Water Hands (2011)
Жанр : драма, документальный
Время выполнения : 1Ч 32М
Директор : Vladimir Todorović
Писатель : Vladimir Todorović
Краткое содержание
Water hands is the literal Chinese word for ‘sailor’. The sailor himself remains off-screen in this film, just like the woman who is waiting for him. The tight black-and-white images move through Singapore and Montenegro, while a logic all of its own links the various worlds and narrations.
A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)
July, 1941. After the beginning of the German invasion, an Italian soldier, a veteran of the colonial wars, is sent to the Soviet front. As he remembers the fairy tales his Russian mother used to tell him, the train he is travelling in crosses Europe on its way to the vast Ukrainian plains, where the enemy and a cruel winter await him… (Based on the experiences of several Italian soldiers.)
A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.
Caucho is an experimental drama which tells the story of three artists: а theater director (Arsen Grigoryan),an actress (Lucie Abdalyan) and an actor (Manvel Khachatryan) who are engaged in staging the play "The Ping-Pong Players" by William Saroyan. They decide to speak only using the dialogues from the performance before the first night of the play. The game will be over if any of them breaks the rules.
Two filmmakers are going to brief a story to an actor for an upcoming film.
Gabriel is running from his family. His dream of a life in freedom shatters when his hands resolve to leave him.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
On the cold outskirts of town, something is about to happen. In our own way we are all waiting for something to happen.
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
'Ad Meliora' (translation: Towards Better Things) is an experimental short film about the struggles girls go through growing up in a male dominated society.
Anya, a mourning woman, drives to the unknown in her vintage car, a 1961 Facel Vega. Her only traveling companion is a mysterious urn. Consumed by sadness and loneliness, Anya falls into a confused world, where the memories of her lover, Frida, and her fantasies are blended. In the middle of the night, Anya decides to make a stop at the FORNACIS, a godforsaken dive bar, to get some rest. In this atypical cellar, she meets Wolf. The two lost souls get along immediately, the night belongs to them for only few hours...
A bereaved epileptic ditches her pills and follows a mysterious woman to the outskirts of her town, where she slips back into the fearsome yet ecstatic throes of the seizure.
Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.
Motion. Struggle. Pain. A dive into memory, into a conscious land. But at some point in time, the mist will fade away. Will it be the beginning?
Normality is a human state of good intentions, empathy, caring and wanting to do the best for those we love and the world at large.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art. (Abridged version of the original collection of eight short films).