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The Secret Night Caller (1975)

Жанр : драма, телевизионный фильм

Время выполнения : 1Ч 14М

Директор : Jerry Jameson

Краткое содержание

A man who is the pillar of his community has a secret - he has a compulsion to make obscene telephone calls.

Актеры

Robert Reed
Robert Reed
Freddy Durant
Hope Lange
Hope Lange
Pat Durant
Robin Mattson
Robin Mattson
Jan Durant
Michael Constantine
Michael Constantine
Dr, Mayhill
Sylvia Sidney
Sylvia Sidney
Kitty
Elaine Giftos
Elaine Giftos
Chloe
Arlene Golonka
Arlene Golonka
Charlotte
Thayer David
Thayer David
Mr. Henry
Marla Adams
Marla Adams
Ruth
Robert Doyle
Robert Doyle
District Attorney

Экипажи

Jerry Jameson
Jerry Jameson
Director
Charles W. Fries
Charles W. Fries
Executive Producer
Robert Presnell Jr.
Robert Presnell Jr.
Writer
Arthur Stolnitz
Arthur Stolnitz
Producer
Florence Small
Florence Small
Executive Producer
George W. Brooks
George W. Brooks
Editor
Perry Ferguson II
Perry Ferguson II
Production Design
Matthew F. Leonetti
Matthew F. Leonetti
Director of Photography
John Carl Parker
John Carl Parker
Original Music Composer

Подобные

Черное Рождество
Университетский городок Бедфорда. Девушки колледжа готовятся отправиться на зимние рождественские каникулы. Барб просит своих подруг Джесс и Фил остаться с ней на несколько дней, чтобы покататься на лыжах. В доме звонит телефон. Барб берет трубку, но на том конце провода никто не отвечает. Потом мужской голос смеется и говорит разные непристойности. Барб обзывает говорящего, на что тот отвечает, что убьет ее. Барб бросает трубку. Именно после этого звонка девушки из университетского городка начинают потихоньку погибать одна за одной, до утра протянут немногие…
Night of the Eagle
A skeptical college professor discovers that his wife has been practicing magic for years. Like the learned, rational fellow he is, he forces her to destroy all her magical charms and protective devices, and stop that foolishness. He isn't put off by her insistence that his professional rivals are working magic against him, and her protections are necessary to his career and life.
Terror Among Us
A police sergeant and a parole officer endeavor to stop a rapist-on-parole before he can follow through his threats on five women whom testifed against him years earlier.
Глаза незнакомца
Спокойный и мирный городок потрясен серией убийств на сексуальной почве. Полиция не в силах ничего предпринять, чтобы вычислить убийцу. Телевизионная ведущая Джейн обращается к гражданам с просьбой оказать полиции помощь. Друг Джейн приглашает ее к себе домой, но та обеспокоена состоянием своей слепой и глухонемой сестры Трейси, вместе с которой живет. Такой Трейси стала, когда несколько лет назад была жестоко изнасилована незнакомцем. Джейн начинает собственное расследование. Она проникает в квартиру человека, которого подозревает, в поисках доказательств. Джейн применяет ту же устрашающую тактику, что использует и настоящий маньяк-убийца: она непрестанно звонит ему. Но ее собственная безопасность ставится под угрозу, когда маньяк узнает в звонившей женщине голос телеведущей новостей…
The Other Woman
A wealthy lady can't find a satisfying physical relationship with her husband and she starts acting in porn films using a different identity supplied by a close friend. Soon things goes out of control as it turns out that she is driven by the uninhibited sex and can't control her compulsion.
The Kiss-Off
A low rent detective, his stripper girlfriend, a runaway wife (who's joined a whorehouse) and a rapist / obscene phone caller / serial killer all factor into this piece of Los Angeles sleaze.
How I Learned to Love the Numbers
How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep The Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.
If It's a Man - Hang Up!
A young model is terrorized by a peeping tom and obscene phone calls.

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