Painting with Light (2000)
Жанр : документальный
Время выполнения : 27М
Директор : Craig McCall
Краткое содержание
An examination of the great advances in cinematography achieved by Jack Cardiff.
Это история о бедном коте Денни, который всю свою жизнь мечтал стать звездой сцены. Но оказалось, что роли в Голливуде дают только людям. Животные на сцене могут мяукать, лаять и мычать. Но не больше. Вместе с друзьями Денни разрушает привычные стереотипы и доказывает, что мечты превращаются в реальность.
В 1980-х видеокассета изменила мир и заложила фундамент современной медиакультуры — стала основной «пиратства» и свободы самовыражения, ведь любой мог взять камеру и снять фильм. Фильм прослеживает за взлётом и падением формата VHS с момента его расцвета до фактического «вымирания».
Документальный фильм, в котором Мартин Скорсезе рассказывает об итальянских режиссерах, повлиявших на его творчество и на весь мировой кинематограф.
История о незаконном обороте пиратских видеокассет в Румынии последних лет режима Николае Чаушеску.
Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.
A documentary about the era of classic monster movies that were made at Universal Studios during the 1930s and 1940s.
A morals reformer returns from Hollywood to his small town, and shows his fellow citizens the results of his investigation.
A documentary capturing the modern day VHS culture and VHS collectors.
Jimeoin, in the title role, plays a man fixated on the concept of celebrity, or more accurately, how he can become one. He is passionate about being a celebrity, but unfortunately he just isn't very talented. After trying to secure roles in myriad productions he finally finds employment as an extra, and what follows is his misadventures as he becomes involved with shady business men, producers and mobsters all of whom are fixated with show business.
Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.
Documentary film interviews leading Latinos on race, identity, and achievement.
"Ni Muy Muy, Ni Tan Tan, Simplemente, Tin Tan. Tin Tan was one of the greatest comdedian-actors in the history of Mexican Cinema. He began his film career during the early years of what became the Golden Age of Mexican Cinema. Throughout the majority of his movies he plays the character of a pachuco; the Chicano/Mexicano in zoot suit, throwing out the tirili phrases and words, and jammin the jitty-bug. With the style and the slang down to a tee, he was picked up in Cd. Juarez Chihuahua by an acting troupe. Touring extensively through-out Mexico with the troupe landed him in Mexico City with film contracts. It was in those films that Tin Tan exposed the image of the pachuco, which Mexican Youth adopted. From the desert border-towns of Juarez y El Paso the style took off in various parts of the country, most notably in Mexico City
Вы слышали о Голливуде, городе мишуры и гламура, городе Парамаунт, Колумбия и MGM. Но есть еще один Голливуд, место, где независимые независимые кинорежиссеры-ЭКСПЛУАТАЦИИ шли лицом к лицу с большими парнями и одержали победу! «SCHLOCK! ТАЙНАЯ ИСТОРИЯ АМЕРИКАНСКИХ ФИЛЬМОВ» перенесет вас за кулисы с легендарными режиссерами EXPLOITATION и SEXPLOITATION тех золотых дней «DRIVE-IN» MOVIE. Это сексуально! Странно! И каждое слово правда!
"Homely Meals" is an entertainer starring Atlee Srindha Ashab, Manoj K. Jayan, Nedumudi Venu, Kailash, Sudheer Karamana, Joju, Neeraj Madhav and Sijoy Varghese in pivotal roles.
When a small Utah-based edited movie company is caught sanitizing Hollywood's copyrighted material, the film industry strikes back with a devastating blow.
As the dissociated convenience of the Internet and globalized corporate culture continue to shut down brick-and-mortar video stores, what will happen to the longstanding, local hangouts with their rugged individuals known as clerks and the communities who love them? Videosyncracy follows three very different video rental stores as they negotiate their survival in three distinct Los Angeles neighborhoods: Old Bank DVD in the Downtown arts district, Vidiots in sunny seaside Santa Monica, and Eddie Brandt’s Saturday Matinee in bustling North Hollywood. Their stories chronicle not only the birth and twilight of a particular kind of corner store, but also decades of personal lives intertwined with those of their communities, the new challenges and facilities of a rapidly changing world, and an enduring love of the movies, a slice of Americana on the brink of disappearance yet defiant to the end.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines. In extrapolating the idea of movies as song-lines he examines feature films under the following categories: songs of the land; the bushman; the convicts; the bush-rangers; mates and larrikins; the digger; pommy bashing; the sheilas; gays; the wogs; blackfellas; and urban subversion. He then concludes that these films can be thought of as "Hymns that sing of Australia."
After completing a 6 year conviction, Erick Montalvo gets rehabilitated into society and decides to start a family with his wife Michelle. Among many situations and economic problems, their lives become unbearable. Their child, born prematurely and with several conditions, requires a surgery costing more than $120,000. Out of desperation, Erick loses control and decides to do one last job that takes him “back to the beginning”.
Agüero interrupts the filming of 5 films that are being made in Chile in 1984, to ask each director the meaning in their work, at a time when making films in Chile was almost prohibited.
In this FilmStruck Original, film critic and What the Flick?! host Alonso Duralde discusses the evolution and progression of gay and lesbian cinema.
