Bhagavanta Kai Kotta

Жанр :

Время выполнения : 12М

Директор : Abhijit Mahesh, Varun Shastri
Писатель : Abhijit Mahesh, Lokesh B S

Краткое содержание

Short film by Kannada movies.

Актеры

Abhishek Iyengar
Abhishek Iyengar
Shriharsha Grama
Shriharsha Grama
Abhijit Mahesh
Abhijit Mahesh
Hanu
Hanu
Anirudh Mahesh
Anirudh Mahesh
Hemanth H S
Hemanth H S
Subhash Nairy
Subhash Nairy
Lava K M
Lava K M
Vinay Gururaj
Vinay Gururaj
Rohini
Rohini
Baby Prakruthi
Baby Prakruthi

Экипажи

Abhijit Mahesh
Abhijit Mahesh
Story
Abhijit Mahesh
Abhijit Mahesh
Dialogue
Abhijit Mahesh
Abhijit Mahesh
Screenplay
Lokesh B S
Lokesh B S
Screenplay
Abhijit Mahesh
Abhijit Mahesh
Director
Varun Shastri
Varun Shastri
Director
Paramesh C M
Paramesh C M
Director of Photography
Abhishek Narain
Abhishek Narain
Music
Varun Murali
Varun Murali
Sound Recordist
Varun Murali
Varun Murali
Sound mixer
Harish Mattur
Harish Mattur
Editor
Hemanth H S
Hemanth H S
Production Manager

Подобные

In Absentia
A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by
Stille Nacht IV: Can't Go Wrong Without You
Short animated film featuring the song "Can't Go Wrong Without You" by His Name Is Alive.
Anamorphosis
The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.
The Comb
A porcelain doll’s explorations of a dreamer’s imagination.
Stille Nacht II: Are We Still Married?
Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".
Stille Nacht III: Tales from Vienna Woods
Near an extraordinary chair with many legs, a hand is visible gripping an edge. The hand is weathered, the fingers cracked and scarred. The end of a rifle appears and a shot fires. The bullet is visible whirling through space; it caroms and then goes through a pine cone. A long spoon emerges from a drawer in the chair and stretches toward the hand. The bullet is on the spoon. Later, the hand holds the bullet between two fingers; another shot is fired.
Груффало
Волшебная история про маленького мышонка, который гулял по лесу. На его пути встают три хищника, которые мечтают ее съесть — сова, лиса и змея. Маленькому мышонку предстоит использовать все свое остроумие и смекалку, чтобы выжить.
Rehearsals for Extinct Anatomies
Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.
The Phantom Museum: Random Forays Into the Vaults of Sir Henry Wellcome's Medical Collection
A display at the strange and wonderful artifacts in a collection of medical curiosities.
Cassis
"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM
Кабинет Яна Шванкмайера, пражского алхимика кино
В Праге марионетка-профессор с металлическими щипцами вместо рук и открытой книгой вместо шляпы берет мальчика в ученики. Сначала профессор убирает пух и игрушки из головы ребенка, оставляя его голову без верхушки на протяжении большей части фильма. Затем профессор учит парня иллюзиям и перспективам, исследованию объекта через изучение работ рисовальщиков, познанию объекта и миграции форм. Потом ребенок притаскивает коробку с тарантулом, а профессор засовывает в нее «руки» и описывает, что он чувствует. Когда мальчик получает последний урок анимации и создания фильма, профессор дает ему мозги и его собственную открытую книгу-шляпу.
The Calligrapher
With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.
Final Flesh
The Pollard family is calmly discussing their impending death by atom bomb when Mrs. Pollard recounts a dream in which she sensually bathes herself in the “Tears of Neglected Children”.
Nocturna Artificialia
Enigmatic, stop-motion, animated story of a man's day.
Amy
'Amy, is narrated by a model (Liisa Repo-Martell) who’s painfully uncomfortable with her own body and “old woman’s” face. Astonishing closing image is a tightly composed telephoto shot on the start of a marathon race among young schoolgirls, dashing toward and then across the screen in ultra-slo-mo, and accompanied by a girls’ chorus hauntingly singing Brian Wilson’s God Only Knows. Widely eclectic lensing and looks in various media and in color and black-and-white flow nicely from one section to the next, aided by gifted editor Mark Karbusicky.' ~ Robert Koehler, Variety
Mona Lisa
An experimental short film from Toshio Matsumoto featuring Mona Lisa.
This Unnameable Little Broom
Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.
Street of Crocodiles
A puppet, newly released from his strings, explores the sinister room in which he finds himself.
Orchard Street
This short film documents the daily life of the goings-on on Orchard Street, a commercial street in the Lower East Side New York City.
1 Seconde
“When he shot Une seconde (4 min., 20 sec.), a video animation without computer graphics, Richard Angers tried to adapt Norman McLaren’s animation techniques to video shooting and editing. A long-term solitary task, in which images are moved by hand, centimetre by centimetre, in which one plays with the number of images per second, and in which the ± pure quest for effects is more important than the message”. BLANCHARD, Louise. “Les vidéastes sont au ‘rendez-vous’”, Le Journal de Montréal, Montreal (9 February 1992), p. 38.