Newsreel 63 – The Train of Shadows (2017)

Знаменитый документалист Майкл Мур, вооружившись камерой и флагом, хочет «завоевать» самые прогрессивные идеи Европы, чтобы внедрить их в США. К своему удивлению он обнаруживает, что все эти новаторства Старого Света — забытые обрывки американской мечты…

Charlie, the protagonist of the Slovenian film “Porno Film”, is so dedicated to his porn viewing that his two friends John and Frank jokes that he must have a PhD in pornography by now. Using Charlie’s extensive knowledge of all things porn, the trio sets out to make the “first real Slovenia porn film”, in Slovenian language and everything — except the women in the film are emigrated Russian hookers, and their Slovenian isn’t very good.

After being fired, a young car mechanic Đuro gets recommendation to look for another job in a remote village. His new boss is warm, old fashioned and naive - completely opposite from the world he's coming from. The peaceful atmosphere is shaken when Đuro falls for a regular customer's wife.

Laibach is a Slovenian avant-garde music group associated with industrial, martial, and neo-classical musical styles. They formed on June 1, 1980 in Trbovlje, Slovenia (then Yugoslavia). Laibach represents the music wing of the Neue Slowenische Kunst (NSK) art collective, of which it was a founding member in 1984. The name "Laibach" is the German name for Slovenia's capital city, Ljubljana.

По рассказу Ф.С. Финжгара «Дядьки» - о трагической судьбе бедной крестьянской девушки Луции, ставшей женой сына богатого крестьянина.

1905 short film showing people walking down a Ljutomer street after mass.

Действие фильма происходит в словенском прибрежном городке во время Второй мировой войны. Фильм рассказывает историю о крестьянах, которые помогают партизанам избавиться от итальянских, а затем и немецких властей, правивших городом в последние годы оккупации.

An ex-partisan and current political activist sets out to Styria region in Slovenia to buy out the wheat from peasants and convince them to form the farming collective. His ostensible success (based on blackmailing rather than convincing), as well as his love defeat, make him disturbed and he kills an innocent man while performing a social mission.

In Ljubljana lives a bus driver Stebe. He's a widower. He lives with five sons and a maid Rozi. The boys are very naughty and keep annoying Rozi and, in fact all neighbourhood. One day Rozi in desperation declares that she is leaving them, because she cant stand it no more. And she does leave, although she is fond of the boys. Soon afterwards Rozi's niece Meri comes by, asking if she might stay because she wants to find herself a job in town. Meri is good girl but cannot cope with the kitchen work as successfully as her aunt. But the whole Steb family seems to be charmed by her. Even one of Stebe's own colleagues, Tone, begins to take interest in the girl. Meri likes him too. Stebe's boys feel quite disappointed because of it. But all's well that ends well: in full conspiracy Meri qualifies as bus driver while Rozi returns to the Stebe family.

2009, Slovenia. For 30 years, Alija, the miner, has been one of the many Bosnian immigrant workers. Due to the crisis, miners are losing jobs. Alija is sent to check an abandoned mine. His task is to quickly make sure the mine is empty before management sells the company. But in the mine, Alija finds hidden proof of executions after WWII. He is told to stop digging and report the mine empty. He decides to continue, although he is risking his job. Alija discovers thousands of executed people. He informs the police. He found women among the dead. Some of them were civilians, missing persons, just like his sister that was lost in the 1995 genocide in Bosnia. Alija is convinced the victims need to be brought out, identified and buried. But there is no interest in doing that. The mine is proclaimed a WWII military grave and walled in. The dead will stay unburied. Alija loses his job and struggles to preserve his dignity.

A short film from Slovenia made by Karol Grossmann.

A story about a couple from the bottom of the social ladder, about smuggling refugees across borders and other 'suspect' things- it is, first and foremost, an attempt to tell a story about the worst in people, wherever they may be coming from.

Story of a small group of people who think there is going to be an attack by a group of rabid animals. They perceive this danger through a trance they invoke by hitting their heads against a stone. They decide to oppose their enemy, and a fierce clash takes place.

Tatjana in Motherland is a partly animated documentary essay about Slovenia and its men. It is a “documentary-tale” of how Slovenian society has been disintegrating in an invisible way. The story will unveil a Slovenian Oedipus archetype of the possessive martyr mother type and her relationship with her son, in which she through emotional manipulation, by constantly creating feelings of guilt, burdens her son to such a degree, that he remains dependent on her for the rest of his life. In order to put this relationship to its best use, all Slovenian governing structures have elevated mother figure on the level of a saint and have assigned to it the cultish role. The result of the Slovenian maternal cult is a typical Slovene male, who is pathologically obsessed with his mother.

A TV journalist making a documentary in a factory finds out that the workers have been on strike and tries to analyze the strike in his film, but is thwarted by the TV company. His failure at his job is interwoven with his failed marriage.

A story set in a Slovenian village during Italian occupation. Stefuc, a man who has been widowed twice and has four daughters, wants to get married for the third time with Zana, who's already engaged and pregnant with Ludvik. Stefuc tries to separate them away, but realizes that he'll have to marry Hedvika, a nice looking girl who has just returned from Milan. In the meantime, Italian fascist authorities decide to eradicate five Slovenian songs with the help of local traitors.

Тасмания, 1954 год: мигрантка из Словении Мелита бросает своего мужа и маленькую дочь Соню. Обезумевший отец Сони продолжает свою новую жизнь в новой стране, но вскоре он впадает в алкогольное отчаяние, и Соня сама оставляет его при первой же возможности. Теперь, почти 20 лет спустя, одинокая и беременная Соня возвращается в высокогорье Тасмании и к своему отцу, пытаясь собрать воедино кусочки своей жизни.

Экранизация первой части трилогии "Кекец из нашего города" словенского детского писателя Йосипа Вандота. Альпы. В долине располагается деревня, в которой господствуют идиллия и доброта. Высоко же в горах, друг напротив друга живут Добрый Дедушка и Злой Человек - браконьер. У Злого Человека есть служанка - девочка Мойка, которая от безысходности терпит и тяжелую работу, и злой характер своего хозяина. Однажды она встречает Доброго Дедушку и рассказывает ему о своей нелегкой жизни. Несмотря на страх перед своим соседом, старичок забирает Мойку с собой, но, к несчастью, попадает в лапы браконьера. Тот привязывает его к дереву и оставляет умирать. Кекец, маленький мальчик, гуляя в горах, находит старичка, освобождает его, но сам попадает в лапы браконьеру. Теперь только смелость мальчика, его ум, ловкость и бесстрашие могут помочь спастись самому и спасти своих новых друзей...

WWII - Slovenia under Italian fascist occupation. Two friends separated by a woman they both loved, and then by war as well: one of them joins partisans, the other Italian occupying forces.

Через горы и долины со звонкой песней добрый и веселый мальчик Кекец направляется на хутор к Скаларам пасти стадо. Вместе с Кекецом на горное пастбище отправляются сын хозяина, трусишка Рожле, и слепая девочка Мойца. Рожле боится всего на свете, а больше всего тетку Пехту, которая живет в горах. Однажды Пехта похищает Мойцу. Кекец отправляется на её поиски и освобождает девочку. От Мойцы он узнает, что у Пехты есть лекарство, которое излечивает слепоту. Смелый и упорный Кекец преодолевает все препятствия, добывает лекарство, и счастливая Мойца снова видит.