Bob Dylan Revealed (2011)

An unvarnished chronicle of Bob Dylan's metamorphosis from folk to rock musician via appearances at the Newport Folk Festival between 1963 and 1965.

Своеобразная биография Боба Дилана — шесть историй, шесть персонажей, каждый из которых символизирует определенный период в жизни легендарного исполнителя или особенности его творчества. Одиннадцатилетний мальчик, называющий себя Вуди Гуатри символизирует детство Дилана; он сбегает из детского исправительного центра и отправляется в путешествие, вдвоем с гитарой, на чехле которой написано: «Эта штука убивает фашистов». Затем на сцене появляется Джек Роллинс — молодой исполнитель песен в стиле фолк — чуть позже этот социально активный юноша откроет для себя христианство и станет пастором Джоном в церкви маленького захолустного городка. Джуд Куинн — это Дилан на вершине своей славы в 60-е годы, а затем Дилан предстает в образе бунтаря, идентифицирующего себя с поэтом Артюром Рембо.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Admired as one of the best lyricists of pop rock, Bob Dylan has his name recorded in music history. During his four decades career, he has been through many facets: from acoustic to electric guitar; from politicized to religious lyrics; from minimalist to very highly sophisticated arrangements. And his characteristic voice, for some, hoarse and full of style, for others a little out of tune, still influences many musicians. In this presentation filmed at the Sydney Entertainment Centre in Australia over February 24-25 1986, Dylan is accompanied by Tom Petty and the band The Heartbreakers, as well as a very fine selection of new compositions. To close the spectacle, Bob Dylan and Tom Petty perform a vocal duet in "Knockin' on heaven's door", one of the most famous songs of this compositor.

A documentary road movie composed as a pop album. Twelve text snippets by Bob Dylan give just as many fans a basis to elucidate their relationship with the legendary folk singer who then turned 65. This produces a portrait of Dylan followers in the US, which appears to be as divers as the population of this dominant world power. Two schoolgirls that sing to their idol, a therapist that bases his lessons on Dylan, an ultraconservative website administrator, a soldier packing his things for Iraq and some figures that have placed themselves, consciously or not, outside society. Dylan himself is conspicuous by his absence. The tumbling cardboards with text scraps refer to the music video of Subterranean Homesick Blues from DA Pennebaker's Dylan portrait Don't Look Back (1967). It gradually becomes clear that you can always put yourself in the right with Bob, because everybody can distil their own truth from his lyrics, as long as you interpret them creatively.

Blind and deaf sisters, Anna and Beth, live happily in a secluded small town with Father.

Fischer can't remember the last time he woke up without a hangover. He lives in a church: a real one. Where people baptize, marry, pray and die. It's an ideal situation for a young guy with no aspirations: if he locks up the church, he can sleep in the back. Free of charge. 6:00am. Tuesday morning. Fischer's old friend from high school shows up unannounced. Even though they haven't seen each other in years, Peter just drove 10 hours straight because his girlfriend of five years just cheated on him. He's looking for a place to hide. To think. To drink. What better place than Fischer's church? After leaving 50 unanswered voice-mails, Rudy shows up four days later. That's Peter's girlfriend. She didn't cheat on him. She did something much worse.

A frustrated and unemployed architect experiences flashbacks of his youth and 1968 protests while the life passes by. Unable to adapt and to accept the reality, he’s constantly getting into conflicts with the people around him.

After a long stay at the hospital Peter Sanders comes home to die. ‘Homecoming’ follows Peter’s last days and his troubled relationship with Joanne, an adulterous wife who desperately tries to reach to him, and Lindsay, his nine-year-old daughter who tries to cure him with love and Bob Dylan songs. Peter soon realizes that he’s not fighting the inevitability of death but his own fears and frustrations.

Over the course of one week in 1988, the search for a missing teammate, parental expectations, a burgeoning sexual awakening and the rock concert of the century all threaten to jolt a 16-year-old into adulthood. With the long Victoria Day weekend signaling the end of school, and the Stanley Cup playoffs afoot, the summer of 1988 arrives in Toronto. Ben Spector, a smart, sensitive kid from a Russian immigrant family, hits the Bob Dylan show with his buddies and runs into Jordan Chapman, the class jerk and Ben's tormentor on the ice-hockey rink. Jordan is five dollars shy of scoring some drugs, and Ben begrudgingly spots him the dough. But the next day, Jordan fails to show up at school or hockey practice. With days passing and Jordan's whereabouts a mystery, Ben finds himself in an uncomfortable predicament, especially when a romance with Jordan's sister tentatively blooms in the midst of the ordeal.