Skies Above the Landscape (2006)
Жанр : комедия
Время выполнения : 1Ч 26М
Директор : Nenad Đurić
Краткое содержание
At the top of the rugged Bosnian mountain, young shepherd Mehmed patiently watches over his cows and lovingly carves the figure of a woman in a piece of wood. Almost on cue, a novice paraglider unexpectedly falls from the sky. Deborah speaks only French and he speaks only Bosnian, but they tentatively communicate, and she accepts the hospitality offered by Mehmed's mom: a bed and a meal of "mountain-style" tripe. Love soon bridges the cultural divide, and the story develops into a series of hilarious escapades showcasing the beautiful landscape and local sounds
Pen and Jake have to rescue Princess Bubblegum from the antagonistic Ice King.
Фильм демонстрирует нам красоту планеты и последствия разрушений, нанесенных деятельностью человека. Незаживающие шрамы, нанесенные Земле промышленными производствами, последствия войн, экологических катастроф, раскрывают зрителю реальную ситуацию на планете.
Отец попрощался со своей маленькой дочерью и пропал навсегда. Девочка растет, сменяют друг друга времена года. Даже становясь взрослой, героиня тоскует по исчезнувшему отцу. Она обзаводится собственной семьей, стареет, но глубокая печаль никуда не уходит, навсегда оставаясь в сердце осиротевшего ребенка. Мультфильм «Отец и дочь» получил «Оскар», как лучший анимационный короткометражный фильм, а также награду Британской киноакадемии.
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Гранд-Каньон навсегда останется непознанным и нетронутым. Никто не сможет пройти по нему. Путешествие там слишком опасно, а территория негостеприимна. Таково было заключение Джозефа Си.Ивса в 1858 году, совершившего свою неудачную экспедицию туда. Но он ошибся. С тех пор, более 100 миллионов туристов посетили Гранд-Каньон реки Колорадо. Гранд-Каньон является уникальным местом неописуемой красоты, тщательно вырезанным сантиметр за сантиметром в камне одной рекой в течение миллионов лет.
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A portrait of Eric Lyons and Span, under the scrutiny of Ian Nairn, as well as the residents of their estates.
The goddess Diana and her two attendants traverse the rugged terrain of Idaho’s Sawtooth Mountains in pursuit of the elusive wolf. An Engraver (Matthew Barney) furtively documents their actions in copper engravings and provokes a series of confrontations. The characters communicate through dance, letting movement replace language as they pursue each other and their prey.
Wildlife Bring the exotic beauty of this island paradise into your home with the vibrant sights and sounds of exotic wildlife, ancient water pools, mystical temples, and traditional Balinese music. Sacred Sites Visit the mother temple of Besakih and absorb the serene beauty of the ocean temple at Tanah Lot. Water Temples Experience the magic of a beautiful stream as it flows through acres of ancient pools adorned by intricately carved statues and fountains. Review Transforms your television into a mesmerizing and peaceful journey through glorious, exotic locals. Filmed in High-Definition, gentle background music and 5.1 surround sound add to the immersive experience. --New Age Retailer
On his 25th birthday, Elijah decides to get his life back on track.
A study into man-made landscapes that was shot over a period of 4 weeks in Malta.
Picture Perfect Pyramid is a 16mm film which in counter-clockwise spirals, circles a large pyramid structure that was built on the outskirts of Vienna in 1983. Using twenty-four positions the film was shot over the course of an entire day, with one shot per hour. The camera moves continuously and almost imperceptibly, covering the surrounding area while the landmark remains centered in the frame. Today the building, a former indoor swimming pool, serves as a venue for various events; from right wing party gatherings to an erotic fair that presents a live show with lights visible even from the outside of the pyramid. In filming the building, a structural approach focused on geometry was used in order to achieve less subjectively motivated images.
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Two decades on from Cinema of Unease, Tim Wong’s essay film contemplates the prevailing image of a national cinema while privileging some of the images and image-makers displaced by the popular view of filmmaking in Aotearoa. Now streaming for free at: films.lumiere.net.nz