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Жажда (1979)

This ancient Evil is now a modern industry.

Жанр : ужасы, мелодрама, триллер

Время выполнения : 1Ч 35М

Директор : Rod Hardy
Писатель : John Pinkney

Краткое содержание

Преступники, оказавшиеся руководителями загадочного братства, похищают Кейт, чтобы сообщить ей, что она принадлежит к древнему вампирскому роду. Ее привозят в неприметное поместье — законспирированный завод по выкачиванию крови из жертв-доноров. Ошеломленная девушка пытается бежать из этого чудовищного места, но разве можно убежать от судьбы?

Актеры

Chantal Contouri
Chantal Contouri
Kate Davis
Max Phipps
Max Phipps
Mr. Hodge
David Hemmings
David Hemmings
Dr. Fraser
Henry Silva
Henry Silva
Dr. Gauss
Robert Thompson
Robert Thompson
Sean
Rod Mullinar
Rod Mullinar
Derek
Rosie Sturgess
Rosie Sturgess
Lori
Walter Pym
Walter Pym
Ditcher
Amanda Muggleton
Amanda Muggleton
Martha
Lulu Pinkus
Lulu Pinkus
Nurse
Shirley Cameron
Shirley Cameron
Mrs. Barker

Экипажи

Rod Hardy
Rod Hardy
Director
John Pinkney
John Pinkney
Screenplay
Antony I. Ginnane
Antony I. Ginnane
Producer
William Fayman
William Fayman
Executive Producer
Brian May
Brian May
Original Music Composer
Vincent Monton
Vincent Monton
Director of Photography
Philip Reid
Philip Reid
Editor
Jon Dowding
Jon Dowding
Production Design
Jon Dowding
Jon Dowding
Art Direction
Aphrodite Kondos
Aphrodite Kondos
Costume Design
Barbi Taylor
Barbi Taylor
Associate Producer
Jennifer Barty
Jennifer Barty
Production Manager
Louis Irving
Louis Irving
Camera Operator
David Brostoff
David Brostoff
Focus Puller
Paul Clark
Paul Clark
Sound Recordist
Tony Holtham
Tony Holtham
Gaffer
Noel Mudie
Noel Mudie
Key Grip
Suzy Wood
Suzy Wood
Still Photographer
Ken Sallows
Ken Sallows
Assistant Editor
Margaret Cardin
Margaret Cardin
Negative Cutter
Grant Page
Grant Page
Stunt Coordinator
Grant Page
Grant Page
Stunts

Подобные

Одинокие мертвецы
Девочка Нами - сирота при живых родителях: ее отец всецело поглощен мамой, а мама всю себя посвятила заботе о чужих детях. Единственный человек, который о ней заботится - старшая сестра. Однажды мама решает полностью посвятить себя благотворительности и бросает семью, папа замыкается в себе и сходит с ума на почве религии, а сестра сбегает с парнем, чтобы создать нормальную семью. Отныне ее воспитателем и самым близким человеком становится ведущий ТВ-шопа, который смотрит только на нее и видит только ее. Время прошло, Нами повзрослела и у нее появилось странное хобби - выслеживать таких же одиночек, как она сама, классифицировать их и наблюдать за ними. И среди всей этой огромной толпы одиноких, замкнувшихся и вырванных из социума людей, она привязывается к одному по неизвестной причине. Теперь он принадлежит только ей...он должен смотреть на нее и видеть только ее.
Lagarista
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Очень паранормальное кино
Пародия на фильмы ужасов. Героями этой истории стала парочка влюблённых, только недавно переехавшая в новый дом. Они долго ждали этого момента, чтобы наконец-то быть наедине. Но в первую же ночь в момент сильного сексуального желания их внимание привлекает что-то необычное и тем самым портит долгожданный момент близости. Это повторяется каждый раз, как герои намереваются заняться сексом. Наступает момент, когда они становятся куда злее их домочадца — большого Зла.
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Liberty & Bash
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Le dolci zie
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Chiquidracula
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The Fight for Life
The Fight for Life was documentary filmmaker Pare Lorentz' first "dramatic" film, utilizing the talents of several top New York stage actors. A tribute to the Chicago Maternity Center and its efforts to provide the best possible care for destitute mothers, the film is based on the book of the same name by Paul de Kruif. Myron McCormick plays the largest role as a dedicated intern, while others in the cast include such theatrical heavywrights as Will Geer, Dudley Digges and Dorothy Adams. The film's many vignettes range from the tragic (a mother dying in childbirth in the opening scene) to the exultant (another mother rescued from the brink of death in a disease-ridden tenement). Filmed in Chicago, Detroit and Cleveland, Fight for Life is a worthwhile effort, though Lorentz seems more comfortable with the "actuality" scenes than with the dramatized passages.
Nurse Edith Cavell
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Queen of Sex
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Dick Figures: The Movie
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The Blonde Vampire
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Last Few Weeks
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Enactone
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Gone Tomorrow
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Hi, It’s Your Mother
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Cunt Dykula
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