Forms and Designs (1968)

Vampire hunters track down a vampire and attempt to steal the ashes from his coffin in order to stop him from reviving nightly.

Otto Scheidel (Manfred Krug) has been captain of the Elbe steamer Jenissei for over twenty years, but his ship, the last of its kind, is going to be converted into a floating restaurant. Otto, whose his strong attachment to the ship has already cost him his relationship with his girlfriend Caramba (Renate Krößner), refuses to take another job and instead joins a railway construction brigade.

In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.

In order to stop a vampire from terrorizing the countryside, some locals decide to break into his coffin at night and steal his ashes. Complications ensue.

Barbara, a young girl, lives in an old country house with her father and her teacher. One night, she dreams that a fireman enters her room through the window. Having grown, Barbara leaves her father to travel across the world, before coming back to her childhood fantasies: one day, she calls the firemen, and locks herself with one of them in her bedroom.

Известный композитор Антоний Манев, преуспевающий и благополучный, окруживший себя комфортом, утратил способность удивляться миру, очерствел душой и сердцем. Юная Доротея, неожиданно вошедшая в его судьбу, как бы бросила вызов Маневу. Несмотря на нелегкую жизнь, она сохранила необыкновенную внутреннюю силу, веру в мечту. Доротея ... умела летать!

Documentary about the teachings of Jiddu Krishnamurti.

The film portrays the Swedish playwright, novelist, poet, essayist and painter August Strindberg's life 1849-1912. Through his extensive correspondence and literary production, from the supposed first work, the drama "The Free Thinker" (1869), to the posthumously published "The Occult Diary" (published 1977 ). But also his three wives, Siri von Essen, Frida Uhl and Harriet Bosse, and the children Karin, Greta and Hans are given space in the film. The unpublished first drama "The Free Thinker", depicts a young man forced to break with family and tradition to follow his conscience and ideals, becomes a prophecy about the author's own life.

Young and correct Paquito meets a girl on the streets of Buenos Aires. They spend some time around the city, while discovering the outgoing and enigmatic character of Delia.

An elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Minh-ha deconstructs the role of ritual in mediating between the past and the present. She explains, "Shown in their widespread functions and manifestations, including more evident loci such as festivals, religious rite and theatrical performance, 'rituals' involve not only the regularity in the structure of everyday life, but also the dynamic agents in the world of meaning." With its lush imagery, Minh-ha's Japan is viewed through mobile frames, with doors and windows sliding shut, revealing new vistas as it blocks out the old light.

Можно сказать, что Хорхе счастливый человек. Жарким летним вечером Хорхе возвращается домой. Этой ночью он встретится с японским промышленником, который позволит ему оставить место школьного учителя и вернуться к своей работе химиком. Но когда он возвращается домой, в доме кто-то есть. Кого-то, кого он не знает. Кто вломился. С этого момента все будет по-другому...

Now Titus' father has died, the new emperor will be free to marry his beloved Bérénice. Also In love with Bérénice, Titus' friend Antiochus plans to flee Rome rather than face the marriage. However, public opinion about the pairing causes Titus to choose his duty to Rome over his love for Bérénice, and he sends his love rival to tell Bérénice the news...

Lisandro Alonso returns to La Pampa, to the same locations of Freedom, to shoot his Carta para Serra (or Sin título), with a camera that seems to float among the vegetation. He has the company of Misael Saavedra, and yet instead of looking back (or making a tribute to his actors, because that was the subject in Fantasma) this movie seeks to be a prologue for his next one.

Десятилетний Эудженио — типичный «побочный продукт» легкомысленной связи. Его родители, Фернанда и Джанкарло, познакомились во время студенческой революции 1968 г. и, узнав о беременности Фернанды, наскоро поженились. Брак не сложился. Совершенно чужие друг другу люди вынуждены растить сына. Получается плохо — мальчик, растущий замкнутым и нервным, кочует из рук в руки. Его единственный друг — уличный мальчишка Гуэррино. Эудженио любит животных и изучает их повадки. Мальчик задаёт родителям «нескромные» вопросы и сам теряется в догадках, нужен ли он всем этим людям, проявляющим о нём формальную, показную заботу.