A Day in Santa Fe (1931)
Жанр :
Время выполнения : 29М
Директор : Lynn Riggs, James Hughes
Краткое содержание
“Riggs’s film poem conveys delight with his adopted hometown through a documentarian’s eye for significant detail, a lyrical sensitivity, and homespun humor. The film, too, serves as a chronicle of people and places of Santa Fe in the early 1930s, when it earned the epithet ‘Greenwich Village of the West.’” - William M. Butler
Two drifters try to steal a car.
Недалёкое будущее. Под запретом правительства находится выращивание и производство продовольствия. А нарушители объявляются террористами и немедленно караются «выключением». В одном из пригородов Великобритании секретное исследование бывшего правительственного учёного Джеймса Рэмптона может поставить под угрозу его жизнь. Ведь сосед учёного сообщил о его подозрительном поведении безжалостному инспектору, которой поручено находить и уничтожать таких «экстремистов», как он.
Shot live in the studio during the evening broadcast on Swedish public television, the film shows the news like you've never seen them before.
Молодая парочка снимает летний домик в отдаленном городишке, чтобы хорошо провести время в тишине и покое. Но местные жители их предупреждают о смертельной опасности. О том, что ночью начинается сезон дождя - когда с неба падают не капли дождя, а огромные жабы.
Party girl Annie and Gordon, a homeless man, travel through a remote subway tunnel to a different time; to a world where two children are held captive and tormented by bizarre figures. A multilayered animated film which brings to life the dark history of the Canadian residential school system, in which – as recently as the 1990s – First Nations children were being indoctrinated and estranged from their parents and culture.
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of the dark id a campy, gender-flipping treatment reminiscent of George Kuchar’s works. Quaffing some chemical homebrew in her personal laboratory (like everything here, a "set" created by black paint on white construction paper), this female Dr. J. soon discovers her wild side.
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Two young soldiers, bound to the beauty of the landscape, guide us to the stories of sadness of those forced to leave and the inherent desire to resist by inhabiting the islands. The filmic wandering becomes a nostalgic and political reflection on territorial belonging and identity, and the roles we assume in the places we came from.
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An oil-rich rube who aspires to stardom is bilked by a phony acting school.
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"The most elaborate of his 'anti-cartoons,' as he calls them, is HEAD (1975), an ingenious, witty essay on making filmed, photographed, drawn, painted, and Xeroxed images move. Reverberating between multi-media versions of the same events, playing with disjunctions between figure and ground, HEAD is a 'trickfilm' meditation on portraiture; the animator, as actor, lives through his drawings, which in turn become actors who influence his own self-image. An insider's diary on the process of creation, HEAD is a brilliant encyclopedic exploration of the circular relationship between the animator and his creation, of the nature of animated illusion itself." -Thelma Schenkel, Millimeter
Christopher Walken has branched out from his very successful acting career to pursue his true passion, creating artisanal coffee beverages and pastries, but be warned his concoctions have more than just meets the eye.
Short documentary about Twin Peaks: The Return.
Perihelion is a sort of animated tone poem. It is a short film that toes the line between narrative and non-narrative, essentially having no real beginning, middle or end.