionary tool to fight oppression, connecting his lifework to three historical figures who advanced his philosophy: the celebrated Russian writer Leo Tolstoy, the great Indian poet and philosopher Rabindranath Tagore and the heroic American civil rights leader Martin Luther King. The libretto is comprised of passages from “The Bhagavad-Gita,” India’s greatest philosophical epic, and perfectly complements Glass’ ravishing score, mysteriously transporting the audience with a serene power and an all-encompassing sense of peace.
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Ирина Палм сделает ЭТО лучше
Пятидесятилетняя Мэгги должна раздобыть крупную сумму для лечения умирающего внука. Она едет из своего пригорода в лондонский злачный квартал Сохо и тайком нанимается в ночной клуб, сексуальной работницей. Ее функции сопоставимы с мытьем писсуаров, но носят более интимный характер: она сидит в закутке с дыркой в стене и утоляет естественную потребность невидимых клиентов простейшим, но тоже требующим мастерства способом. А так как женщина она артистичная, чуткая и умелая, то и искусство ее быстро растет, к новоявленной звезде под «сценическим псевдонимом» Ирина Палм тянется очередь, клуб пользуется успехом.
Der fliegende Holländer
Janáček: The Cunning Little Vixen
The tale of a quick-witted fox and her escape from confinement for a life in the forest.
Mussorgsky: Khovanshchina
Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!
Shostakovich: Lady Macbeth of Mtsensk
At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.
Separation
When Sarah, a New York actress, calls Joe, a London playwright they begin a very special relationship conducted through trans-Antlantic phone calls. And both Sarah and Joe have very special conditions they both have to fight to overcome their separation.
Dido and Aeneas
Maria Ewing, as Dido, heads an outstanding cast of young British singers in a film adaptation of Henry Purcell’s much-loved tragic opera. With spectacular sets, this intense tale of heroism, passion, betrayal and ultimate tragedy is played out against a backdrop of fiery rituals, evil spells and pageantry.
Madama Butterfly
Japan, early twentieth century. U.S. Navy Lieutenant B.F. Pinkerton inspects the house he has leased from a marriage broker. The broker, Goro, has procured him three servants and a geisha wife, Cio-Cio-San, known as Madama Butterfly. He is enchanted with the fragile Cio-Cio-San. Cio-Cio-San is heard in the distance joyously singing of her wedding. In a quiet moment, Cio-Cio-San shows her bridegroom her few earthly treasures and tells him of her intention to embrace his Christian faith. The Imperial Commissioner performs the wedding ceremony, and the guests toast the couple. The celebration is interrupted by Cio-Cio-San's uncle, a Buddhist priest, who bursts in, cursing the girl for having renounced her ancestors' religion. Alone with Cio-Cio-San in the moonlit garden, her husband dries her tears, and she joins him in singing of their love.
Lohengrin
At the Festspielhaus Baden-Baden, the stage director Nikolaus Lehnhoff signs a remarkable production of Wagner's LOHENGRIN, the third of the German composer's main operas. This production stars an incredible cast, including Hans-Peter König, Klaus Florian Vogt, Solveig Kringelborn, Tom Fox and Waltraud Meier, accompanied by the Deutsches Symphonie-Orchester Berlin under Kent Nagano's baton.
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