More Than Anything in the World (2007)
Жанр : драма, фэнтези
Время выполнения : 1Ч 30М
Директор : Andrés León Becker, Javier Solar
Краткое содержание
The relationship between beautiful Emilia (Elizabeth Cervantes) and her imaginative young daughter, Alicia, is tested in this understated Mexican drama. Disoriented after moving to a new apartment and left to herself when her mother starts bringing men home, Alicia takes refuge in dreams that soon become nightmares, especially after she begins to fear that her mom has become possessed by the vampirish man next door. With a keen eye for the rhythms and struggles of contemporary Mexican family life, this film illuminates the secret worlds of lonely children while never straying from its true subject: the uncommon love between a single mother and her child.
Mariana has an obsessive cleaning habit. After starting a troubled relationship with Enrique. She must accept that sex is dirty and impulsive.
Голод — не тетка? Как бы не так! Семья юного Альфредо голодает, потому как главный добытчик, отец семейства, неожиданно скончался. И на мальчишку сваливается тяжелая ответственность: теперь он должен прокормить свою мать и еще двух детей. Ах да, фишка в том, что все они — каннибалы…
Dishevelled private eye Nico Beamonte's latest case comes from God himself ... possibly. He wants Nico to find the mysterious Black Panther. But who, or what, is the Black Panther? And what has this got to do with a cryogenically frozen Mariachi singer and a 1950s flying saucer? Surrealism, Mexican-style - as if film noir had collided with props left over from a Ray Harryhausen film.
Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.
In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson.
Старый холостяк Бенджамин до сих пор живет со своей сестрой Микаэлой в скучном маленьком городке. Его единственным развлечением является проводить свободное время вместе с кучей старых мужчин, играя как дети. Бенджамин влюбляется в красивую и молодую Нативидад. Сначала, он пишет ей любовные письма. Потом, когда эта стратегия не удается, Бенджамин и старики планируют похитить ее и ждать, когда она влюбиться.
Leon has a crush on Ofelia, so he decides to steal money from his father and cross the country looking for Ofelia who traveled to Guadalajara. On his journey, Leon goes through many adventures and takes the final step from childhood into adolescence.
Elba is an introverted and lonely fourteen year old teenager that lives with Fernanda, her older sister. The sisters don't get along and their mother is abset. Fernanda decides to runaway, but before she does Elba reaches out to her.
Helena, a woman in her early 40's, is obsessed with getting pregnant. After failing her last try, her neighbors get back from the hospital with their new born baby. Helena breaks in to their house when they´re gone, steals the baby monitor and starts listening to what happens next door.
Years after the Salvadoran military destroyed the village of Cinquera in that country’s civil war, survivors have returned to rebuild their community. Soulful, beautifully rendered, this amazing debut is an evocative testament to place, memory and the power of life to rebound from tragedy.
Documentary about a lodging house, owned by Rosa Carbajal, at the corner of Shakespare and Víctor Hugo streets.
An extraordinary film about memory, and specifically the fading memory of an 86-year-old political activist who has fought tirelessly against historical amnesia and for justice in Argentina. The director’s grandmother, Laura Bonaparte, was one of the founders of the Mothers of the Plaza de Mayo, formed during the 1970s by women whose children and family members had been disappeared by the Videla military dictatorship. Laura herself lost three children and their partners, including the director’s parents. Today, after a lifetime battling that the disappeared never be forgotten, Laura faces her own struggle to remember.
Juan Perez is a wizard who begins to remember how he lost his head, after an economic crisis in the Circus where he works, he promises to mount a spectacular act of beheading that it could again return it to its glory years. But without any fifth in the bag and with time running out to build a machine is forced to rob a real guillotine without this weighs a terrible curse.
A Mexican upper-class family suffers a great loss. After a while everyone seems to go on with their lives. But after 11 years, everyone will start to remember that tragedy and start the road to depression and self-pity, and possible self-destruction.
Edgar is in love and obsessed with Maria, his neighbor, but the greatest obstacle in his quest for love is the oppressive environment in which he lives with his mother.
Macarena (8) and Perla (6), two sisters, whom after the sudden death of their parents, embark on a journey in search of Virgin Mary in an attemp to bring them back. The physical and emotional journey of both sisters reaches a new meaning when Macarena finds herself confronting the acceptance of her new reality.
Portrait of daily life and its inhabitants at the pulquería “La Pirata”. A homage to all those who drink pulque, to ranchera music, to the “barrio” and to pulque.
Strange happenings on the last passenger train.
Magdalena makes a journey to find her missing son, who disappeared on his way to the border with the United States. Accompanied only by her will and her memories, Magdalena enters a violent and desolated territory, the migration route in Mexico.
Under the notion that "you can not change the future, but the past," a young woman who has grown up in a poor village in the highlands, embarks on a spiritual journey to Mexico City seeking to break the cycle of family alienation and find hope. Fate will return to the source to destroy and start over.
