Better Than the Original: The Joy of the Cover Version (2015)
Жанр : документальный, музыка
Время выполнения : 1Ч 0М
Директор : David Vincent
Краткое содержание
Through ten carefully chosen cover versions that whisk us from the British Invasion to a noughties X Factor final, this film journeys over five decades to track how artists as varied as The Moody Blues, Soft Cell, Puff Daddy and Alexandra Burke have scored number 1s with their retake on someone else's song. Each of the ten classic cover versions has its own particular tale, tied not only into its musical and cultural context but also the personal testimony of the artists, producers and songwriters whose lives were changed in the process.
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После выхода из тюрьмы молодой человек и молодая девушка, оба музыканты, решают создать группу. Они едут в Тегеран на встречу с другими молодыми музыкантами и пытаются убедить их покинуть Иран. Не имея шанса играть в Тегеране, они мечтают о Европе. Но это довольно сложно без денег и паспорта.
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Проект "Animusic" родился из попыток синтезировать не только звук, но и визуализировать его. Собственно сама идея визуализации звука не нова. Достаточно вспомнить Скрябина и его симфонию света. Однако этот проект - один из наиболее удачных. Наверное потому, что он являет собой плод долгого кропотливого труда.
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Мэри живет в Лондоне и влюблена в Дэйва. Отец не одобряет ее роман с человеком иной веры, хотя сам сожительствует с англичанкой. Он просит дочь сопроводить его в поездке по Афганистану, а по возвращении обещает разрешить ей свадьбу с любимым. Однако это была ловушка. На чужбине ее насильственно выдают замуж за Сармада. Ранее Сармад вместе с братом Мансуром были популярными певцами в Лахоре, но их пути разошлись. Сармад стал религиозным фанатиком, а Мансур улетел в США, где поступил учиться в чикагскую музыкальную школу. Там он знакомится с Джейн и женится на ней. Тем временем, Мэри, не желая мириться с ролью наложницы, решается на побег...
Live performance of the album Tubular Bells II at Edinburgh Castle
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.