Pink Beach Red Desert Dream Sand Film (2017)

A comic and melancholic take on the struggling artist, shot on 35mm.

In Taiwan, there is a group of people participating in this race against time. They are hidden inside the film archive of New Taipei City’s “Singapore Industrial Park”, where the 17,000-plus film reels and over a million film artifacts have become their spiritual nourishment. Day after day, they shuttle back and forth inside, carrying their doubts, their learnings, and their faith. What they are doing is awakening these long-neglected film reels, then piecing together the no-longer-existent social atmospheres and lives of distant pasts recorded on them. And spending time in this archive has become everyday life for these film archivists and restorers.

The film comes from the manipulation of 35mm film material, of old very different movie trailers each other. During the making of the film it showed the need to intervene with pictorial elements and perforations for enhanced images in sequence. With an assembly were cut and reassembled on movie film pieces that have given rise to a sort of "dream epiphany" of pre-existing material. The narration is defined by an "internal gestures" that is contextually develops to become music.

The Philosophy of Horror is a seven-part abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. The film uses hand painted and decayed 35mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).

Valérie Jouve is a weel-known photographer, and Grand Littoral is her first film. Out the outskirts of Marseille, in a landscape criss-crossed by motorways, railways and srubland paths, some figures that seem to be from her famous photos passby and bump into each other. They act as our guides in a tour without beginning or end. How do you look at a place without taking possession of it? How do you describe characters without confining them within a given plot? How do you make the transition from still shots to moving pictures? this brief, musical film leaves us asking these and other unresolved questions.