Kasala! (2018)

A loving husband is diagnosed of brain tumor that threatens his life. He has a last request that sends his family into disarray. He soon realizes the effect of his request in his family. He begins to seek a solution to his problem and a way to bring his family back together.

GONE TOO FAR follows two estranged teenage brothers over the course of a single day as they meet for the first time, and struggle to accept each other for who they are. Yemi can't wait for his big brother to join him on the estate in Peckham - but when Ikudayisi arrives from Nigeria wearing socks and sandals Yemi questions both his judgement and his African heritage. A day on the estate filled with danger and excitement teaches both of them the values of family and self respect.

Six friends embark on a journey to investigate the mysteries of the Ozalia Forest in Nigeria.

Этот фильм о том, как современная культура входит в конфликт с копирайтом, о том, какие альтернативные модели взаимоотношений «интеллектуальной собственности» и копирования существуют и работают по всему миру от бразильской технобрэги до ноливудского кинопрома в Нигерии, от американских звёзд мэшапа, до отечественной горбушки, The Pirate Bay, Creative Commons – всё самое сладкое за один час.

Cancer specialist Dr. Michael Durant forms an unlikely bond with seven year old Sam and becomes desperate, willing to risk anything to save the child’s life. A surreptitious Nigerian Nurse convinces him to seek the help of Dr. Bello, an uncertified Nigerian Doctor, known in the Brooklyn-African underground as a miracle worker.

A slick serial seducer bets his friends that he can bed three old flames in six weeks, in this risqué comedy from the director of the smash hit Wives on Strike.

Two buddies and a girl, down on their luck, have their lives changed when one of them discovers a mysterious figurine in an abandoned shrine which, according to legend, bestows seven years of good luck. But no one told them about the next seven years...

Mid-air difficulties force a Nigerian commercial plane into an emergency landing with devastating consequences.

Lucifer sends his trusty minions out into the world to lead the good folk of Nigeria unto temptation in order to lock them into his cage. The good pastor Lazarus who has noticed the signs, realizing that hell is about to be unleashed on Earth, sets about righting wrongs through the power of prayer.

In the face of unspeakable pain, a couple must find a way to live and love again.

After an expensive night out, two flatmates get tangled in an overnight misadventure to recover their rent money to pay their dead landlord's daughter.

Some con artists come together to work on stealing a huge sum of money as failure with the operation puts their lives in the way. The mission leads to betrayal, friendship and true love.

In the mid-nineties, a 12 year-old boy (KOSSI) with genius-level intelligence, is one of many children trafficked through the Nigerian borders from Togo. He dreams of a better life, but with barely any education, he knows his future is compromised.

A born again Christian girl, Ifeoma (Genevieve Nnaji), is faced with the ultimate dilemma when her boss, Stanley (Desmond Elliot), offers to give her the cash needed to operate on her dying brother, but only on the condition that she sleeps with him.

An intriguing story about how Brianna wants to marry the love of her life (Benny) but her mother has arranged for her to marry the prince. Trouble ensues when the royal family find out about Brianna's boyfriend.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

PASTOR PAUL is a feature film about a white tourist in West Africa who is possessed by a ghost after acting in a Nollywood movie.

Kenneth Abah, the managing director of hills group and the son of a famous and influential family is married to Susan, a graduate in law and the daughter of a dry cleaner. Thanks to Ken's social status and arrogance his loving wife becomes his maid. But when Susan becomes tired and complains, he proposes a divorce. Will she accept his proposal or continue with this domestic slavery?

Short satirical fable about a 'child witch' called Comfort. The Deliverance of Comfort is a critical and densely-layered response to the belief in child witches in some parts of rural Nigeria and Africa. The film questions the very nature of belief and comments on the complex relationship between pre-Christian pagan belief and modern day Nigerian Christianity. The relationship between Exu, The Devil, the human spirit and God. Inspired by the low-fi special effects employed in Nigerian Nollywood films especially when the supernatural is being evoked, "The Deliverance of Comfort" uses these same techniques but challenges the conservative and unchanging ideas about the supernatural drawing uncomfortable conclusions. In essence using Nollywood to subvert Nollywood.

Money is not necessarily the key to happiness. It can easily be considered man's worst downfall. Michael Adeyemi was destined to be a billionaire by the age of 35 and with money comes access to the fine things of life. Find out how Michael's desperate quest for fortune and success would cost him the number one thing money cannot buy - Family. Blinded by selfish ambitions, pride and appetite for greed leads him down a path of self-destruction, blinding him to the only thing that is worth saving. It all comes crashing down on "Boxing Day" where Michael is swept under a sea of adversities caused by none other than himself. Watch this downpour of self-inflicted wave of adversities with rippling effects that triggers thought provoking questions, of love, pain, pride and ultimate redemption - what if you never get that second chance?