Rancheador (1979)

Жанр :

Время выполнения : 1Ч 32М

Директор : Sergio Giral

Краткое содержание

A historical epic, cast in the style of a realistic narrative with symbolic overtones, about runaway slaves and their hunters in the mid-nineteenth century, which weaves an analysis of the factional divisions between coffee and sugar interests, plantation owners and smallholders, around the drama of the Rancheador searching for the mythical rebel slave leader, Mother Manchora.

Актеры

Olivia Belizaires
Olivia Belizaires
Samuel Claxton
Samuel Claxton
Daniel Jordan
Daniel Jordan

Экипажи

Sergio Giral
Sergio Giral
Director

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A Successful Man
Javier Argüelles, an opportunistic young man from Cuban middle class, survives all kind of political changes in Havana, from 1932 to 1959, while his brother Darío is persecuted and killed because of his leftist ideas.
Vidas paralelas
Ruben lives in Cuba and Andy is exile in the United States. Both are trapped by history at opposite poles and want to change places, but they can't do it.
Молодой повстанец
Юный крестьянин Педро уходит из дома, чтобы присоединиться к повстанческой армии. Ему удается прийти в партизанский отряд не с пустыми руками: перед побегом он крадет карабин у солдата расквартированной в его деревне части. Но романтические представления юноши о революционной борьбе оказываются мало похожи на реальность. В отряде Педро ждут суровые будни молодого бойца. Прежде, чем оказаться на передовой, ему предстоит пройти нелегкое обучение, где во главу угла ставится незнакомое ему прежде слово «дисциплина»…
Beloved
In 1914, during World Ward I, Amada, a bourgeois wife, falls in love with her cousin Marcial, a young idealist who is fighting against the Cuban regime in power.
Cecilia
The story of Cecilia is a story of the society that dominated 19th-century Cuba, a society divided between whites, blacks, and those who were mixed, the mulattos. (Since the Spanish conquistadors killed off the Indian population in Cuba not long after they took over the island, there are no mestizos, or those of mixed-Indian blood in Cuba as in other Caribbean nations.) At any rate, the drama about the life and loves of Cecilia (Daisy Granados) takes place against the backdrop of graphically violent mistreatment of slaves and the rumors of a slave rebellion after the Cubans hear of slaves turning against their captors in Haiti.
The Bad Girl
Determined not to simply get married, start a family, and grow old like the rest of the girls in her town, an aspiring Cuban diva sets out to launch a career as a singer.
Waltz in Old Havana
Приключения Хуана Кин Кина
Хуан был простым крестьянином в дореволюционной Кубе. Но он мечтал о другой жизни — хотел стать то мальчиком при алтаре, то артистом цирка, тореадором, выращивать кофе или быть революционером. Бедный, но умный сельский парень даже сыграл однажды роль Иисуса Христа в представлении бродячей театральной труппы. С началом революции, Хуан и его друг Хачеро присоедились к сторонникам Фиделя Кастро, а затем попли в войска Батисты. Хачеро был убит при выполнении одного секретного задания. И теперь Хуан вспоминает о совместных революционных приключениях.
Things I Left in Havana
Three sisters leave Cuba in search of a better life in Madrid. While there, they encounter, among other things, other Cuban expatriates.
Plácido
Gabriel de la Concepcion Valdes (Plácido) is accused of leading a conspiracy against the Spanish colonial government. Preoccupied by the development of Afro-Hispanic artist and craftsmen of the mid 19th century, Plácido was executed after living a short and controversial life.
The Man from Maisinicu
1964, in the Escambray mountains: the area is infested with counter- revolutionary bands which are trying to spread terror among the population and re-establish contact with the US, CIA. The murder of a man led to a reprisal to wipe out the bandits.
The Survivors
A bourgeois Cuban family of aristocratic origin locks itself into its mansion when the Cuban Revolution comes to power, waiting for the new regime to be overthrown. As time passes, they regress to older and older systems of policital order, from capitalism to feudalism to "primitive savagery."
María Antonia
The plot is situated in Cuba during the early '50s, before the cuban revolution. A prostitute gets in love with a boxer to whom she devotes her life. As the boxer progresses in his career, he gets money and women. The prostitute tries everything to keep him meanwhile her tortured soul sinks deeper and deeper.
Clandestinos
In 1950s Havana, a romance blooms between two young revolutionaries whose clandestine printing press publishes pamphlets meant to stir up rebellion against the dictatorship of Fulgencio Batista. As their popularity grows, so, too, does their revolutionary zeal and their desire to mobilize other urban guerilla units.
Una novia para David
The story of students of a high school in Havana in the 60's, where love, politics, and moral contradictions appeared. A shy country boy gets caught between the peer pressure of his buddies and his love for an overweight, strong willed but likable girl.
House Swap
Gloria, Yolanda's mother, exchanges their old house in Guanabacoa for a modern apartment in Vedado to keep Yolanda away from her boyfriend, but her plans soon backfire.
Los dioses rotos
In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.
Tables Turned
A young couple find out that their parents (her father and his mother) are having a romance. A series of problems arise because the young couple can't accept that relationship.
Too Afraid of Life or Splat
A superstitious middle-aged woman falls in love with a taxi driver, while trying to learn the identity of the unseen person tossing eggs at her.
Красотка из «Альгамбры»
Ракель, девушка из бедной семьи, мечтает выступать на сцене популярного в 1920-е годы гаванского музыкального театра «Альгамбра». Многое ей придётся испытать на пути к славе: трагическую любовь, отчаяние и одиночество, несмотря на романы с богатыми поклонниками. Неизменной страстью «красотки из «Альгамбры»» останется сцена.