Tati vs. Bresson: The Gag (2016)

Фильм-эссе, по форме напоминающий некоторые ленты Криса Маркера, представляет собой высокоритмичную нарезку документального и сфабрикованного видеоматериала, который перемежается игровыми фрагментами с участием самого Уэллса и его подружки Ойи Кодар. Основная тема — сложная диалектика истинного и фальшивого в искусстве — иллюстрируется примерами неординарных судеб фальсификаторов Эльмира де Хори и Клиффорда Ирвинга. Во второй половине фильма Уэллс мистифицирует зрителей историей о том, как Ойя Кодар якобы позировала для Пикассо.

Молодая домохозяйка вынуждена заняться древнейшей профессией, чтобы прокормить мужа и сына. Кажется, что муж даже не догадывается, чем занимается жена. Но долго ли будет длиться это неведение даже в таком большом городе, как Париж?..

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.

A girl haunted by traumatic events takes us on a mesmerising journey through 100 years of horror cinema to explore how filmmakers scare us – and why we let them.

An essay-film about images and politicians.

Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.

"Land of Dreams" - When the daughter Johanna is born in 1983, Jan Troell tells the story about his childhood Sweden and how things were when he grow-up in the land of fairy tales and potential prosperity.

Этот фильм сделан в традициях фильмов Хичкока. Он не имеет сюжетной линии, а состоит из кадров фильмов разных лет, связанных одной темой - городом Сан-Франциско и мостом Золотые ворота, расположенном в нем.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Режиссер Томас Хейз собирает биографические фрагменты, оставленные его семьей, и составляет эпическую картину четырех поколений его семьи, страны, столетия.

For just forty days, filmmaker and writer Mark Cousins embarks on a peculiar journey in order to explore topics as the passion for cinema and certain aspects related to making films as style, ideas, emotions and practicalities; an ambitious exploration of the universal language of cinema by analyzing pieces of work that cross every artistic and cultural boundaries.

A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.

CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Afrika.

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

Italy, March 1980. César travels to the ruins of Pompeii with the extravagant intention of recording psychophonies, supernatural echoes of the great eruption of Mount Vesuvius that destroyed the city in the 1st century, but he does not succeed. However, on one of the tapes a strange phrase, much more recent, is recorded, words that César has already heard somewhere…

An immersive film essay on tennis legend John McEnroe at the height of his career as the world champion, documenting his strive for perfection, frustrations, and the hardest loss of his career at the 1984 Roland-Garros French Open.

With ghostly eyes looking through the winter landscapes of the plains and villages of Ain, where the sanctified priest the Curé of Ars once lived, Jacques Demy tried to understand this fighter for communal spirituality and his daily torments of mysticism.

Commissioned by French television, this is a short documentary on the neo-classical statues found throughout Paris, predominantly on the walls of buildings, holding up windows, roofs etc.