Волшебная флейта (1975)
«Магия Бергмана. Великолепие Моцарта»
Жанр : фэнтези, комедия, музыка, мелодрама, телевизионный фильм
Время выполнения : 2Ч 15М
Директор : Ingmar Bergman
Писатель : Ingmar Bergman
Краткое содержание
Принц Тамино отправляется на поиски дочери Царицы Ночи, в которую он влюбился и теперь намерен вызволить из заточения в замке ее отца — волшебника Зарастро.
Действие оперы происходит в древней Грузии. В лесистой горной местности со злой мачехой живёт бедная крестьянская девушка Этери. Однажды, возле лесного ручья, красавицу-девушку обнаруживает охотившийся здесь молодой царевич Абесалом, сопровождаемый визирем Мурманом и свитой. С восхищением смотрит на Абесалом. Он предлагает ей дорогие подарки, клянётся в вечной любви. Однако девушка не верит ему: ведь для царевича она только забава. Страстью к прекрасной Этери охвачен и сопровождающий Абесалома Мурман. И все-таки, у Этери возникло ответное чувство любви к Абесалому, который вернулся, чтобы увезти Этери в свой замок. Этери клянётся Абесалому быть верной женой. Но любовь Этери и Абесалома ещё больше душит Мурмана, сопровождающего царевича; визирь готов любой ценой добиться любви Этери...
As Christof Loy put it: Così fan tutte invites us to embrace the complexity of life and face the future with heads held high. In his staging of the version he abridged with Joana Mallwitz for the Salzburg Festival 2020 the focus is wholly on the figures and the subtle choreography of their emotional states — in a space that like a magnifying glass exposes the intricate mechanisms between the characters. In this way the production leads the protagonists and the audience to experience the ‘serene calm’ that can perhaps indeed cure our own ‘distempers’.
The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.
The historic Toscanini television concerts with the NBC Symphony Orchestra. This concert, broadcast in two parts, on 26 March and 2 April 1949, from NBC Studio 8H, features the opera "Aida" by Giuseppe Verdi. (Both broadcasts were released as "Vol. 3" in the DVD series.)
This 2021 Deutsche Oper Berlin performance is directed by Christof Loy and stars soprano Sara Jakubiak in the title role. Riccardo Zandonai’s Francesca da Rimini is a four-act opera set during the Renaissance period. The plot concerns an arranged marriage between Francesca and Giovanni, also known as Gianciotto, who is impersonated by his handsome brother Paolo, and with whom Francesca falls passionately in love.
1781 год. Антонио Сальери успешно справляется с обязанностями придворного композитора при императоре Иосифе II. Когда же при дворе появляется Моцарт, Сальери к своему ужасу обнаруживает, что божественный музыкальный дар, которым он так желает обладать, был отпущен какому-то непристойному, проказливому шуту. Ослепленный завистью, он замышляет во что бы то ни стало уничтожить Моцарта…
A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.
Голос тайного ангела пел песни Кристине. Только она не знала, что ее тайный ангел — всего лишь Призрак — гений, который жил в подвале театра и наводил ужас на всех артистов, которые там работали.
France, 1792. Chenier is an idealistic poet, in love with the aristocratic Maddalena. While Chenier supports such notions as "liberte, fraternite egalite," his sympathies do not extend to the current Reign of Terror. Likewise, the Revolutionary Tribunal has no need for poets or their girlfriends, especially those judged to be an Enemy of the State. Heads will roll.
In the garden of a Baroque villa, a chamber orchestra is playing Mozart’s wonderful quartets and quintets, and everywhere is pervaded with echoes and references to the composer’s world. As if by magic or conjured by the imagination, figures emerge from the shadows of the labyrinthine garden: they are Mozart’s characters, and they play with – or perhaps make fun of – the guests at the party, embroiling them in their well-known amorous dalliances. This piece, in which the spectator encounters among the dreamlike medley many well-known protagonists from Mozart’s operas (including Figaro, Don Giovanni, and the Queen of the Night), is a full-length choreographic work by Massimiliano Volpini, who himself performed on stage for many years as a dancer with the Scala ensemble.
Christmas is now more beautiful and cosy than ever! Experience Christmas in London, together with André Rieu. Decorated Christmas trees everywhere you look, beautifully lit streets, tempting Christmas window displays... Combine the unique London Christmas atmosphere with a magnificent Christmas concert by André Rieu, and you have all the ingredients for a lovely party in the dark December days. Together with fantastic soloists and his always joyful Johann Strauss orchestra, André Rieu provides a fabulous evening with the most beautiful and moving Christmas carols, but also with emotional songs such as Leonard Cohen's Hallelujah, The Holy City and the classic Concierto de Aranjuez. Christmas in London means an evening enjoying lovely music, beautiful costumes and plenty of London cosiness.
A self-contained and uniquely seductive world featuring custom built drones with live video feeds, laser set-design, opera singers and an original libretto that combines to drive a narrative of desire, fear and destruction.
The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.
Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.
Praised by critics as “magnificent”, “breathtakingly theatrical” and full of “zestful imagination”, Melly Still’s “spine-tingling” Rusalka is a Glyndebourne classic – a magical contemporary reimagining of a much-loved fairy tale. Light and darkness, beauty and danger come together in this passionate tale of love against the odds. At once evocative and unsettling, this production collides two contrasting worlds in Rae Smith’s elegant designs made of “brilliant stage-pictures”. Rusalka’s forest home is a dappled space of sunshine and shadows, full of strange woodland creatures, while the Prince’s court is a world of sleek modernity and sophistication – a world of man.
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.
Weber was at the forefront of the rise of German Romantic opera and sought to dethrone Rossini from his position as the leading operatic composer in Europe. In his breakthrough and most popular opera Der Freischütz (The Marksman) composed in 1821, he succeeded in his aim of establishing a truly German form. Turning to the folklore and folk songs of his native land he took a story of a marksman who makes a pact with the Devil, vesting it with powerful intensity not least in the famous Wolfs Glen scene and an astonishing control of orchestral color and atmosphere.
A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.
