Chainsaw Bunny (2019)

A magnet moves on a floor. A moth beats against a window. A doll child watches the magnet; threads of metal filings gather around the magnet.

Near an extraordinary chair with many legs, a hand is visible gripping an edge. The hand is weathered, the fingers cracked and scarred. The end of a rifle appears and a shot fires. The bullet is visible whirling through space; it caroms and then goes through a pine cone. A long spoon emerges from a drawer in the chair and stretches toward the hand. The bullet is on the spoon. Later, the hand holds the bullet between two fingers; another shot is fired.

Short animated film featuring the song "Can't Go Wrong Without You" by His Name Is Alive.

Tintin finds himself involved in a mystery related to a drowned man, a can of crabmeat and a ship called Karaboudjan. After investigating the ship, Tintin discovers that the shipment of cans does not contain exactly crabmeat.

In a distant planetoid, an industrious but hapless old farmer strives to make his vegetables flourish, however, to no avail.

Необычный и концептуальный короткометражный мультфильм от индийского режиссера, снятый в Канаде. Под звуки музыки на экране происходит красочное действо: появление жизни из простых форм, от бактерий, водорослей до сложных форм жизни. Животные «поедают» друг друга, превращаясь из одного в другое. На смену динозаврам приходят привычные нам звери. Наконец, на экране возникает человек и последствия его появления — все более изощренные виды войны. Примечательно, что все персонажи картины «Игра в бисер» сделаны из бисера.

Этот короткометражный фильм о доисторических временах был создан для Edison Company Уиллисом Х. О'Брайеном, пионером американской покадровой анимации.

With only one male grey panda left in the entire world, Ron the Zookeeper is sent in to get a sperm sample, no matter what.

Pieces of wood are captured by a crow and dance in celebration of spring in this animated short film.

Two brothers, who are both hunters and live with their mother, go to the mountains to set traps for deer. Suddenly, a demon grabs the younger brother. The older brother shoots an arrow, severing the demon's arm, which they plan to take home. But they make a grisly discovery on the journey home.

A short film featuring Komaneko the curious cat during the days leading up to Christmas Eve when her parents are scheduled to return home.

The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London.

Jeannot, a young boy living in the countryside with his mother and grandfather, ventures into the forest at night to pick a fern flower before the cock crows.

Traditional clay-mation and stop-motion animated film.

An "electronic puppet" version of the Humperdinck opera, adapted for children and using spoken dialogue as well as Humperdinck's music.

Jasper and the Haunted House is another George Pal Puppetoon about a black boy and his troubles. This time, the scarecrow switches a sign that leads Jasper to a haunted house instead of a deacon's place where he brings a pie.

In a dense forest, a monoceratops-type plant-eating dinosaur is stalked by a carnivorous Tyrannosaurus rex.

Puppet animation of Bert Ambrose and His Orchestra performing. A Puppetoon animated short film.

Laid-off old mannequins spend their cracked and broken lives in an old, abandoned warehouse. New mannequins are brought to the warehouse. They are old as well, but from a younger generation. The two groups must live together, but it's not easy at all.

“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher